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Building A Writing Desk

 
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Manage episode 431713221 series 3589219
Content provided by Benham Design Concepts. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Benham Design Concepts or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, I show my process for building a custom writing desk. The desk is made from American cherry, and the sides and drawer pulls are accented with ambrosia maple. The drawer pulls also have a walnut accent.

This desk was built for a client in Denver, Colorado; if you are interested in a Custom Desk, let me know, and I will be happy to design one for you.

The video starts by fabricating the legs, which have an elegant curve. I always find it best to cut the joinery in the legs before cutting the curves, so before cutting the curve, I first cut all the mortise and tenon joints. The ambrosia side panel is attached to the rails with a tenon that seats into a slot. The top has beveled detail added to the underside to give it a lighter appearance.

  continue reading

3 episodes

Artwork
iconShare
 
Manage episode 431713221 series 3589219
Content provided by Benham Design Concepts. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Benham Design Concepts or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, I show my process for building a custom writing desk. The desk is made from American cherry, and the sides and drawer pulls are accented with ambrosia maple. The drawer pulls also have a walnut accent.

This desk was built for a client in Denver, Colorado; if you are interested in a Custom Desk, let me know, and I will be happy to design one for you.

The video starts by fabricating the legs, which have an elegant curve. I always find it best to cut the joinery in the legs before cutting the curves, so before cutting the curve, I first cut all the mortise and tenon joints. The ambrosia side panel is attached to the rails with a tenon that seats into a slot. The top has beveled detail added to the underside to give it a lighter appearance.

  continue reading

3 episodes

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