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MPP 010: Choral Music with Dominick DiOrio

1:08:40
 
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Archived series ("Inactive feed" status)

When? This feed was archived on July 12, 2019 01:17 (5y ago). Last successful fetch was on October 31, 2018 12:39 (5+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

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Manage episode 151538751 series 1030619
Content provided by Dennis Tobenski. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Dennis Tobenski or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Composer & conductor Dominick DiOrio is a supremely talented musician, and we have many friends in common who have raved about him to me over the years. He's a widely-respected choral conductor, and a huge champion of new music, so I've been interested in getting him on the show from the word "go".

We have a few audio issues at the beginning of the episode, but everything smooths out nicely after a few minutes, and we have a really wonderful chat.

In the course of our conversation, we talk about:

  • Wearing the dual hats of conductor and composer
  • How performative pursuits can inform your writing, and vice versa
  • Common score review practices for choral conductors
  • Composers who have (or don’t have) a vocal sensibility
  • Adjudicating competitions, and what disqualifies many entries in the first round
  • Recording requirements in competitions
  • The evolution of choral music in the US, and its effect on choral writing
  • The affinity toward new music in the choral world
  • Operatic vocal technique as the primary style taught to voice majors
  • Self-conscious composition
  • Giving students compositional tools without pushing them into a particular style
  • Submitting works to conductors and ensembles

Links: Dominick DiOrio NOTUS: IU Contemporary Vocal Ensemble Graphite Press

  continue reading

64 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on July 12, 2019 01:17 (5y ago). Last successful fetch was on October 31, 2018 12:39 (5+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 151538751 series 1030619
Content provided by Dennis Tobenski. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Dennis Tobenski or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Composer & conductor Dominick DiOrio is a supremely talented musician, and we have many friends in common who have raved about him to me over the years. He's a widely-respected choral conductor, and a huge champion of new music, so I've been interested in getting him on the show from the word "go".

We have a few audio issues at the beginning of the episode, but everything smooths out nicely after a few minutes, and we have a really wonderful chat.

In the course of our conversation, we talk about:

  • Wearing the dual hats of conductor and composer
  • How performative pursuits can inform your writing, and vice versa
  • Common score review practices for choral conductors
  • Composers who have (or don’t have) a vocal sensibility
  • Adjudicating competitions, and what disqualifies many entries in the first round
  • Recording requirements in competitions
  • The evolution of choral music in the US, and its effect on choral writing
  • The affinity toward new music in the choral world
  • Operatic vocal technique as the primary style taught to voice majors
  • Self-conscious composition
  • Giving students compositional tools without pushing them into a particular style
  • Submitting works to conductors and ensembles

Links: Dominick DiOrio NOTUS: IU Contemporary Vocal Ensemble Graphite Press

  continue reading

64 episodes

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