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Alexandre Desplat

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Manage episode 165022627 series 1301177
Content provided by BBC and BBC Radio 3. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by BBC and BBC Radio 3 or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Alexandre Desplat is one of the world's leading composers of film music, with more than 120 scores to his name. His big breakthrough came in 2007 with Girl With A Pearl Earring, and since then he's been nominated for innumerable awards, including eight Oscars. 2015 was a particularly interesting year as Alexandre was Oscar-nominated for two films, with The Grand Budapest Hotel beating The Imitation Game on the night.

Alexandre talks to Michael Berkeley about the pressures of writing up to ten film scores a year, the complex relationship between director and composer, and his craving for silence.

His choices of music reflect his diverse musical influences - Boulez, Haydn, Miles Davis, Janacek, and his mother's Greek heritage which is often reflected in his film scores.

Producer: Jane Greenwood A Loftus production for BBC Radio 3.

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421 episodes

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Alexandre Desplat

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178 subscribers

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Manage episode 165022627 series 1301177
Content provided by BBC and BBC Radio 3. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by BBC and BBC Radio 3 or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Alexandre Desplat is one of the world's leading composers of film music, with more than 120 scores to his name. His big breakthrough came in 2007 with Girl With A Pearl Earring, and since then he's been nominated for innumerable awards, including eight Oscars. 2015 was a particularly interesting year as Alexandre was Oscar-nominated for two films, with The Grand Budapest Hotel beating The Imitation Game on the night.

Alexandre talks to Michael Berkeley about the pressures of writing up to ten film scores a year, the complex relationship between director and composer, and his craving for silence.

His choices of music reflect his diverse musical influences - Boulez, Haydn, Miles Davis, Janacek, and his mother's Greek heritage which is often reflected in his film scores.

Producer: Jane Greenwood A Loftus production for BBC Radio 3.

  continue reading

421 episodes

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