In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 324: The Lost One (1951)
Manage episode 207051072 series 2321051
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In The Lost One (AKA Der Verlorene) (1951) we find Peter Lorre as Dr. Karl Rothe (AKA Dr. Karl Neumeister), working at a displaced persons camp after World War II. When a figure from his past, Hösch (AKA Nowak) (Karl John), appears at the camp the two men reminisce about their shared history during the war.
The film is a tense film noir by way of the German trümmerfilm (rubble film) and the only feature directed by Peter Lorre.
Daniel Bird and Samm Deighan join Mike to discuss The Lost One, Fritz Lang's M, and much more.
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The film is a tense film noir by way of the German trümmerfilm (rubble film) and the only feature directed by Peter Lorre.
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1372 episodes
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Manage episode 207051072 series 2321051
Content provided by The Projection Booth and Weirding Way Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Projection Booth and Weirding Way Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In The Lost One (AKA Der Verlorene) (1951) we find Peter Lorre as Dr. Karl Rothe (AKA Dr. Karl Neumeister), working at a displaced persons camp after World War II. When a figure from his past, Hösch (AKA Nowak) (Karl John), appears at the camp the two men reminisce about their shared history during the war.
The film is a tense film noir by way of the German trümmerfilm (rubble film) and the only feature directed by Peter Lorre.
Daniel Bird and Samm Deighan join Mike to discuss The Lost One, Fritz Lang's M, and much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
…
continue reading
The film is a tense film noir by way of the German trümmerfilm (rubble film) and the only feature directed by Peter Lorre.
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Learn more about your ad choices. Visit megaphone.fm/adchoices
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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