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Brass 2 (10 mins, ~8 MB)
MP3•Episode home
Manage episode 205946987 series 2306231
Content provided by Clive Greated and Clive Greated (c.a.greated@ed.ac.uk). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clive Greated and Clive Greated (c.a.greated@ed.ac.uk) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Almost all brass instruments have air column resonances which are close to forming a harmonic series; this gives rise to the familiar pattern of “bugle call� natural notes. In the upper register the harmonics are close enough together to allow a diatonic scale to be played without modifying the tube length, although certain harmonics have to be modified in pitch by lipping or hand-stopping. The much larger pitch intervals between the lower harmonics can be filled in by changing the tube length: this can be done either by a slide as on the trombone, by a set of valves as on the trumpet, or by a set of finger holes as on the serpent.
![Cornett](http://www2.ph.ed.ac.uk/~clive/MusicalAcoustics/2010/Cornett.JPG)
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11 episodes
MP3•Episode home
Manage episode 205946987 series 2306231
Content provided by Clive Greated and Clive Greated (c.a.greated@ed.ac.uk). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clive Greated and Clive Greated (c.a.greated@ed.ac.uk) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Almost all brass instruments have air column resonances which are close to forming a harmonic series; this gives rise to the familiar pattern of “bugle call� natural notes. In the upper register the harmonics are close enough together to allow a diatonic scale to be played without modifying the tube length, although certain harmonics have to be modified in pitch by lipping or hand-stopping. The much larger pitch intervals between the lower harmonics can be filled in by changing the tube length: this can be done either by a slide as on the trombone, by a set of valves as on the trumpet, or by a set of finger holes as on the serpent.
![Cornett](http://www2.ph.ed.ac.uk/~clive/MusicalAcoustics/2010/Cornett.JPG)
…
continue reading
11 episodes
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