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Episode 46: Gino Fanelli

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Archived series ("Inactive feed" status)

When? This feed was archived on May 26, 2022 23:10 (2y ago). Last successful fetch was on March 13, 2022 09:53 (2y ago)

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Manage episode 210649506 series 2364272
Content provided by Heather Leigh Holt. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Heather Leigh Holt or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

On this week’s Open Mic Spotlight podcast, New Orleans-influenced singer-songwriter Gino Fanelli stops by the studio to discuss his reverence for jazz vocalists, the history of his own cross-genre work and coffee can nachos—he also works his way through a handful of songs that span the length of his influences. Taking inspiration from artists like Louis Prima, Louis Armstrong and Jack Scott, Fanelli wrings a boundless emotional echo from the strings of his guitar, revealing both the staggering possibilities and rhythmic subversion that can be wrought from his chosen instrument.

Whether he’s performing and discussing the sonic details of King Louie’s song from “The Jungle Book” or the journey from his hometown of Detroit to Chattanooga, Fanelli creates a familiar and intimate space for his words and music to roam, filling the studio with a N’awlins shake and swagger that compliments the complex rhythms that form around his lyrics. With a history that includes time wandering the depths of rockabilly, swing and jazz, he filters all these sounds into a focused roar that immediately captures the mischievous spirit of Bourbon Street and all-night parties soundtracked by a coterie of ecstatic musicians.

  continue reading

81 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on May 26, 2022 23:10 (2y ago). Last successful fetch was on March 13, 2022 09:53 (2y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 210649506 series 2364272
Content provided by Heather Leigh Holt. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Heather Leigh Holt or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

On this week’s Open Mic Spotlight podcast, New Orleans-influenced singer-songwriter Gino Fanelli stops by the studio to discuss his reverence for jazz vocalists, the history of his own cross-genre work and coffee can nachos—he also works his way through a handful of songs that span the length of his influences. Taking inspiration from artists like Louis Prima, Louis Armstrong and Jack Scott, Fanelli wrings a boundless emotional echo from the strings of his guitar, revealing both the staggering possibilities and rhythmic subversion that can be wrought from his chosen instrument.

Whether he’s performing and discussing the sonic details of King Louie’s song from “The Jungle Book” or the journey from his hometown of Detroit to Chattanooga, Fanelli creates a familiar and intimate space for his words and music to roam, filling the studio with a N’awlins shake and swagger that compliments the complex rhythms that form around his lyrics. With a history that includes time wandering the depths of rockabilly, swing and jazz, he filters all these sounds into a focused roar that immediately captures the mischievous spirit of Bourbon Street and all-night parties soundtracked by a coterie of ecstatic musicians.

  continue reading

81 episodes

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