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Episode 33 - Paul Jernberg Pt. II: The Difference Between Sacred Music and Art (Classical) Music

 
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Content provided by David Clayton. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by David Clayton or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, the second in my series on sacred music with Paul Jernberg, we discuss the difference between sacred and secular music; and the difference between sacred and art/classical music. Each has a dignity and a beauty, but even the greatest classical music is generally not appropriate for the liturgy. Sacred music must be austere but accessible, simple but not simplistic, beautiful and dignified. It is primarily vocal this allows intimacy, depth, and nuance that communicates itself to the “common man”. The rhythms are based on the Word, rather than the words fitting into pre-conceived rhythmic structures, and the modes and melodies are clearly sacred in their form.

We also discuss why we must have composers today. It is not enough to rely on the canon of chant and polyphony from the past.

Paul Jernberg is the directory of the Magnificat Institute of Sacred Music

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77 episodes

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Manage episode 230228725 series 2452099
Content provided by David Clayton. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by David Clayton or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, the second in my series on sacred music with Paul Jernberg, we discuss the difference between sacred and secular music; and the difference between sacred and art/classical music. Each has a dignity and a beauty, but even the greatest classical music is generally not appropriate for the liturgy. Sacred music must be austere but accessible, simple but not simplistic, beautiful and dignified. It is primarily vocal this allows intimacy, depth, and nuance that communicates itself to the “common man”. The rhythms are based on the Word, rather than the words fitting into pre-conceived rhythmic structures, and the modes and melodies are clearly sacred in their form.

We also discuss why we must have composers today. It is not enough to rely on the canon of chant and polyphony from the past.

Paul Jernberg is the directory of the Magnificat Institute of Sacred Music

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  continue reading

77 episodes

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