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Shawn Mendes and the Rhythm of Rhyme

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Content provided by Vox Media Podcast Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Vox Media Podcast Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Shawn Mendes’ hit song “If I Can’t Have You” is so ridiculously catchy that Charlie had it stuck in his head after the first chorus. How is that possible?! Declamation, or the way that text is set to music, is a big part of the song’s appeal—every word that Mendes sings is perfectly in rhythm. In this episode we use Mendes’ latest track to explore creative declamation throughout history. How do artists from Whitney Houston to Queen to Taylor Swift keep finding new ways to sing the word “somebody”? Why did the composer Georg Friedrich Handel get in trouble for a bit of awkward text setting in one of the most famous pieces of Baroque music? And, does Beyoncé even know how to pronounce “sandcastles”? Finally, Mendes’ hit leads us to ask: is “incorrect” declamation is something to celebrate, or criticize?

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403 episodes

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Shawn Mendes and the Rhythm of Rhyme

Switched on Pop

11,002 subscribers

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Manage episode 238187700 series 2301125
Content provided by Vox Media Podcast Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Vox Media Podcast Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Shawn Mendes’ hit song “If I Can’t Have You” is so ridiculously catchy that Charlie had it stuck in his head after the first chorus. How is that possible?! Declamation, or the way that text is set to music, is a big part of the song’s appeal—every word that Mendes sings is perfectly in rhythm. In this episode we use Mendes’ latest track to explore creative declamation throughout history. How do artists from Whitney Houston to Queen to Taylor Swift keep finding new ways to sing the word “somebody”? Why did the composer Georg Friedrich Handel get in trouble for a bit of awkward text setting in one of the most famous pieces of Baroque music? And, does Beyoncé even know how to pronounce “sandcastles”? Finally, Mendes’ hit leads us to ask: is “incorrect” declamation is something to celebrate, or criticize?

Learn more about your ad choices. Visit podcastchoices.com/adchoices

  continue reading

403 episodes

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