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SMT-Pod

Society for Music Theory

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Check out our website: www.smt-pod.org SMT-Pod is a creative venue for timely conversations about music, with episodes chosen through an open, collaborative peer review process. Audio-only podcasts offer a unique—though non-traditional—way of engaging with music, analysis, and contemporary issues in the field. This new publication medium affords our society both the ability to face outwards, by engaging in public scholarship, and inwards, by hosting meaningful conversations about the activit ...
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In this week's episode, Brent Ferguson talks about a pedagogical approach he implemented with his undergraduate students, an approach he calls the "buffet-style grading system." Let's begin with a student composition from this class. This episode was produced by Jennifer Beavers along with Team Lead Lydia Bangura. SMT-Pod Theme music by Zhangcheng …
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In this week's episode, Stefanie Bilidas and Grace Gollmar discuss the role of timbre in the listener's perception of genre, focusing on cover songs and Massive Attack's discography as two case studies. This episode was produced by Jose Garza along with Team Lead Thomas Yee. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. …
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In this week's episode, Jeremy Orosz discusses a formal trend that's been emerging in pop and rock songs. In the last decade or so, a surprisingly high number of songs in verse-chorus form contain only two statements of the chorus as opposed to the typical three. Over the course of the episode, Orosz walks us through his detailed corpus-based study…
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In this week’s episode, Tori Vilches delves into various adaptations of the Italian folk song “Bella Ciao” in Netflix’s La Casa de Papel, demonstrating its role in symbolizing resistance against oppressive structures and contributing to the humanization of the show’s anti-hero characters, ultimately fostering emotional connections between viewers a…
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This week’s episode will consider The 5th Dimension’s medley, “Age of Aquarius/Let the Sunshine In” (1969) in relation to its Vietnam War Era context and through the lens of Afrofuturism. This episode was produced by David Thurmaier along with Team Lead Richard Desinord. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. For …
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In this week’s episode, game designer Brent Ferguson and composers George Reid and Matthew Ferrandino discuss their chiptune rearrangements of canonical and marginalized composers’ music for the Bardcore video game project. This episode was produced by Zach Lloyd along with Team Lead Thomas Yee. SMT-Pod Theme music by Zhangcheng Lu; Closing music "…
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In this week’s episode, Thomas B. Yee discusses non-octave repeating scales, exploring precedents in the ideas of theorists from outside mainstream music theory and the application of non-octave repeating scales in the works of living composers. This episode was produced by Katrina Roush along with Team Lead Jennifer Weavers. Special thanks to Crai…
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In this week's episode, Nariá Assis and Luís Raimundo investigate sound masses. Their insightful analytical discussion touches on the intricate relationship between texture and rhythm, the historical evolution of the use of sound masses, and current applications in both modern and contemporary classical and electronic music. This episode was produc…
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This episode introduces a simple, but powerful pedagogical exercise inspired by the short story writer George Saunders, which involves listening to a piece of music one segment at a time, describing what you noticed, and guessing what will happen next. This episode was produced by Jose Garza along with Team Lead Jennifer Weaver. SMT-Pod Theme music…
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This episode explores how women in the Azores, a Portuguese autonomous region in the North Atlantic Ocean, use their musical play on the viola da terra (a native Azorean chordophone) as a resource for postcolonial feminine performance. This episode was produced by David Thurmaier along with Team Lead Shannon McAlister. SMT-Pod Theme music by Zhangc…
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This episode, introducing a new podcast by Joe Straus, is a deep dive into the opening measures of Stravinsky's ballet, Petrushka: a close analysis to hear what makes this music tick. Listen to the rest of Joe Straus's podcast: https://open.spotify.com/show/0kLhnp4GA2qJ5YX9lgMYcL This episode was produced by Katrina Roush along with Team Lead Lydia…
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In this week’s episode, the Theorizing African American Music series comes to a close with a poignant conversation between Phil Ewell, Louise Toppin, Teresa Reed, and Jewel Thompson, and a sneak peak at what the future holds for this conference. NY Times article referenced in this episode: https://www.nytimes.com/2022/12/02/opinion/warnock-walker-r…
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In this week’s episode, Phil Ewell sits down with Marvin McNeil, Steph Doktor, Alan Reese, and Maya Cunningham to talk about their experiences at the conference and the fantastic papers they presented and heard. This episode was produced by Megan Lyons. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. Undine Smith Moore's "…
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In this week’s episode, Phil Ewell sits down with Dwight Andrews to talk about his keynote at the Theorizing African American Music conference and their experiences in the field of music theory. This episode was produced by Megan Lyons. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. Undine Smith Moore's "Before I'd Be A S…
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In this week’s episode, Christopher Jenkins, with a guest appearance by Phil Ewell, interviews the talented musicians who performed in the Theorizing African American Music conference opening concert. **A note from this episode's author: It should be noted that while some of the conversation invokes the term "Afro-diasporic, it should be noted that…
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In this week’s episode, Phil Ewell, Christopher Jenkins, Lydia Bangura, and Susan McClary discuss how the Theorizing African American Music conference came to fruition in the first episode of a series on this monumental conference. This episode was produced by Megan Lyons. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. Un…
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In this week's episode, we'll hear from Rami Stucky as he dives into problematic representation of Black music in the 2018 Oscar winning film Green Book. This episode was produced by Jennifer Beavers. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. For supplementary materials on this episode and more information on our aut…
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In this week's episode, Jenine Brown investigates the emotional impact of meaningful differences she identifies between Ellie Goulding’s cover of “Your Song," and Elton John's original version. Ultimately, Brown's analysis focuses on the feeling of the double upbeat that initiates the bridge that Goulding's includes in her interpretation of "Your S…
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In this week's episode, Melissa Hoag proposes a method for expanding the repertoire taught in 18th-Century counterpoint courses. This episode was produced by Katrina Roush. Special thanks to Olivia Friedenstab, Corrin Kliewer, Iyla Miller, Mahki Murray, and Kaleigh Schott for their interviews and testimonies. SMT-Pod Theme music by Zhangcheng Lu; C…
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In this week's episode, Kim Soby examines a poem, written by a man, about love, from a woman’s perspective, and questions in what ways might a composer’s gender play out musically?. This episode was produced by Jennifer Beavers. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. For supplementary materials on this episode and…
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In this week's episode Frank Nawrot and Matt Ferrandino analyze three tracks from Tool's 1996 album Ænima that exhibit tonal polymodality, which is the use of simultaneous or juxtaposed modes that share the same tonal pitch center. This episode was produced by David Thurmaier. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss…
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In the first episode of Season 2, Katrina Roush shows us how to examine our personal listening experiences, and discusses why this is an important mode of analysis.. This episode was produced by Katrina Roush and Jennifer Weaver with special thanks to Rachel Short, Rachel Mann, Students in Shenendoah Conservatory’s MUTC 225 class, Jennifer Beavers,…
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