Is playing the harp harder than you thought it would be? Ever wish you knew the secrets to learning music that only the experts and the eight year old YouTube stars seem to know? Want to finally finish the pieces you start and play them with ease, confidence and joy? Harp Mastery founder and Harp Happiness expert Anne Sullivan believes every harp player can learn to play the music they want the way they want. Tune in as she clears the confusion around topics like fingering, technique, sight ...
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Performance Nerves: An Impromptu Discussion - PHH 170
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I don’t know if you know this, but most Mondays I hold a live video call. I call it our Live Monday Warm-Up, and that’s how it started, as a simple warm-up for anyone who wanted to join me. But like most things, it has morphed over time and now it’s actually a warm-up and a mini-masterclass on harp technique. I love these Monday calls and look forw…
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Winning the War of the Rhythms: How to Master 2 Against 3 - PHH 169
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Juggling. Patting your head and rubbing your tummy. Walking and chewing gum. Coordination challenges come in all levels of difficulty. Playing hands together is another one, but it’s one that we harpists eventually get comfortable with. Your right hand does one thing and your left hand does another. For the most part, everything works out, until we…
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Today I’m doing something different on the podcast. I don’t usually talk about what’s happening in my life because this podcast is not all about me; it’s really all about you, me and our harp playing. That means I talk about what I think is important for you to be able to enjoy your harp playing at every step of your harp journey. But a few weeks a…
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Practicing Contentment: How to Balance Progress and Pleasure - PHH 167
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Right now, I’m in a tug-of-war with myself. Usually, I’m all about helping my students and pushing myself to set goals, to find the next level, to discover more harp happiness through progress and growth. But it’s summertime, and I’m facing a tough choice between leveling up or lazing in the sun. I will admit that sometimes the sun wins. This strug…
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Music in Motion: The Art of the Graceful Gesture - PHH 166
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Many harpists can remember the first time they saw someone play the harp. The harp itself looked magnificent: tall, majestic, maybe gold. The harpist might have looked magnificent too, maybe a lovely lady in a flowing gown. The harp and the harpist together made an impressive picture. No wonder people want to play the harp. More than any other inst…
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5 Techniques for Your Left Hand - PHH 165
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I was googling around the internet the other day when I ran into an article that began with this question: “I have completely different fingerprint patterns on both hands. On my right, each finger has a very distinct and similar loop pattern. But on my left hand each finger has a distinct whorl pattern. Why does this happen?” According to the artic…
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Supercharged Sections: Put More Power in Your Practice - PHH 164
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I love riddles. Here’s an oldie but goodie for you. What’s the best way to eat an elephant? One bite at a time. So what’s the best way to learn a piece? One bite at a time, obviously. It’s just that what constitutes a bite isn’t very obvious. How big is a bite? Is it a measure, a phrase or a page? Is it hands separately or hands together? And how c…
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Repetition in Your Practice: Are You Doing Too Much? - PHH 163
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In my family, my grandmother’s sister was pretty much our favorite aunt. Aunt Dolie was sweet and generous, although she never had very much of her own and worked very hard all her life for what she did have. She was a gentle soul and totally without worldly savvy. She lacked a lot of practical knowledge, what we would call “know-how,” But that did…
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3 Mistakes Harpists Make With Gigs with Candace Lark - PHH 162
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I rarely have guests on the podcast, but today I’m so happy to be sharing the show with my dear friend and my former student turned colleague, harpist Candace Lark, If you’re a My Harp Mastery member or in our coaching program, you will already know and love Candace, because she is one of our Certified Coaches and helped me to found our Harp Quest …
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String Strategies for Summertime or Anytime - PHH 161
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They say that only two things in life are certain, death and taxes. But if you’re a harpist you know there is a third certainty; at some point, often at the wrong point, you’re going to break a string. I remember one performance with my flutist friend Joan when one of my high strings broke as I played it at the end of a glissando near the end of th…
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The Other Side of Harp Playing: How to Develop Your Musicianship - PHH 160
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Maybe you’ve noticed or maybe you haven’t, but these podcasts are organized into three different categories. One category is “Practice and Performing” and another is “Music and Meaning.” The third category is “Technique and Musicianship.” Technique is one of those self-explanatory items, but musicianship probably needs a little more description. A …
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Could You Learn a Piece in a Day? - PHH 159
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At one of our Harp Mastery® retreats several years ago. I presented a workshop called “Learn Anything Fast.” That sounds like a pretty ambitious topic, and I imagine that some of the retreaters were a little skeptical. After all, learning a piece of music takes time. But my point in that workshop was this: does it have to take as much time as it’s …
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Memorization Basics: How to Make It Stick - PHH 158
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In a world of sticky notes, Gorilla Glue and tape that can hold a leaky boat together, why can’t we make a piece of music stick in our fingers? Does this sound familiar? We sit down at the harp on Monday with fresh spirit and energy and we dig into the music we want to learn. Tuesday we repeat the process, feeling very virtuous. On Wednesday, we ar…
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I was going through some old music the other day and came across a notation that made me smile. It was written in my best elementary school cursive script and read, “Thumbelina’s having trouble with her thumb.” I don’t even remember what piece of music it was on, but it could have been on just about any one. I always had trouble with my thumbs. In …
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How to Prioritize Your Creativity and Still Get Ahead - PHH 156
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Are you a free spirit, a rebel? Or maybe you just hate being told what to do? I have to admit that sometimes one or more of those labels fits me. Most of the time I toe the line but there are moments when I just don’t want to do the thing I know I should do. Now I’m not talking about anything illegal, immoral or dangerous. It’s more like sometimes …
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Shaped, Stable, Supple: A New Approach to Technique - PHH 155
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Have you ever had one of those moments when you wonder if you’ve been doing it all wrong? It might be something you have taken for granted, a habit maybe, or a process, something you thought was the perfect system. You always have done it that way, but suddenly you have a moment of doubt. Maybe it felt like a blinding flash of clarity; the clouds p…
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3 Bach Pieces Every Harpist Should Know and Why - PHH 154
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Johann Sebastian Bach is a name every musician knows. He is revered as a composer whose music defined musical practices in the Baroque era and whose compositions still influence music and musicians today. Learning about his music and learning to play his music is required study for any music major. But we harpists do feel a little neglected. We pla…
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Tempo Is Not a Number: Finding the Right One for You and Your Piece - PHH 153
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Today’s podcast is all about tempo, and I have to start by saying that tempo is a funny thing. We define it with numbers or with the familiar Italian words, or less familiar French or German ones, and it still seems elusive. Much of the time we try to pin a piece of music down to a number, a mathematically precise ratio of beats per minute. Perhaps…
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When I was preparing for this week’s show, I couldn’t help being reminded of a couple of tired old jokes. Patient: Doctor, it hurts when I do this. Doctor: Then don’t do that. And, Patient: Doctor, it hurts and I don’t know what’s wrong.Doctor: Take two aspirin and call me in the morning. When we’re thinking about our harp lessons, we may sometimes…
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How Your Three-Finger Technique May Be Hurting You…Literally - PHH 151
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It’s high time I got up on my soapbox. It’s not often I do a rant on the podcast, but there’s an issue that has me so fired up that I had to talk about it with you. I believe it’s the result of how we are learning now. There are so many opportunities to learn online, everything from individual live lessons to Youtube videos to video courses to coac…
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Practice Positivity: How to Combat Your Worst Critic - PHH 150
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This podcast episode goes live on April Fool’s Day, and I probably couldn’t have picked a more appropriate day to release it. I didn’t do it on purpose, but today’s topic lines up very nicely with April Fool's. It’s about the fool’s game of self-criticism. I think the most dangerous pitfall for harpists, or for any musician, doesn’t have to do with…
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Stick It! Your Guide to Secure Finger Placing - PHH 149
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We harpists take our finger placement seriously. Getting the right fingers on the right strings at the right time is paramount. One misplaced finger and a whole passage can go wobbly. One of the quotes of Johann Sebastian Bach that comes to my mind at this moment is this one: “It's easy to play any musical instrument: all you have to do is touch th…
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10 Surprising Benefits of Practice Bursts - PHH 148
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Call me crazy if you want. I know your ideal day might be a day at the spa, or sitting on the beach with a good book, or going for a hike in the mountains. Although those all sound good to me, my ideal day - or at least one of my ideal days - would be a day when I could practice all day. A day when I only had to practice would be a true luxury for …
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How to Study a Piece: Look, Listen and Apply - PHH 147
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My husband’s family is German, and even before we were married I discovered that one of the things I had long heard about German housewives was true, at least in my mother-in-law’s house: Germans take a clean house seriously. By American standards my own house isn’t filthy. I keep it fairly neat and decently clean. But my mother-in-law saw clean in…
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Can You Count This? Where Simple Meets Compound - PHH 146
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See if you can guess the answer to this. What can sometimes feel gently rocking like a boat on a lake on a calm summer’s day, and other times puts a lively spring into your step? It isn’t hard, but it’s never simple. You’ve almost certainly encountered it in your harp music, and even though you may be able to play it easily, you may not be able to …
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Playalong Episode: Rediscovering Your Sound - PHH 145
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I am always interested to hear what first attracted harpists to the harp. It’s fascinating to learn the many ways that the harp can draw a potential student. My own story is that I heard the harp on the radio and told my parents that was what I wanted to do. The important part of this story for me is that it wasn’t a gold harp or a pretty dress tha…
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Beyond the Basics: How to Keep Your Technique Growing - PHH 144
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Let’s take this as a given: our technique is at the heart of everything we do at the harp. Intellectually, we know this to be true, but that doesn’t prevent us from being surprised when we run into a passage in a piece we’re learning that our fingers just can’t manage. What the heck? We’ve been doing our daily exercises and most of the time our tec…
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How To Improve Anything - Including Your Harp Playing - PHH 143
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Today I’m going to tell you how to improve anything. I know that sounds like a tall order, but we harpists are all about improvement. Every day in every way we want to get better and better. Many of us like this idea too: slow and steady wins the race. Yes, but remember tortoises live for a very long time. They can afford to take only the slow and …
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Rubato: Secret Sauce for Your Musical Expression - PHH 142
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Every restaurant chain, every chef has their “secret sauce.” It’s that unique ingredient that makes their food taste special every time. It's part of their culinary signature. There is a secret - or maybe not so secret - sauce in musical expression too. It’s rubato. It’s the element of musical pacing that breathes life into music, that keeps it fro…
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3 Great Ways to Start a New Piece - and 1 Terrible One - PHH 141
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I might as well get this out of the way. This is going to be one of those podcasts that sounds like it’s telling you you’re doing it all wrong and you’ve been doing it wrong for years. I say it’s going to sound like that, but I want to be clear that’s not the point of our topic today. The real point is finding a path to growth, a path forward, and …
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Agile Arpeggios: How to Make Yours Ripple - PHH 140
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If I had to choose one finger pattern that I could count on to almost always show up in a piece, it would be an arpeggio. Arpeggios and the harp go together like peanut butter and jelly. In fact, the Italian word for harp is arpa, which has the same first three letters as arpeggio. That’s because the word arpeggio comes from the Italian word arpegg…
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7 Ways You Could be Using Your Practice Time Better - PHH 139
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At its most fundamental, music is sound over time. When you take away the rich harmonies, soaring melodies, complex structures and intricate rhythms, that’s all you have left: sound over time. It doesn’t sound very creative or artistic, but those two elements are the basis of all music. How any single performer combines them is where the artistry l…
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Creating True Confidence; Why the Little Engine that Could Got It Wrong - PHH 138
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The Little Engine That Could was just plain lucky. If you remember that children’s book, when the little engine had to take over for the bigger engines to pull the train loaded with toys over the mountain, he kept telling himself, “I think I can,” even though it seemed clear he was much too small to succeed. While the “I think I can” strategy worke…
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How Not Setting Goals May Save Your Harp Playing - PHH 137
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Happy New Year! It’s the first morning of a new year and I am feeling, as I do every new year, that sense of excitement and possibility that inhabits those empty calendar pages. I can hardly wait to see what 2024 will bring. Since this podcast is going live on New Year’s Day, I thought it was particularly appropriate to talk today about goals. We t…
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A Holiday Harp Music Mix - Just For You - PHH 136
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A special holiday music mix just for podcast listeners! The program: Two from MessiahPastoral Symphony/He shall feed his flock Arranged by Anne Sullivan Greensleeves, from Anne’s Break Forth CD,Arranged by Anne Sullivan Coventry CarolArranged by Anne Sullivan Pat-a-panArranged by Anne Sullivan In Dulci Jubilo, from Anne’s Break Forth CD,Arranged by…
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My Year in Review: Remembering What Really Matters - PHH 135
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The year-end wrap has become a hot trend. The worthy practice of reflecting on the year that is nearly over and the new one about to start is no longer simply a quiet moment with a cup of tea and a journal. It’s an opportunity for businesses to go public with their successes. We at Harp Mastery® have jumped on the bandwagon, too. It’s fun to look b…
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Creating Stillness When You Need It Most - PHH 134
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As I look back over 11 years of blogging and podcasting, there are some trends I notice, topics I talk about with regularity and even predictability according to the seasons. Of course, it’s not a surprise that in December one of the topics that is on my mind - and I’m guessing on yours too - is about keeping your sanity during the holiday rush. La…
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The Christmas Snowball: How to Handle Last-Minute Requests - PHH 133
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Be prepared, the famous Boy Scout motto. I’m thinking that Boy Scouts have nothing on harpists when it comes to being prepared. We harpists have preparation down, whether it is preparing our music, or stocking spare strings or packing our harp bag. However, there are times when even the best preparation doesn’t help, and you might be about to exper…
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What Your Favorite Harpist Needs: A Gift List with a Difference - PHH 132
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Long, long ago in what seems like a galaxy far away, there was no Cyber Monday. There was barely even a Black Friday. We shopped in stores, not on the yet-to-be-imagined internet. And for the children who were dreaming of holiday presents, there was the Sears catalog, the “Wish Book” edition. If you are an American of a certain age, you are nodding…
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5 Quick Technique Routines to Put In Place Now - PHH 131
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Tell me if this sounds familiar. You suddenly realize that everything is quiet and you have 20 minutes all to yourself. Sure, you could sit down with a book and a cup of tea. Or you could spend that 20 minutes practicing. You decide your harp is calling you, so you sit on the bench and look at the music on your stand. But where do you start? You ma…
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Reducing Overwhelm: How Not to Be Your Own Worst Enemy - PHH 130
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As of today, the day this podcast episode goes live, it is exactly six weeks until Christmas. As I said that, a little shiver ran down my spine. What was your reaction? Maybe you are channeling your inner child who can hardly wait for Christmas and you were jumping up and down. But I wouldn’t be surprised if you were a little annoyed or even felt a…
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Performance Preparation: The Yin, the Yang and You - PHH 129
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What’s the hardest thing you’ve ever done? Climbing Mt. Everest? Swimming the English Channel? Raising a teenager? Ok. I haven’t done the first two, but I survived raising a teenager and I think it ranks right up there near the top of the list of hardest things. I actually found a website the other day that listed someone else’s ideas of the hardes…
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Etudify Your Pieces with the Technique Stacker - PHH 128
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If you attended my “Cut to the Chase" webinar a couple of weeks ago, you’ll remember that we were talking about some harp hacks, shortcut “outside the box” solutions for common harp problems. We’re going to talk about another one today. Imagine that you’re learning a piece and it’s going along pretty well. In fact, you may even be excited to think …
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How to Set a Practice Schedule that Will Stick - PHH 127
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Do you feel like you’re failing yourself in your practice? Maybe you feel your practice isn’t as consistent or as focused as it should be. Perhaps even when you have enough time to practice, you’re finding it difficult to get started. You might find yourself sitting down to practice and using all your time deciding what you should be doing. You end…
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Engaging Your Creativity: Making Your Practice Make Music - PHH 126
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What are the qualities you think you need to be a good harpist? I’ll bet every harpist has a different answer for this. Understand that I’m not thinking in terms of the skills useful to a harpist, skills like a good ear, the ability to sight read, musicality, flying fingers, and the ability to memorize. I would agree that those are all important to…
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8 Tips for Perfect Lever Or Pedal Pushing - PHH 125
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I’m a pusher, and I hope you are one too, a lever or pedal pusher, that is. Just imagine a world of harps without levers or pedals. Certainly, there are folk harps that don’t have levers and still play beautiful music. But to me, that’s a little like living in the forest. There is endless beauty in the forest, but I like the seashore and the prairi…
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How to Play Any Piece More Musically - PHH 124
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A long time ago, I attended a concert by a famous pianist, and I overheard two audience members talking about how impressed they were, how the performer’s virtuosity and expressiveness showed true mastery of the instrument. And then I heard the comment that stuck with me: “He could make ‘Hot Cross Buns’ sound like a musical masterpiece.” If you too…
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If I Were Starting Over: What You Should Know - PHH 123
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“If I were starting over, I would…” That's our topic for today’s show. If I were starting my harp journey over again, from square one, what would I do differently, knowing what I know now? Obviously, I have done decades of practice, taken thousands of lessons, done thousands of performances, and I’ve taught countless students. I’ve watched students…
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Finger Fumbles: Is the Problem with Your Technique or Your Reading? - PHH 122
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How can you correct a problem – any problem from a water leak to paper jam in the printer – if you don’t know where the problem really is? Harp playing is no different. Our practice is supposed to help us fix mistakes and even prevent them from recurring, at least to a degree. But if we don’t know where the underlying issue is, it’s nearly impossib…
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Being Prepared: When Practice Is Not Enough - PHH 121
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Benjamin Franklin, who had a note-worthy thought about almost everything, authored this famous truth: “By failing to prepare, you are preparing to fail.” Preparation is everything. We harpists understand that our practice is our preparation. We won’t be able to play well if we don’t practice. We get it. But if you’ve been playing the harp for a whi…
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