The artists and artisans of the fiber world come to you in The Long Thread Podcast. Each episode features interviews with your favorite spinners, weavers, needleworkers, and fiber artists from across the globe. Get the inspiration, practical advice, and personal stories of experts as we follow the long thread.
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Embrace the potential of your phone’s camera, choose indirect lighting (not a flash) to show texture, and get your knits off the ground—these are just a few pieces of Gale Zucker’s advice for how to take knitting photos you love. Whether she’s shooting in a studio or a barnyard, Gale uses her camera to bring her subjects to life. Gale grew up in a …
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Have you ever opened a book or seen a photograph and thought to yourself, “I have to learn to do that”? When Emily Lymm first fell in love with knitting, she wondered casually if she could turn her passion for fiber arts into a profession. Not seeing many successful pathways to a career in knitting, she continued as a graphic designer. She loved th…
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Tommye McClure Scanlin had a choice. To make the images she wanted to create with weaving, she could either pursue complex forms of weaving that rely on dobby, jacquard, and draw-loom technology—or she could go the other way and place every color and pick by hand using tapestry techniques and a very simple loom. Preferring a drawing pencil to a cal…
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Rowland & Chinami Ricketts, Indigo Artists
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Indigo is a unique dyestuff, no less so for being found in so many different plants. Coaxing the blue hue out of green leaves and onto yarn or cloth requires a combination of chemistry and skill that has arisen across the globe. Rowland and Chinami Ricketts each found their own way to indigo in Tokushima, Japan: Rowland was looking for a sustainabl…
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Andrew Wells is the third generation of the iconic American yarn manufacturer Brown Sheep Company. Living near the family business outside Scotts Bluff, Nebraska, he grew up giving tours and sweeping the floors when his parents, Peggy and Robert Wells, ran the business. His grandfather, Harlan Brown, had been a sheep and lamb farmer before deciding…
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Kate Gagnon Osborn & Courtney Kelley, Kelbourne Woolens
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Working together in a Philadelphia yarn store, Kate Gagnon Osborn and Courtney Kelley learned how to help customers choose the right yarn for a project, welcome in timid new knitters, and create samples to help move yarn out the door. They learned what didn’t work (donut-shaped balls of yarn that hopped off the shelves and tangled, patterns that us…
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If you knit, spin, sew, weave, or follow any crafty pursuit, you will not be surprised that many of our most common metaphors come from textiles. They are interwoven in our vocabulary, and whether you like to spin a yarn from words or fibers, you will recognize many of them. But then there are the words whose textile roots are less obvious: Rocket.…
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Masey Kaplan & Jen Simonic, Loose Ends Project
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When Jen Simonic and Masey Kaplan’s friend lost her mother, she had the challenge of going through her mother’s things while grieving her loss. Among her posessions was something almost every crafter has at least one of: a work in progress. Jen and Masey had each finished projects for bereaved family members before, but neither of them could take o…
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Eileen Lee: From Quilts to Jeans to Painted Warps (classic)
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A career professional at Levi Strauss & Company, Eileen Lee learned about dyeing, weaving, and sewing on an international scale: giant factories full of loud looms weaving 2/2 twill, pattern pieces cut out of four-foot-high stacks of cloth, and no possibility of adding a tuck here or a dart there without retooling. During her years in the industry,…
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Lilly Marsh creates blankets, shawls, and other cloth, almost exclusively from local wool. Working closely with farmers and the nearby Battenkill Fiber Mill, she gets to know not only her neighbors but the fibers they grow: the surprisingly lovely wool from East Friesian sheep raised to produce milk, the springy Dorset crosses that are popular in t…
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The call of complexity draws some weavers to more shafts, more structures, more hand-manipulated techniques. For Annie MacHale, refining the techniques and celebrating the artistry of very simple bands has been a lifelong fascination. Starting when she first picked up a shuttle and inkle loom in her teens, Annie has worked in wool, cotton, and hemp…
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“Rule number one: Never drink the dye bath.” Indigo and cochineal may be the most widely recognized natural dyes for many fiber artists, and there’s little temptation of sampling an indigo vat or pot of ground insects. But a simmering kettle of dye mushrooms or lichens? That might smell delicious, but if you’re in a class with Alissa Allen, it’s no…
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In a period when agriculture moved toward chemicals, genetic engineering, and monoculture, Sally Fox decided to explore what could happen if she collaborated with nature instead of fighting it. With an academic background in entomology, she studied ways to minimize the amount of pesticides needed to grow crops, and the more she saw the effects of t…
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When Susan Bateman first opened Yarn Barn of Kansas in 1971, a woman starting a small business couldn’t get a credit card in her own name. Weavers like her had a hard time finding yarns, tools, and other supplies, some of which were only available from overseas, and she thought there must be an opportunity to bring fiber artists more of what they n…
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There may be no other type of textile that is more art and craft at the same time than tapestry weaving. Tapestry allows the weaver to create images with simple tools, but the skills and materials in tapestry are generally hard-wearing. You might find a tapestry on the floor as a rug as often as on a wall as a piece of art. Rebecca Mezoff became a …
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For Hannah Thiessen Howard, slow knitting isn’t about the speed of making stitches or finishing projects. Swift and leisurely knitters alike can embrace the purpose and experience of knitting and how it connects crafter to community. Selecting materials, choosing projects, and approaching your work with an open mind all contribute to a meaningful k…
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Although she grew up in the freezing winters of New York, Keisha Cameron and her husband decided to move their young family to a peri-urban spot outside Atlanta, Georgia, to set down roots and rebuild their connection to the land. They began with raising what their family needed for food and other daily necessities, but over the past decade, High H…
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Justin Squizzero loves exploring the frontiers of technology, seeing how he can tune a piece of equipment to produce a complex textile. The technology that fascinates him reached its peak before the 20th century. Weaving on an old loom doesn’t mean trying to turn back time, though—it means choosing the most refined technology to create the handwove…
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Kaffe Fassett doesn’t play favorites in his work—he doesn’t have a favorite medium, and he definitely doesn’t have a favorite color. What he has is a powerful delight in combining the simple elements of color, line, and image, and a passion for helping other people share in that joy. For someone whose career is inextricably linked to stitching, his…
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Stephany Wilkes, Shearer, Wool Classer & Author
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Between the sheep in the field and the lovely yarn in your hands lies the complex network of the wool industry. Fiber must be scoured, spun, and maybe dyed, and it all starts with shearing. Attending a Fibershed symposium in 2012, Stephany Wilkes was surprised to learn that one of the barriers to local fiber production was a lack of trained shearer…
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What do you get when a crafter who loves colorful hand-dyed yarns (and hates stalking shop updates) crosses paths with a fresh, new yarn producer? Like many of her knitter friends in 2013, Lisa Chamoff was enchanted by the artful and expressive work of the independent dyers whose skeins were cropping up around the yarn world. Shoppers found new fav…
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[Sponsored Content] If you’ve been weaving, knitting, or playing with fiber for long—or if you’ve passed some fiber animals in a field—you probably think you know what an alpaca looks like: a fluffy creature with a long neck and spade-shaped ears. But you may not know that there’s a different kind of alpaca, one whose coat grows in long, silky ring…
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Sarah Neubert, Fiber Art & Radical Repair
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The scale of Sarah Neubert’s work varies from miniature to monumental, from small pieces such as earrings to room-sized installations. She dreams of creating entire woven environments that are sensory and tactile, like cocoons or sanctuaries of fiber. Working on a large scale allows her to explore new techniques and push the boundaries of her art. …
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The picture of a flock of primitive-breed sheep, the last of their kind, living on an island off the northeast coast of Scotland, has a certain romance to it. Plenty of knitters, spinners, fiber artists, and citizens of the modern world might idly dream of living on such an island and tending such a flock. With no background as a farmer and only a …
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Felicia Lo spent most of her college years wearing a lot of black. The bright, happy color combinations that she loved as a child—lime green and hot pink, pink and yellow—didn’t fit other people’s idea of what colors went together, so she avoided wearing colors altogether. It took years to begin introducing color into her wardrobe again. As handdye…
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Mary Jeanne Packer, Battenkill Fibers Carding & Spinning Mill
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In 2009, Mary Jeanne Packer founded Battenkill Fibers Carding & Spinning Mill to work with small farms, yarn companies, and even individual handspinners who wanted great yarn. The partnerships built around the mill are helping revitalize the regional wool economy and sustain shepherds and shops alike. We are far from the days when 13 water-powered …
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Many weavers find their inspiration by asking, “What if...” Since she first sat down at a loom, Deb Essen has pushed the limits of her weaving by asking, “Why can’t I?” Deb has followed that question since childhood, right through her career as a weaving teacher and author. Since she first neglected her table-clearing duties to watch a weaving demo…
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Most of us avoid nettles, thinking of them as weeds whose little stinging hairs can inject a painful toxin into the unexpecting walker. But strolling through the woods near his home in England, Allan Brown was captivated by the tall native plants. Knowing that textile cultures across the world have produced cloth from nettles, he wanted to learn mo…
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Kristin Nicholas: Knitter, Artist, Farmer, Author
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Kristin Nicholas lives in an idyllic historic New England home at the end of a dirt road, the interior handpainted in whimsical, vivid motifs. In neighboring fields, her family's hundreds of sheep graze in historic pastures. “From the outside looking in, it looks like a very romantic life,” she says. “But it is a ton of work. Most sane people would…
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Anita Luvera Mayer, Weaver of Creative Coverings (classic)
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When she married her husband, "polyester kid" Anita Luvera Mayer received an extraordinary wedding gift from her mother-in-law: a loom and weaving lessons. A weaving store owner, Marcelle Mayer gave the same gift to each of her daughters-in-law. The others didn't take to it, but for Anita it was the beginning of a whole new life. Although she prefe…
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Susan Druding was a graduate student at the University of California-Berkeley when she first learned to spin and weave. In the Bay Area of the 1960s, fiber interest and social tensions both ran high. Without a business plan but with a lease on a small storefront, Susan and a business partner opened Straw Into Gold, a store devoted mostly to spinnin…
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After you finish weaving fabric that you love and are proud of, cutting it up can be an unappealing thought. What if it falls apart? What if you make the wrong cut? What if the finished piece doesn't turn out like you picture it? For Daryl Lancaster, the challenges of transforming a handwoven fabric into a wearable garment are the real pleasure—and…
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"All This by Hand"—that's the promise of PieceWork magazine, which was first published in 1993 to honor the handwork created through the ages, mostly by women, mostly with little fanfare. "Handwork reflects peoples history, daily lives, and cultures. In this issue's stories, handwork means physical survival, personal hope, and cultural identity," s…
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Sarah Swett, Fiber Artist & Adventurer
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Don't try to put Sarah Swett in a box—if you do, she might just weave a bag on it. Growing up on the East Coast, Sarah found herself more enchanted with knitting sweaters from farm yarn than the traditional college track. She spent her young adulthood as a ranch hand and cook in Montana and Idaho, where she brought her yarn in by pack mule. She fel…
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Clara Parkes, Bestselling Author and Wool Promoter
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Clara Parkes became many knitters' guiding light and best friend when she launched Knitter's Review in 2000. One of the early standouts in the early online knitting landscape, the site developed a devoted following for its in-depth, objective yarn reviews and lively forums. Several years after the site's inception, she began writing books, starting…
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Lisa Mitchell Lives a Fiber Life—with Guanacos
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After decades as an art therapist in suburban Sacramento, Lisa Mitchell and her husband, Greg Hudson, were ready for a radical life change. In her rewarding but exhausting career, Lisa spent her days harnessing the power of art and handwork to heal others, but she had little time to do it herself. Their concrete-jungle surroundings felt stifling. I…
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Wanting to help the women in her native country called Rangina Hamidi back to Afghanistan. Through the khamak embroidery they have practiced for generations, Kandahar Treasure supports women making a living with their needles. Rangina Hamidi's parents and sisters left Afghanistan whe she was a child in the early 1980s, during the war with the Sovie…
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Venturing to a frozen lake in mid-winter, Josefin Waltin does something remarkable: She breaks the ice with a hatchet and climbs into the frigid water. And unlike an ice-bucket-challenge or polar bear dip, she does this every morning. With her head, feet, and hands covered in handspun wool knitwear, she looks pretty happy doing it, too. Although no…
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The resist-dye technique known as ikat involves wrapping individual threads in careful patterns, dyeing them, and then using the dyed threads as warp, weft, or both. With care and what Mary Zicafoose describes as a lot of fussing, the woven fabric displays a pre-planned design—geometric or figurative, crisp or feathery, multicolored or two-tone. Th…
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The treasure in a handmade life isn’t just mastering skills and making goods, Melanie Falick says—it’s the power in creation, connection, and expression along the way. When Melanie Falick started to knit as a young adult, she fell in love with everything about it: the creative potential of yarn and color, the meditative process, the useful finished…
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Kerstin Neumüller Carves, Weaves, Spins, and Mends
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Admiring the simplicity of traditional bandweaving, Kerstin Neumüller took her love of weaving a step further and learned to carve small, sweet rigid heddles. She was startled to find a big demand for her handmade, handpainted heddles, which sell out as soon as she posts a new batch. With formal training as an apprentice in menswear tailoring, Kers…
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Life lessons are where you find them. Peggy Orenstein found them in her quest to build a sweater from scratch. When I say that Peggy created a sweater from scratch, I mean wrestling a sheep to the ground and relieving it of its wool. Carding said wool by hand while Zooming with her father, who sometimes knew who she was. Spinning that lovely fluff,…
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In 2010, Lynda Teller Pete was living in Denver with her husband Belvin, working full-time in a demanding government job in the Department of Labor, living the life on a modern urban Indian, doing a little weaving in her spare time. Then she pivoted. Quit the job and sat down at her loom and made the commitment to return to her roots. With her olde…
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In Meg Swansen’s world, knitting is so much more than knit and purl. It links music, mathematics, deep history, and world-wide communities. It is a platform for creativity, invention, and technical mastery. Music, you say? That’s how Meg proceeds merrily along a pattern round of several hundred stitches. She sings the repeat. Or at least chants it.…
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Emily Nicolaides, Amazing Circular Weaving
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When you think about circular weaving, you may flashback to weaving on a paper plate or cardboard using simple materials and methods. But artist and weaver Emily Nicolaides has taken circular weaving by storm, opening up the technique to include a new world of richness, beauty, and complexity. In 2016, Emily began exploring shaped tapestry weaving …
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More than spinning, weaving, stitching, or any of the other crafts she's written and published about, Linda Ligon is fascinated by the people who make traditional textiles. From Peruvian spinners to Miao embroiderers to Navajo weavers, the people who make cloth the way their ancestors did have a special interest for her. Many of the people who know…
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Liz Sytsma & Theresa Hill, Wild Hand
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Most stores don't invite passersby to walk up to their shop, open a door, and help themselves—no obligation, no purchase required. But not long after opening new new yarn store in the Mt. Airy neighborhood of Philadelphia, Liz Sytsma hung a box on the side of the store labeled "Little Free Fiber Library." Inspired by the give a book, take a book mo…
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Marcia Young started her craft publishing journey by accident, with a newsletter and website for her local quilt guild. With small children at home, she fit in writing around the edges, until almost overnight she saw an opportunity for a new magazine devoted to fiber arts. Fiber Art Now and the Fiber Art Network began at Marcia’s kitchen table, and…
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Jeanne Carver, Shaniko Wool Company
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More than 100 years have passed since Shaniko, Oregon, went from "Wool Capital of the World" to forgotten spur of the Union Pacific Railway. A dozen miles from Shaniko, R.R. Hinton was the area's largest producer of sheep and wool at his Imperial Stock Ranch, raising Columbia sheep for meat and wool. When Dan and Jeanne Carver bought the Imperial S…
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Catharine Ellis, Woven Shibori & Natural Dye
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Catharine Ellis loved planning weaving projects, but once the warp was on the loom and the design decisions made, much of the discovery was over: with decades of experience, she knew pretty well what the finished project would be. She wasn't bored, exactly, but ready for a new direction in her weaving. Taking a class with shibori master Yoshiko Wad…
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