David Anderson and Eric Williams public
[search 0]
Download the App!
show episodes
 
Artwork

1
Professing Literature

David Anderson and Eric Williams

Unsubscribe
Unsubscribe
Monthly
 
Why do great novels, poems and plays move us and excite us? How can they change the way we look at ourselves and the world? What do these authors have to teach us? Why do they matter? There are no better answers to these questions than those provided by the authors themselves. We want to let them speak. Professing Literature is not a broad summary of major works. Instead, it will zero in on one or two key passages, looking at them closely in order to figure out what is at stake. The goal wil ...
  continue reading
 
Loading …
show series
 
Charles Dickens, Great Expectations. It takes many years and great disappointment for Pip to understand what happened to him. The protagonist of Dickens’ novel lives amid hope and fear, unaware of who it is that shaped his life and what he should really value. His story is about coming to terms with his responsibility, forgiving the ones who had hu…
  continue reading
 
J. R. R. Tolkien, The Lord of the Rings. Tolkien is one of the most beloved writers in the English tradition, though that popularity is a source of frustration to many supposedly sophisticated critics and scholars. However, his fans and his detractors alike often miss not just how carefully constructed his fiction is but how seriously it explores p…
  continue reading
 
John Donne, A Valediction: Forbidding Mourning. John Donne came of age in a high culture whose notions of love were shaped by writers like Philip Sidney. Donne’s own love poetry, though, was very different. Scandalously frank, experimental, intellectually complex, Donne disdains the traditional conventions. Whether praising the beloved or excoriati…
  continue reading
 
Sir Philip Sidney, Astrophil and Stella. Over the course of the sixteenth century English poets experimented with the sonnet form invented by their Italian neighbours, and the Petrarchan conventions that came with it. The goal was a long sequence of many short poems which chronicle the emotional chaos springing from unrequited love. Sir Philip Sidn…
  continue reading
 
John Keats, “The Eve of St. Agnes,” (Part Two). Today we conclude our examination of Keats’ poem, looking at three pairs of stanzas that describe the strange courtship of Porphyro and Madeline and their escape from the castle. We love hearing from all of you. Please email us at ProfessingLiterature@protonmail.com. ------ Theme Music: "Nobility" by …
  continue reading
 
John Keats, “The Eve of St. Agnes” (Part One). The first of a two-part episode that considers John Keats’ gorgeous poem. Set in a dreamy medieval world of castles, blood feuds and esoteric folk rituals, Keats gives us a love story with some of the lushest and most opulent imagery in all of English poetry. However, we begin in a very different atmos…
  continue reading
 
On the day the Nazis invade Poland, beginning the Second World War, a poet nurses a drink in a New York bar. The unwarlike Auden has just immigrated to the United States from England, yet he feels a shadow rising behind him in the east that no one will be able to escape. Auden looks without and within, contemplating the primordial destructive urge …
  continue reading
 
Flannery O’Connor, The Lame Shall Enter First. Sheppard is a high-minded liberal. Norton is his disappointing young son, who seems indifferent to Sheppard’s moral crusades. In the opening paragraphs of this short story Flannery O’Connor presents the two of them at breakfast. Every detail of the depiction alludes to just what is wrong within this li…
  continue reading
 
William Shakespeare, King Lear, Act Four, Scene Five. Lear has lost his kingdom, his family, his security and his sanity. When he encounters his old friend the Earl of Gloucester, who has been savagely blinded, we witness one of the strangest and yet richest conversations in all of literature. Choked with both rage and guilt, Lear intercuts fantasi…
  continue reading
 
William Shakespeare, King Lear, Act One, Scene Four. Looking forward to an easy retirement, where he can maintain the honours of kingship with none of the responsibilities, King Lear abdicates, and banishes the wrong daughter. His loyal fool attempts to show him the error of his ways. We love hearing from all of you. Please email us at ProfessingLi…
  continue reading
 
Alfred, Lord Tennyson, Ulysses. Homer tells of how the mighty king of Ithaca arrived home after twenty years of war and wandering. However, in Tennyson’s monologue, one of the best-loved poems of the nineteenth century, we hear that he is restless and longs for the companionship and adventure that had come to define him. We love hearing from all of…
  continue reading
 
Charlotte Bronte, Jane Eyre, Chapter 12. Late on a winter afternoon a young woman is walking from the country manor where she works toward the neighbouring village. Jane Eyre has known great sadness. She is poor and friendless but also strong and wise, possessed of high integrity and deep faith. When she shortly encounters a strange man on horsebac…
  continue reading
 
St. Luke’s Gospel 8:40-56. In this episode Professing Literature tackles the New Testament. We discuss two intertwined miracle stories in Luke’s Gospel: a healing and a resurrection. Though the stories are short and seemingly simple Luke artfully deploys a handful of key details to help us understand the character of Jesus and the nature of his mis…
  continue reading
 
David and Eric look back over the first series (episodes 1-10) of Professing Literature and David answers some listener questions. We got a great response from listeners and some great questions about episodes 1-10. David also gives a few clues as to what's coming in the next series of episodes (Eric presses him on when there will be more Macbeth!)…
  continue reading
 
A Midsummer Night’s Dream, Act Four, Scene One. When four young aristocrats and a weaver spend a night in the forest outside of Athens they cross into the world of the faeries. The next morning they struggle to understand what happened. We'd love to hear your thoughts on this episode. Please reach out with questions, comments, or critiques to Profe…
  continue reading
 
T. S. Eliot, “The Love Song of J. Alfred Prufrock” (Part Two). The conclusion of our discussion of “Prufrock,” Eliot’s seminal exploration of modern alienation. Professing Literature is officially back! Thanks for your patience during our hiatus. We've got more episodes coming. Thanks so much for your support! We'd love to hear what you think about…
  continue reading
 
T. S. Eliot, “The Love Song of J. Alfred Prufrock” (Part One). This is the first of two episodes devoted to one of the most famous poems of the twentieth century, wherein Eliot’s enigmatic speaker invites us on an evening stroll through his memories, his fears and his inhibitions. We'd love to hear what you think about this episode or any of the ot…
  continue reading
 
Beowulf. A shining young warrior has crossed the water and saved the Danish people from a dreadful monster and his scarcely less dreadful mother. As the Danes honour Beowulf with feasting, gifts and music their aged king offers him some counsel. Hrothgar has ruled the Danes for fifty years, in times of triumph and adversity, and he wants to make su…
  continue reading
 
J. D. Salinger, The Catcher in the Rye, Chapter 11. Jane Gallagher had been the sort of girl who kept her kings in the back row. Is she still? As sixteen-year-old Holden Caulfield unravels over the course of a few days in Manhattan his thoughts often return to Jane, who haunts his memory and is connected to so many of his most pressing obsessions: …
  continue reading
 
John Milton, “When I Consider How My Light Is Spent.” In the early 1650s John Milton lost his eyesight. Blindness forced him out of politics, where he had been an important figure in Oliver Cromwell’s government, and into retirement where he wrote some of the greatest poetry in all of literary history. In this sonnet, though, he wonders if he has a…
  continue reading
 
George Orwell, 1984, Chapter One. The opening paragraphs of George Orwell’s novel seem innocuous, as a man named Winston Smith returns to his apartment building for lunch. However, from the first sentence onward Orwell estranges us from the world we take for granted and begins hinting at the nature of the totalitarian state which he feared might on…
  continue reading
 
Seamus Heaney, “Blackberry-Picking.” Today we consider a lyric poem from Death of a Naturalist, Seamus Heaney’s first collection (1966). In “Blackberry-Picking” Heaney recounts a memory from his childhood, or perhaps from the beginning of his childhood’s end. ---------- We started recording episodes about a year ago and are just now releasing them.…
  continue reading
 
Emma, Vol 3, Chapter 7. A bright summer day in Surrey offers a sharp contrast to emotional storms. In this episode we discuss one of Jane Austen’s great set pieces, the picnic at Box Hill. Emma gets herself into deep trouble when she embarrasses an old friend, and the man who secretly loves her has to summon up the courage to tell her she was wrong…
  continue reading
 
Macbeth, Act Two, Scene Two. In the inaugural episode of Professing Literature we examine a conversation held in the aftermath of one of literature’s most famous murders. Macbeth has just stabbed a king to gain a throne he will never sit upon securely. His tense exchange of words with Lady Macbeth discloses the moral and psychological stakes of the…
  continue reading
 
Loading …

Quick Reference Guide