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Choral Chihuahua is a podcast in which British choral directors chat about things that matter to them: composers they love, points of technique, classic but also niche choral works, other groups and singers they admire. With a light touch, Eamonn Dougan, Robert Hollingworth and now also Nicholas Mulroy chew the choral cud about how (and why) you do it and what they've learnt along the way. Choral Chihuahua is brought to you by I Fagiolini and University of York Music and produced by Polyphon ...
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Choir Fam Podcast

Dean Luethi & Matthew Myers

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The Choir Fam Podcast is a venue for conversations about the current state of choral music. Hosts Dean Luethi and Matthew Myers seek to bring the worldwide choral community closer together through their discussions with a variety of guests who work with choir in its various forms. The goal of the podcast is to provide listeners with interesting tidbits of knowledge they could use in day-to-day choral rehearsals and to bring light to the ways that issues in the choral field are being observed ...
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In Unison

Mission: Orange

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Choir lovers, rejoice! Join International Orange Chorale Director Zane Fiala and SF Chorister Giacomo DiGrigoli as they interview notable choral composers, conductors, and singers, review new and notable performances, chat about the Bay Area choral scene, and cover some of the larger questions, issues, and topics of interest affecting all of us in the choral community. More at https://www.inunisonpodcast.com
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Entertaining and informative discussions abound as host Patrick Vasey and the world's top experts, authors and film historians take a chronological deep dive into the films of Laurel and Hardy. The production history and many untold stories are revealed about these well-loved comedy classics. Regular guests include the world's leading authorities on all things Stan and Ollie and Hal Roach Studios, such as Randy Skretvedt, Richard W. Bann, Glenn Mitchell, Rob Stone, Leonard Maltin, Neil Brand ...
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Dr. David Fryling is director of choral activities at Hofstra University, where he conducts both the select Hofstra Chorale and Hofstra Chamber Choir and teaches beginning and advanced studies in choral conducting, as well as graduate-level studies in choral conducting and choral literature. In addition, he is an adjunct professor for the Hofstra S…
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As a gentle welcome back, therapy is provided for Eamonn's partsong fetish with Eamonn himself, Robert and also some wine. TRACKLISTING : (1) Elgar - The Prince of Sleep; Cambridge University Chamber Choir / Christopher Robinson (2) Elgar - Go Song of mine; Finzi Singers / Paul Spicer (3) Schubert - An die Sonne; Monteverdi Choir / Malcolm Bilson /…
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“A lot of what I end up teaching with regards to all of music, but certainly improvisation, has to do with becoming comfortable. You can do all kinds of different technical exercises, improvisation exercises, conceptual brain project exercises, all of which serve to help the musician become comfortable and fluid with their musical expression so tha…
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“That's my job: to take the foundation of what they have – love of singing and basic vocal technique – and then just refine it, to challenge them to start being more musical artists themselves. I personally do a lot of giving the kids choices: ‘If it's not in the music, how do we want to sing this? What are your thoughts?’ We listen, we reflect. I …
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Joining Patrick to complete the deep dive into Laurel & Hardy's second talkie, Berth Marks, is a film historian and author of 'Smileage Guaranteed, Richard M. Roberts. As well as talking about the film's merits, Patrick also asks his special guest about how he first discovered his love for classic comedy, and his earliest memories of Stan and Ollie…
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“My goal is that no child will leave my classroom thinking they can't sing. If I have a coworker say, ‘I can't sing,’ I'm like, ‘no, no. First, give me 15 minutes and a piano and I will show you that you can. Second, you can't say that because if you say that, then the kids think it's okay to say that.’ I'm really fighting all day to prove to them …
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“I wanted to get kids to work more collaboratively. We say we’re a collaborative group, but the conductor is behind the piano teaching the choir parts rather than saying, ‘here's the part I want you to learn. Go learn it. Here are the expectations and come back and self-assess yourself.’ So, I designed performance tasks. I'll work on it as a group …
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Eamonn & Robert 'get French' but also enjoy Echo Ensemble's new CD 'Innocence' and drop into the York Early Music Festival. Music by Machaut, Ravel, Anna Rocławska-Musiałczyk & anon LINKS : www.tenebrae-choir.com/learning-connection/classroom-singing thesixteen.com/freevideos/eamonns-top-tips-creating-space/ www.echo-choir.com/innocence www.apotrop…
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“At the end of that first year, I did a pops concert. I developed the formula that I use now, which is to make it sound a lot like the actual songs. You give a lot of soloists opportunities to sing solos, especially in the verses which are harder because of the syncopation. We had a band that we hired: some horns, a rhythm section. The kids loved i…
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Robert is in rural Kent, just down the road from Canterbury Cathedral, chatting with back row singers from three cathedrals including WINCHESTER. He also remembers the Nigel Perrin, top line of the original Kings Singers, with Nigel's colleague Alastair Hume. TRACKS : (1) Gabrieli Jackson - Sancte Deus; Canterbury Cathedral Choir / David Newsholme …
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“Uniformity is a two-edged sword, isn't it? Within a choir you need uniformity or you're not going to get a good blend, but within that uniformity, I want as much individuality as possible. I do a lot of 16th-Century music, early 17th-Century music, which has very, very high, passionate stakes. The individual has to come through. That's what makes …
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“The folks who I think are really doing incredible work around the world, not just for one festival or for one tour, but for decades, are the folks who are trying to literally make the world a better place through choral music. How many opportunities can we provide for them so they can feel like they're part of that bigger family to help legitimize…
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Eamon and Nicholas bring you some of their favourite Bach Cantatas. TRACKS : (1) Johann Sebastian Bach - Weinen, Klagen, Sorgen, Zagen, BWV 12: II. Chorus "Weinen, Klagen, Sorgen, Zagen"; Collegium Vocale Gent / Philippe Herreweghe - Listen on Apple Music https://apple.co/3XC892h (2) Johann Sebastian Bach - Nun ist das Heil und die Kraft, BWV 50: N…
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This episode is part one of a two-part look at Laurel and Hardy's second talking picture, Berth Marks. Following their successful first attempt at 'all-talking' comedies, how would Stan and Ollie handle their first adventure filming, not only, outdoors but on location in a noisy, bustling train station? In this solo episode, Patrick talks about the…
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“I haven’t moved exclusively to doing multicultural music in our classroom, but I have done a lot of music that has a positive message that they can relate to. If this song has nothing to do with them, no matter how much I love it, no matter how epic or famous this is, the students will have a hard time connecting to it. I’m not saying that everyth…
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Robert chats to Sammy about his new album of Monteverdi / Purcell and songs from South America 'De pasión mortal' and learns about the history and music of the Clergy Support Trust's May festival. Also a development with the 'Music & Pregnancy' episode. Listen to De pasión mortal by Nicholas Mulroy on Apple Music https://apple.co/3wZ1gNB Support th…
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“From my first ACDA in 1991 to ACDA now: complete reversal. People are not afraid to perform something that moves the soul, and in 1991 nobody did it. Now people are digging in and not being afraid. I applaud all of my fellow choral conductors for being fearless and not being afraid to tell the stories that mean something.” Tim Seelig is a conducto…
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What is new music? And new when? How tricky does it get for singers? Can composers hear what they write? Could they in 1375? Fascinating discussion with composer James Weeks and Lucy Goddard of Exaudi Vocal Ensemble which has attempted the parts other ensembles daren't reach! TRACKS : (1) Michael Finnissy - Tom Fool's Wooing; Exaudi Vocal Ensemble …
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“I have fallen deeply in love with looking at a piece, seeing what it is, and realizing that there are no real absolutes in music. There are no rules. You have to look at each piece of music for what it is and consider it in its historical and cultural context and then find out enough about the composer. It feels like a journey, a rabbit hole that …
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“I grew up thinking that we should sound like the music we're singing. There was never one right way for me. There are those great choral traditions where they sing everything a certain way. I never wanted to be that way. We can do seven different pieces in seven entirely different styles. You would think, 'is that the same choir?' That's something…
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In the third episode about issues facing female singers, Eamonn again talks to Dr Jenevora Williams and Charlotte Mobbs about how physical and mental changes affect singing, with contributions from several female colleagues. TRACKS : (1) Tomás Luis de Victoria - Ne timeas Maria; The Sixteen / Harry Christophers - Listen on Apple Music https://apple…
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“I’ve really enjoyed getting into classrooms to affirm my colleagues. I seek whenever I do a visit to say something that is both positive and true. I could just be positive, but if it’s not truthful, students can sense that. I’ve really enjoyed getting to bop in, see great teaching in action, and affirm my colleagues in front of their students.” Dr…
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Open your eyes and ears to the US choral scene, and be surprised! Christiana Howell and Luthien Brackett tell Sammy and Robert about the wealth of choral music in the US, from schools to spirituals, social change and MONEY... TRACKS : (1) Trad. Arr. F.M. Christiansen - Beautiful Savior; St. Olaf Choir / Anton Armstrong / Kelly Becker - Listen on Ap…
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"Choral programs don't exist in a vacuum. They exist in a place, and they exist in a place that serves a people. That people group is always bigger than choir. The first thing that you've gotta do is answer the question, 'how are my people, how is my place going to be served by choral music?' and then build that. You've gotta build that one step at…
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“Octave displacement is a really big thing with adolescent singers. Make a game out of it - I’ll have them match me, match me up an octave, match me down an octave - versus scolding when you’re in the middle of rep and someone is singing too low and you just point and say ‘that’s too low.’ That’s a little ambiguous for the average 13-year-old. To g…
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Eamonn Dougan kicks-off our eighth season, talking choral conducting with guests Patrick Russill, Hilary Campbell and Jack Apperley. TRACKS : (1) Tomás Luis de Victoria - Tantum Ergo; Choir of the London Oratory / Patrick Russill (2) Judith Weir - Love Bade Me Welcome; Eric Ericson Chamber Choir / Fredrik Malmberg - Listen on Apple Music https://ap…
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To celebrate the podcast's 4th anniversary, we welcome the legendary film critic Leonard Maltin onto the show. Leonard discusses his lifelong love for Stan and Ollie, and Patrick asks him to choose his three favourite films. In addition, Leonard recounts his meetings with Buster Keaton as well as Laurel and Hardy co-stars Billy Gilbert and Dorothy …
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“I started to see the possibilities of what a youth community choir could be. Seeing that profound impact on a young woman was very transformative for me. After two or three years, everything that I did had more layers. There was a new potential of enhancement and community impact. The things that make me go like a volcano are about community, acce…
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“If a student has been unsuccessful at elementary and middle school, by the time they get to high school, it’s really hard to shift and course correct. But if they haven’t been successful at elementary and you get them at the middle school level, you really do have the potential to shift that course in a monumental way, to reshape their views about…
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A Christian service performed on only three days of the year: just before Easter, focussing on the darkness of life without Christ. Insightful chat from Sammy, Robert and (finally) Eamonn with brilliant performances from I Fagiolini (Victoria), Tenebrae (Gesualdo), Les Arts Florissants (Couperin), Trinity Cambridge (Poulenc) and Gesualdo Six (Joann…
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Episode 35 kicks off Season Two of the podcast properly and introduces us to Laurel and Hardy’s talking pictures. Patrick is joined by two of the world’s leading experts in the world of Laurel and Hardy and the Hal Roach Studios. Randy Skretvedt assists in discussing the production history of the boys’ first talkie, Unaccustomed As We Are, and Rich…
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“Contemporary commercial music is closer to the students’ everyday musical culture. There’s that component of culturally relevant pedagogy that both show choir and vocal jazz meet. They are a bit more naturally motivating to a majority of students, and we honor the musical culture of the United States and our popular styles from the last 100 years …
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Revd Canon Dr Victoria Johnson - outgoing precentor at York Minster and incoming to St John's College Cambridge - gives Sammy and Robert some context on Lent while they listen to plangent and powerful tracks by Dobrinka Tabakova, Buxtehude, Tallis (natch) and Bairstow. (THIS EPISODE DOES NOT CONTAIN JAMES MACMILLAN'S MISERERE. BUT IT SHOULD.) Follo…
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"I didn’t want to do any middle level teaching because of behavior, but I ended up teaching eight years at Patrick Henry Junior High. I loved every moment of it. I learned that if the kids loved and trusted you, they would do anything for you. It was just so much fun to take what they were willing to give and do some good work with them. It all tra…
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"The greatest lesson that I learned as a gig singer is that your career and reputation are built one chance at a time. You get one chance and one chance only. If I want people to go out on a limb for me and recommend me for a gig, then I have to make sure that I'm protecting their reputation as well as my own. That starts with never being late, alw…
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Robert tries to understand where singing and music are in schools in 2024 and gets a summary from Tim Burnage on how things have changed. He talks to Thomas Leech, director of the Diocese of Leeds Schools Singing Programme and we also hear from Eamonn in Dublin on a new initiative run by Chamber Choir Ireland. Follow Thomas Leech on X Find out more…
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Thank you for listening to our show this season!! Here are the favorite choral pieces from our guests in the second season: Sommerpsalm, Waldemar Åhlén Christmas Oratorio, Johann Sebastian Bach Komm, Jesu, Komm; Johann Sebastian Bach Agnus Dei, Samuel Barber Bluegrass Mass, Carol Barnett Afternoon on a Hill, Eric Barnum Missa Solemnis, Ludwig van B…
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Choir Fam Minisode 3 includes Lightning Round answers from two of our Choir Fam listeners: Stephen Salamunovich Renton, Washington Anneliese Zook Garfield, Washington We want to hear from you! We'd love all our listeners to answer our Season 1 lightning-round questions for us to share with our audience. We are looking forward to getting to know you…
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We want to hear from you! We'd love all our listeners to answer our Season 3 lightning-round questions for us to share with our audience. We are looking forward to getting to know you better. Email choirfampodcast@gmail.com with the following info: Subject Line: Choir Fam Minisode First and last name, pronouns optional City and state you live in Sc…
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“The number one thing that I look for when I meet a younger conductor is imagination, someone who comes with ideas but also has a story to tell with the music. Often younger conductors are really worried about technique, the way they look, the way they rehearse, but it starts with imagination. What do you want to communicate? People are so worried …
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Clare Wilkinson, Sammy and Robert chat about what matters when singing or listening to polyphony - mostly in Renaissance music but relevant more widely. Some good tips in this one for singers - and even conductors! Follow Clare Wilkinson on X Find out more about Cambridge Early Music Summer Schools TRACKS : (1) William Byrd - Mass for Three Voices:…
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In this very special bonus episode, Patrick welcomes Craig Raguse to the show. Craig is the grandson of the man who was given the responsibility of converting the Hal Roach Studios into a studio fit for producing talking pictures, Elmer Raguse. Craig discusses Elmer's early life and background, his move from the Victor Company in New Jersey to Roac…
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“We are there to be servants of our community. A lot of amateur choirs can become bowling leagues; they show up on Wednesday night, they have a great time, and that’s the reason they do it. I think the trick is to satisfy the needs of our singers, develop them as artists and people, but also make the focus constantly about reaching out to our audie…
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“So many people view conducting as a reflection of the music, and if that works for them, that's great. I view conducting as a reflection of the movement. Undergrads aren't always predisposed to musical language, but they are already predisposed to the language that Laban uses: time, space, weight, flow. Instead of saying 'that's not marcato enough…
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...or IMPENDING DOOM. Nicholas has an actually very light-hearted chat with Ellie Slorach of Kantos Chamber Choir and Harry Bradford of Recordare about the journey with their young choirs so far, while Robert tries to remember what it felt like back in 1986 with I Fagiolini... www.kantoschamberchoir.com www.recordarechamberchoir.co.uk TRACKS : (1) …
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We're back! Our spring season ('spring' is a bit 'hopeful' at the moment and also autumn for southern hemisphere listeners) opens with a look at vocal jazz in the cool company of the sextet, STANDARD DEVIATION. Ever tried it yourself and wondered just how it works? Now you can. Robert is joined by Tegan Eldridge, Olivia Hugh-Jones, Nell Norman, Hug…
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"The question I had to ask myself was, 'Do you want to change who you are as a composer just so can match a particular sound that is in fashion or is expected of you in the concert hall world or do you want to say true to yourself as an artist?'" Time and time again, whenever this question pops up, it's always you turn towards yourself and ask your…
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“The music that I fell in love with that made me want to be a musician when I was a young teenager was not loved because it’s super difficult. That’s not the reason you love music. You love music that makes you feel and makes you think. If something is challenging, that feeling of reaching the finish line and being able to create a performance that…
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In this special bonus episode, recorded live in front of a Zoom audience of some of the Podcast’s Patrons, Patrick interviews Laurel & Hardy expert and film historian, Randy Skretvedt, all about his latest book, entitled March of the Wooden Soldiers:The Amazing Story of Laurel & Hardy’s Babes in Toyland. To purchase a copy of Randy’s new book, clic…
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“You can’t be a good teacher, you can’t be a good conductor, without being a good human being... I’m grateful that I have stuck with so many of the things that felt true to me. I’m honest and vulnerable but also still open to learning from other people, because everything that I do is not right. If I realize it’s not right, I need to ‘fess up to it…
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