Two nerdy sisters discuss the epic and occasionally awful late 1970s science fiction masterpiece, Blake's 7.
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Future History is a dark comedy sketch show that takes a sideways glance at the apocalypse, fake news and mass-ignorance-hysteria. The end is nigh, so dig a hole.
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Occasionally an adventure-minded leader would suggest building long ropes to climb up to Ingle-Land. Shamans suggested the entire earth was rotten, and that they would be climbing from one hell, to an identical or worse facsimile. People liked the word facsimile. They no longer new what it meant, exactly, but took solace in fragments of their share…
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Episode 5 - Gerbil deathcamp customer services department
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Young and old toiled together, and though teeth did rot, no one was unemployed, given work had once more come to mean daily survival. After the Black Rains, the insects were first to die. Then the fish. There was a stay of execution for six months, when turnips would still grow. In turnips we trust. Then all was barren. Written by Hugh Dichmont New…
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The automated security turrets, forged in cement and steel by his majesty’s government to keep the county’s people in, now inadvertently kept the desperate hordes out, as civil war broke throughout the rest of the England- the cracks of gunfire like distant fireworks as Ilkeston burned itself to the ground. Written by Hugh Dichmont New edit release…
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The people of Nottinghamshire found strength in separation, with the abandoned shops and paved streets of derelict town centres pulled up for root vegetables to prosper. Rural communities focused on self-sufficient economies of dung. Written by Hugh Dichmont New edit released 21st April 2020By INFLUENCING MACHINE
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Dubbed “England’s answer to Pompeii”, the 687 inhabitants of Sutton-cum-Lound, known for its proximity to numerous fishing lakes, were poisoned and preserved by formaldehyde from nearby fracking plants, embalming residents in the midst of daily life. Written by Hugh Dichmont New edit released 21st April 2020…
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After the Prime Minister’s death on the 15th of May, ethnic tensions grew in England. Their landslide re-election, coming only days before, had stoked protest among Nottinghamshire dissidents, who used the legacy of Yorkshire’s devolution to once more demand the status of a republic. Written by Hugh Dichmont. New edit released 21st April 2020…
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Thanks to Claire Faas for our logo and Geoff Love’s Big Disco Sound for our music.By Megan & Imogen
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Thank you to Claire Faas and Geoff Love’s Big Disco Sound. Check out our patreon!By Megan & Imogen
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Thanks to Claire Faas and Geoff Love’s Big Disco Sound. Check out our Patreon!By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Sound for our music and Claire Faas for our cover art.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Sound and Claire Faas. Support us on Patreon!By Megan & Imogen
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Thanks to Claire Faas and Geoff Love’s Big Disco Sound.By Megan & Imogen
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Thanks to Claire Faas and Geoff Love’s Big Disco Sound.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Sound and Claire Faas.By Megan & Imogen
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Thanks to Claire Faas for our Logo and Geoff Love’s Big Disco Sound for our intro and outro music.By Megan & Imogen
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Thanks to Claire Faas for our logo and Geoff Love’s Big Disco Sound for our intro and outro music.By Megan & Imogen
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Thanks to Claire Faas and Geoff Love’s Big Disco Sound.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Sound for our intro and outro music, and Claire Faas for our logo design.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Sound for our music and Claire Faas for our amazing logo.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Sound and Claire Faas.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Band and Claire Faas.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Sound and Claire Faas.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Sound and Claire Faas.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Sound for the intro and outro music, and Claire Faas for our beautiful logo.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Sound and Claire Faas.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Sound and Claire Faas.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Sound and Claire Faas.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Sound and Claire Faas.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco Sound and Claire Faas.By Megan & Imogen
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Thanks to Geoff Love’s Big Disco sound for our intro and outro music and Claire Faas for our logo design.By Megan & Imogen
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Music by Geoff Love’s Big Disco Sound. Cover art by Claire Faas.By Megan & Imogen
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Music by Geoff Love’s Big Disco Sound. Cover art by Claire Faas.By Megan & Imogen
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Intro and outro music by Geoff Love’s Big Disco Sound. Cover art by Claire Faas.By Megan & Imogen
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Music by Geoff Love’s Big Disco Sound. Cover art by Claire Faas.By Megan & Imogen
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Music by Geoff Love’s Big Disco Sound. Cover art by Claire Faas.By Megan and Imogen
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Music by Geoff Love’s Big Disco Sound. Cover art by Claire Faas.By Megan & Imogen
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Music by Geoff Love’s Big Disco Sound. Cover art by Claire Faas.By Megan and Imogen
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Cover art by Claire Faas. Music by Geoff Love’s Big Disco Sound.By Megan and Imogen
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Music by Geoff Love’s Big Disco Sound. Cover art by Claire Faas.By Megan & Imogen
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Welcome to Classically Awful, a Blake's 7 Podcast by two nerdy sisters who spent a lot of their childhood rewatching old worn VHS tapes of the series. In this episode we introduce ourselves and talk about why we're so in love with Blake's 7. Music by Geoff Love's Big Disco Sound. Cover art by Claire Faas.…
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