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Looking at cinema's present via its past. The Next Picture Show is a biweekly roundtable by the former editorial team of The Dissolve examining how classic films inspire and inform modern movies. Episodes take a deep dive into a classic film and its legacy in the first half, then compare and contrast that film with a modern successor in the second. Hosted and produced by Genevieve Koski, Keith Phipps, Tasha Robinson and Scott Tobias.
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A cultural flashpoint in the summer of ‘89, Spike Lee’s “Do The Right Thing” has lost none of its power in the last 35 years. Adam and Josh have a Pantheon review, plus thoughts on “Kinds of Kindness” and the new space-age comedy “Fly Me to the Moon.” (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:01:41) Pa…
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Pulitzer-winning playwright Annie Baker’s filmmaking debut JANET PLANET is sort of a dual coming-of-age story, centering a young girl’s fascination with her single mother who is still figuring out her own place in the world. But it also resists broad statements and neat conclusions, giving us space to unpack our own interpretations of the emotional…
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Reviews of Ti West’s horror trilogy-ender “MaXXXine,” Oz Perkins’s “Longlegs” with Maika Monroe and Nicolas Cage, and Kiki Layne in Nicole Riegel’s “Dandelion.” Plus, Roman Polanski’s possibly perfect L.A. noir turns 50. (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:02:29) Review: “MaXXXine” (00:02:30-00:3…
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The clown under the bed. The elevator filled with blood. Scary movies make an impression – especially as a kid. From 2016, Adam, Josh, and special guest Ti West ("MaXXXine") tap into their earliest fears for their Top 5 Childhood Movie Scares. For full access to the show archive, join the Filmspotting Family. Learn more about your ad choices. Visit…
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The new JANET PLANET follows a young girl who comes to see the world differently thanks to a succession of people her hippyish single mother brings into their lives, and more specifically into the home they share. Its sense of the fraught sense of intimacy that accompanies cohabitation by family members and lovers brought to mind Lukas Moodysson’s …
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Critic Roxana Hadadi joins Josh for reviews of “A Quiet Place: Day One” and Lily Gladstone in “Fancy Dance.” Plus, the Top 5 Movie Prequels. (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:04:13) Review: “A Quiet Place: Day One” (00:04:14-00:27:52) Review: “Fancy Dance” (00:27:53-00:37:01) Next Week, Notes (…
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When thinking of a film to pair with INSIDE OUT 2, we purposefully avoided the new Pixar sequel’s 2015 original because the two are so of a piece, delving into the contrasts between them seemed too much like nitpicking. Still, we attempt to make fruitful discussion out of those nitpicks in this week’s conversation about the new film, and perhaps ev…
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With picks heavy on emerging filmmakers, Michael Phillips joins Adam and Josh to count down the best of the year so far. Plus, a Golden Brick nod for Annie Baker’s directing debut, “Janet Planet.” (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:01:58) Picks #5-3 (00:01:59-00:39:16) Review: “Janet Planet” (00…
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INSIDE OUT 2 is quite literally built around the emotional experience of being a young girl, but it wasn’t too long ago that this was uncharted territory for Pixar. That’s why rather than comparing the animation studio’s latest sequel to the original, we’re reaching a little further back in the filmography to revisit its first attempt to tell a sto…
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Austin Butler talks about how he finds a character, and director Jeff Nichols shares his favorite thing about making movies. Plus, a Golden Brick nod for “Tuesday” starring Julia Louis-Dreyfus. (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:02:29) Interview: Jeff Nichols (00:02:30-00:25:19) Interview: Austi…
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The new FURIOSA functions as both a prequel and a sequel within the larger mythology of the MAD MAX franchise, and we’re looking at it from both of those angles this week. First, we talk over why George Miller’s latest might have flopped at the box office (prequel fatigue) and why it feels poised to overcome that reputation in due time (it is the r…
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Richard Linklater’s sexy gun-for-hire flick “Hit Man” just arrived on Netflix. Adam and Josh debate the merits of the film and its star, Glen Powell. Plus, Josh on “Inside Out 2” and Adam on the Chicago burbs-set “Ghostlight.” (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:02:30) Review: “Hit Man” (00:02:31…
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There’s a lot of narrative road between 1979’s MAD MAX and the new FURIOSA, but in pursuing George Miller’s decades-spanning franchise back to its starting line, we uncover a lot about what fuels this saga beyond the big, loud cars. For example, there are also big, loud motorcycles. But more importantly, there’s a healthy skepticism toward revenge …
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With the “Lord of the Rings” trilogy back in theaters, we share Adam and Josh’s 2018 reappraisal of Peter Jackson’s Oscar-winning films, including their picks for the Top 5 "Rings" Scenes. (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:01:06) Sacred Cow Review: “Lord of the Rings” Trilogy (00:01:07-00:37:51…
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Jane Schoenburn’s I SAW THE TV GLOW is a film whose cultural reference points tend to take the form of vibes more than direct nods. But the writer-director's stated inspiration point in DONNIE DARKO can be seen on both the surface — the recent-past suburban setting, the teenage outcasts struggling to relate to the world around them — and on a deepe…
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Michael Phillips joins Adam to review “Furiosa,” director George Miller’s latest entry in the Mad Max saga starring Anya-Taylor Joy and Chris Hemsworth. Plus, a revisit of 2022’s Top 5 Movies for Graduates. (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:02:20) Review: “Furiosa: A Mad Max Saga” (00:02:20-00:…
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