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Looking at cinema's present via its past. The Next Picture Show is a biweekly roundtable by the former editorial team of The Dissolve examining how classic films inspire and inform modern movies. Episodes take a deep dive into a classic film and its legacy in the first half, then compare and contrast that film with a modern successor in the second. Hosted and produced by Genevieve Koski, Keith Phipps, Tasha Robinson and Scott Tobias.
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With Michael Keaton back as everyone’s favorite Juilliard-trained ghoul in BEETLEJUICE BEETLEJUICE, Adam and Josh consider the versatile actor’s career with their Top 5 Keaton Performances. Plus, a review of the Tim Burton sequel and Massacre Theatre. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that p…
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Genre specialist Jeremy Saulnier’s latest banger, REBEL RIDGE, owes an obvious debt to the film that kicked off Sylvester Stallone’s second long-running franchise, 1982’s FIRST BLOOD, but the two films are of very different eras with very different core concerns about policing in America. So this week we’re focusing on the shadow of Vietnam that fa…
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Adam and Josh break out the Folie à Deux format for one more 2024 preview, with 25 of the most intriguing fall films organized into 12 head-to-head matchups. Plus, Adam’s review of REBEL RIDGE, the latest from “Green Room” director Jeremy Saulnier. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays…
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Fede Álvarez’s ALIEN: ROMULUS is at its core an act of homage to the larger franchise, but is that a feature, a bug, or both? That’s a question we attempt to reconcile in our discussion of Álvarez’s acid-blood-soaked film, before comparing how this late-stage sequel compares with the franchise’s original sequel, James Cameron’s ALIENS, in iterating…
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Adam and Josh lift the veil of nostalgia for a Pantheon Project review of “The Wizard of Oz,” which turns 85 this year. Also, Massacre Theatre, and a conversation about one of the most celebrated performances of the ‘60s, Rod Steiger in “The Pawnbroker.” This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass tha…
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Fede Álverez’s ALIEN: ROMULUS is so reference-packed that an argument could be made for pairing it with just about any ALIEN film, but since we’ve already discussed the 1979 original, and because the Next Picture Show bylaws state that if an opportunity to discuss ALIENS arises we must take it, we’re digging into the first of the many sequels this …
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The great Gena Rowlands recently passed away at 94. We honor the two-time Oscar nominee with a revisit of her performance in husband John Cassavetes's "Opening Night." Plus, our 8 From '84 discussion of Wim Wenders's "Paris, Texas." Opening (00:00:00-00:01:14) Review: “Opening Night” (00:01:15-00:17:32) Next Week, Notes (00:17:33-00:18:26) Review: …
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Is it a bit unfair to compare M. Night Shyamalan’s new grip-it-and-rip-it thriller TRAP to Fritz Lang’s 1931 cinematic landmark M? Sure, but that’s the name of the game here on The Next Picture Show, and for all of TRAP’s faults — which we try not to take too much glee in enumerating in this discussion — it does work, however awkwardly, as an extra…
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Following “The Conversation” and the massive success of the “Godfather” films, Francis Ford Coppola closed out the ‘70s with the almost disastrous “Apocalypse Now.” Adam and Josh confront “the horror,” plus reviews of “Alien: Romulus” and two new docs. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that …
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The new TRAP, like so many M. Night Shyamalan movies, openly courts comparisons to the work of Alfred Hitchcock, but its focus on the large-scale manhunt for a serial killer combined with its psychological interest in said killer has roots even further back in film history. So this week we reach all the way back to Fritz Lang’s first talkie, 1931’s…
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M. Night Shyamalan’s "doozy" of a new movie inspires Adam and Josh to share their Top 5 Bad Movie Dads, featuring a rogue’s gallery of cinema’s lousiest fathers. Plus, a Golden Brick nod for “National Anthem,” and the Sidney Lumet Marathon continues with “Long Day’s Journey into Night," and more. This episode is presented by Regal Unlimited, the al…
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The new prison drama “Sing Sing” is another potent showcase for Colman Domingo and an impressive debut for director Greg Kwedar. Plus, Adam on “Deadpool and Wolverine,” and the first film in the Sidney Lumet Marathon, “The Fugitive Kind,” with Marlon Brando, Joanne Woodward, and Italian acting great Anna Magnani. (Timecodes will not be precise with…
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Family member Jake Skubish joins Adam, Josh, and producer Sam for a thrilling cinematic showdown where iconic films like The Matrix, Fight Club, The Sixth Sense, Magnolia, and Being John Malkovich are up for grabs. -Join the Filmspotting Family Intro (00:00:00-00:00:56) Structure / Order (00:00:57-00:10:15) Rd. 1 (00:10:16-00:23:01) Learn more abou…
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Osgood Perkins’ new LONGLEGS shares some clear narrative and thematic DNA with THE SILENCE OF THE LAMBS, but it’s much more bizarre and divisive in its approach to horror-adjacent serial killer storytelling than Jonathan Demme’s crowd-pleasing, Oscar-sweeping hit. We’re joined again this week by critic and author Charles Bramesco to talk through th…
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Does director Lee Isaac Chung (“Minari”) put his stamp on”Twisters”? Adam and Josh debate. Plus, Martin Scorsese celebrates The Archers in the new doc “Made in England: The Films of Powell and Pressburger.” (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:02:02) Review: “Twisters” (00:02:03-00:38:39) Next Wee…
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