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The Visual Text

Francesco Pascuzzi, Mitchell Cravens

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Chunky is a casual conversation between best friends about contemporary film, its antecedents, and their relationship to the Zeitgeist. Mitchell Cravens is your host, and Francesco Pascuzzi is your film expert. Most films that we discuss also have been reviewed by Francesco or Mitch at http://thevisualtext.com. So check us out!
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Hereditary was messed up and we loved it! We break down a wonderful performance from Toni Collette and explore some horror tropes along the way. https://thevisualtext.com The Visual Text is looking for guests! Come on and talk about your favorite film, or contribute to one of our upcoming episodes: The Cabin in the Woods It Follows Thanks!…
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Love, Simon was important to us and a lot of other people. We discuss. Note from Mitch: Thank you to our producer, Eric Revilla, for making me sound significantly less cross-faded than I was at the time. Will try to avoid this in the future. https://thevisualtext.comBy Eric Revilla, Mitchell Cravens, Francesco Pascuzzi
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Call Me By Your Name is our jam. Oh, and Eric Revilla is a god. I was apparently giving my microphone a blowjob this entire episode and my audio was garbage, and whatdya know Eric provided his magic wand and POOF we don't have to redo the episode. So fucking great. https://thevisualtext.comBy Eric Revilla, Francesco Pascuzzi, Mitchell Cravens
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From the For Your Speculation podcast: "Ted hosts a final roundtable podcast with most of our previous guests, Cesco, Erik, Topher, Rob and Matt, while we salute Rachel for taking it to the streets for the Women's March. Join us as we give our final predictions for this year's Oscars. Lots of tight races for the final spot in each category leads to…
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We recorded our IT pod fucking forever ago, but the audio got corrupted and I had no idea how to fix it. Hardcore props to Eric Revilla, our guest on this pod, who not only contributed some awesome analysis but also fixed the audio problems. Too bad there's not a life system that gives you cash-value points for kicking ass. https://thevisualtext.co…
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Sequels, sequels, sequels! This is from a while back, Mitch forgot to see Kingsman and Jeepers Creepers 3 and Francesco had some things to say about them. Aaaand then Mitch had some stuff to say about other sequels. I am a mess. https://thevisualtext.comBy Francesco Pascuzzi, Mitchell Cravens
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A coupla' bros talk about offbeat comedies, namely Little Miss Sunshine and Hot Fuzz. #brosesh If you could subscribe to our podcast and/or rate it, that would be awesome - it's available on iTunes, Google Play, and thevisualtext.com/podcast. We also have a blog at said site, thevisualtext.com, in which Francesco (and soon I) break down even furthe…
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OMG, Mother! was weird but kind of amazing. We break down the film and try to give some guidance on how to deal with challenging and/or abstract films in general. YAY FOR INFANTICIDE! If you could subscribe to our podcast and/or rate it, that would be awesome - it's available on iTunes, Google Play, and thevisualtext.com/podcast. We also have a blo…
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OMG THE HOT LESBIAN SEX IN ATOMIC BLONDE WAS SO HOT. (No, not really, and it was kinda problematic...we discuss.) We also get into straight stars playing queer characters and bad films with great scenes. If you could subscribe to our podcast and/or rate it, that would be awesome - it's available on iTunes, Google Play, and thevisualtext.com/podcast…
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We discuss the good, the bad, and the ugly of Sofia Coppola's work. We'll take a close look at her latest work, The Beguiled, which is out in theaters now starring Nicole Kidman, and compare it to an earlier film of hers, Lost In Translation. If you could subscribe to our podcast, that would be awesome - it's available on iTunes, Google Play, and h…
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It's time for.....CHUNKY! In this episode we introduce our wonderful selves and talk a lot about It Comes at Night (2017, Shults) and what it means in today's America. We also tack on a bit about Wonder Woman and what's important about it and what's not. Be sure to check out Francesco's review of It Comes At Night at our (but mostly his) film blog …
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