Located in the Doria Pamphilj Palace (where the Doria Pamphilj family still resides) on the Via del Corso in the heart of Rome, Italy, the gallery houses one of Italy's most important art collections. It includes portraits of Pope Innocent X by Velasquez and Bernini, as well as two of Caravaggio's earliest paintings – the "Penitent Magdalene" and t…

The Capitoline Museums are a group of art and archaeological museums located on top of the Capitoline Hill, which was the political and religious center of ancient Rome. Their collections focus on the history of Rome and include masterpieces such as the "Equestrian Statue of Marcus Aurelius," the "Capitoline Wolf, " the "Dying Gaul, " but also late…

Part of the Ambrosian Library in Milan, Italy, the Ambrosian Art Gallery was founded along with the library by the celebrated Cardinal Federico Borromini in 1609 to house his extensive collection of manuscripts, books, and paintings. The collection today includes "The Portrait of a Musician" attributed by many to Leonardo da Vinci, the "Cartoon for…

Located in Milan, Italy, and inaugurated on Napoleon's birthday on August 15, 1812, the Pinacoteca di Brera (Brera Art Gallery) contains one of the world's most important collections of Italian Renaissance painting. This second episode explores masterpieces by Piero della Francesca, Raphael, and Caravaggio.…

Located in Milan, Italy, and inaugurated on Napoleon's birthday on August 15, 1812, the Pinacoteca di Brera (Brera Art Gallery) contains one of the world's most important collections of Italian Renaissance painting. This first episode explores masterpieces by Giovanni Bellini, Andrea Mantegna, Tintoretto. Paolo Veronese, and Vittore Carpaccio.…

The National Painting Gallery in Siena, Italy, known locally as the "Pinacoteca Nazionale," houses one of the world's most important collections of medieval and Renaissance Sienese paintings. It includes two rare paintings by Duccio di Buoninsegna, as well as masterpieces by Simone Martini, Ambrogio Lorenzetti, Il Sodoma and Domenico Beccafumi.…

The Museo dell'Opera del Duomo houses some of medieval Siena's most important masterpieces. Works such as Duccio's "Maestà" and stained-glass window, Giovanni Pisano's 13th-century facade sculptures, and Donatello's "Madonna del Perdono" are but a few of those masterpieces.

While most people visit the Accademia Gallery in Florence, Italy, to see Michelangelo's great statue of "David," there is much more to this museum. The Accademia is also home to masterpieces by Botticelli, Lippi, Giambologna, Perugino, Andrea del Sarto and Pontormo, as well as Michelangelo's unfinished "Slaves."…

Built in the 14th century, the Museum of Orsanmichele was originally a grain market, but later turned into a church. The museum is housed inside of this church and includes a beautiful "Madonna and Child by Bernardo Daddi and a magnificent Gothic "Tabernacle" by Orcagna on the ground floor, as well as many sculptural masterpieces by Donatello, Ghib…

Once a property owned and lived in by Michelangelo, the Casa Buonarroti Museum was created by the famous artist's nephew to celebrate the legacy of his famous uncle. The museum contains Michelangelo's two earliest known sculptures - "The Madonna of the Stairs" and "The Battle of the Centaurs," his spectacular wooden model for the facade of San Lore…

The collection of sculptures on the ground floor of the Bargello Museum in Florence, Italy, contains one of the world's most important collections of 16th-century sculptures, including Michelangelo's "Bacchus" and "Pitti Tondo," Giambologna's "Mercury" and "Florence Triumphing over Pisa," and Cellini's wax bozzetto (or small model) for his "Perseus…

The collection of sculptures in the great hall of the Bargello Museum in Florence, Italy, located on the second floor, contains one of the world's most important collections of sculptures, including Ghiberti's and Brunelleschi's "Competition Panels," Donatello's marble and bronze "Davids" and "St. George," and Verrocchio's bronze "David."…

The building that houses the Bargello Museum in Florence, Italy, is the earliest example of civic architecture in Florence, built in 1255. Today it houses one of the world's greatest collections of Renaissance sculpture, including works by Donatello, Ghiberti, Brunelleschi, Verrocchio, Michelangelo, Giambologna, and Bernini.…

This podcast explores the extraordinary artwork found on the second floor (Primo Piano) of the Cathedral Museum of Florence, including the beautiful belltower sculptures by Donatello, the "Cantorie" by Donatello and Luca della Robbia, and the Neo-Gothic façade proposals.

This podcast examines two of the greatest sculptures of all time – Donatello's "Penitent Magdalene" and Michelangelo's "Florence Pietà" – which are part of amazing collection of the Museo dell"Opera del Duomo in Florence, Italy.

The Cathedral Museum of Florence, Italy, contains the three original bronze doors from Florence Baptistry by Andrea Pisano and Lorenzo Ghiberti. This podcast analyzes history, style, and influence of all three masterpieces.

The Museo dell'Opera del Duomo in Florence is one of the world's premier sculpture museums with works by Donatello, Ghiberti, and Michelangelo. This podcast examines the history of the museum and its spectacular reconstruction of the original early 14th-century façade of Florence Cathedral.

From Leonardo making marzipan sculptures and his "Madonna of the Yarnwinder," to whether Jesus died of cardiogenic shock or asphyxiation, to the recently discovered "Judith and Holofernes" and "Ecce Homo" attributed to Caravaggio, to how to transfer panel paintings to canvas, to how to recognize a Michelangelo, to whether being familiar with histor…

Antonio's Canova's statue of the "Three Graces" is considered a benchmark of beauty. It's elegantly erotic representation of the Three Graces huddled in an intimate composition is a fitting final representation of the subject born in the ancient Greco-Roman world and later revived in the Renaissance.…

Napoleon's younger sister, Paolina Bonaparte, married Prince Camillo Borghese in 1803. One year later the prince commissioned Antonio Canova to carve his new wife as the mythological goddess of chastity, Diana. The licentious Paolina laughed off the suggestion claiming that no one would be believe her a virgin and chose to be represented scandalous…

Carved in only a few months between 1800-1801, Canova's "Perseus Triumphant" is one of history's great sculptures. It exists in several versions, the most important of which are in the Vatican and Metropolitan Museums. Clearly inspired by Cellini's earlier version, Canova also depicts the Greek hero as he contemplates his victory over the Gorgon as…

In 1802, Napoleon courted Antonio Canova to go to Paris to make a bust of him. Four years later, Canova instead completed an 11ft. (3.5m) free-standing idealized nude statue depicting Napoleon as the Roman god of war, Mars. Surprisingly, Napoleon was not pleased with the sculpture, describing it as "too athletic."…

Carved by Antonio Canova in 1787 and today located in the Louvre Museum in Paris, the Neoclassical sculpture of "Cupid and Psyche" is one of history's most beautiful and popular sculptures. The romantic sculpture depicts Cupid cradling the head of his lover after reviving her from a supernatural slumber, while she reaches up to him preparing to rec…

Antonio Canova was Europe's most famous artist round the year 1800. His sublime Neoclassical style sculptures – such as "Cupid and Psyche," ""Perseus with the Head of Medusa," and the "The Venus Victrix (Paolina Bonaparte)" - are some of the most beautiful in the history of art. This podcast will explore the life and career of the great Italian scu…

One of Rome's most spectacular works of art is the illusionistic fresco that covers the ceiling of the church Sant'Ignazio. It was painted in 1685, covers nearly 40m of ceiling surface and depicts the "Glorification of St. Ignatius of Loyola" in an extraordinary example of trompe-l'oeil perspectival painting.…

Located on the famous Via Veneto in Rome, Italy, the 17th-century Capuchin Crypt is one of the world's most unique examples of funerary decoration. It consists of a series of rooms decorated with human bones! Each room has a different theme based on the type of bone used – skulls, pelvises, leg bones, etc., resulting in an absolutely fascinating – …

Built between 1723 and 1725, the Spanish Steps in Rome, Italy, are one of the most famous staircases in the world. Consisting of 135 stairs spread over different levels, the steps were immortalized in the famous movie "Roman Holiday" and today are one of the most popular destinations of the "eternal City."…

The Trevi Fountain is arguably the world's most famous fountain! It was designed in 1732 by the Roman architect Nicola Salvi for a competition staged by Pope Clement XII. Rushing water passes through massive allegorical sculptures and blocks of stones into a massive stone basin in a uniquely dramatic fashion.…

From how many paintings Caravaggio produced, to visiting Florence at Easter time, to how form and color were applied in Renaissance painting, to an overlooked equestrian monument, to finding the wooden beams in Brunelleschi's dome, to the model used by Leonardo da Vinci in three of his most famous paintings, and much, much more - this episode answe…

In 1653, Borromini was asked by Pope Innocent X to take over the building of his family church of Sant'Agnese in Agone in Piazza Navona in Rome, Italy. The result was a revolutionary façade design that tragically was not realized according to Borromini's plans.

Borromini began construction on another of his architectural masterpieces, the church of Sant'Ivo alla Sapienza in Rome, Italy, in 1642 for Pope Urban VIII. His curvilinear façade, bulging drum, and spiraling lantern are all eye-popping aspects of his design. But it is the extraordinary floor plan of the church which makes it unique – an equilatera…

In 1637, Francesco Borromini designed and began building an oratory – a place for public worship and musical performances – for the followers of St. Phillip Neri, known as the "Filippini." The façade of this oratory is another of Borromini's visionary architectural projects with its curved plan and unorthodox sculptural elements.…

The cloister and façade of the church complex San Carlo alle Quattro Fontane (better known in Rome as "San Carlino") are two of the most beautiful and revolutionary aspects of Borromini's design for this project.

The church of San Carlo alle Quattro Fontane (1634) - better known to the Romans as San Carlino ("little St. Charles") due to its small size - is one of the most revolutionary in the history of art and introduces the new architectural vision of a Baroque genius named Francesco Borromini.

Francesco Borromini is celebrated as the greatest architectural genius of the Baroque age. This podcast shall examine his life, career, and rivalry with the great Gian Lorenzo Bernini.

On November 28, 1680, the 82-year-old Bernini passed away. His spectacular career was nearly 70 years long, during which he worked for 8 different popes. Only Michelangelo surpassed him in terms of lifespan and papal patrons! This podcast looks back on Bernini's career, his rather surprisingly modest tomb, and the great legacy that he left behind.…

In 1672, Gian Lorenzo began the creation of the most spectacular papal tomb monument in St. Peter's Basilica – the "Tomb of Pope Alexander VII." Located in the southern transept arm of the church, the monument depicts a pious figure of the pope kneeling in prayer, surrounded by four massive marble statues representing the virtues of Charity, Truth,…

Carved in the last decade of Bernini's life, the monument to Blessed Ludovica Albertoni shows that Bernini had not lost his touch in his later years. As sensual and beautiful as his more celebrated earlier works such as "Apollo and Daphne" or "Ecstasy of St. Teresa," the "Blassed Ludovica Albertoni" depicts the mystic in an ecstatic state of union …

In 1669, at the age of 71, Gian Lorenzo Bernini was commissioned by Pope Clemet IX to renovate the most important pilgrimage bridge in Rome, the Ponte Sant'Angelo. Bernini planned on installing 10 spectacular statues of angels holding the instruments of the passion, only two of which were ultimately carved by Bernini.…

Completed in 1667 and located in front of the church of Santa Maria Sopra Minerva in Rome, Italy, Bernini's "Elephant" is a powerful symbol combining Egyptian lore and Roman power. The elephant was designed as an imaginative base for the ancient Egyptian obelisk from the 6th century BCE.

From why the façade of San Lorenzo was never completed, to the use of the "golden ratio" in the Medici Palace, to the speed of Caravaggio's painting technique and his use of the camera obscura, to future podcasts on Sofonisba Anguissola and Artemisia Gentileschi, to why Bramante is considered the first High Renaissance architect, and much, much mor…

Although commissioned while Bernini was in Paris in 1665, Bernini did not work on the statue until he returned to Rome. When it was finally delivered to Paris 20 years later, it was immediately rejected by the king, who vowed to destroy it!

In April of 1665, Gian Lorenzo Bernini was sent by Pope Alexander VII to the court of King Louis XIV in Paris as a gesture of goodwill between monarchs. Although Bernini's main project was the design of the east façade of the Palace of the Louvre (which was eventually rejected, perhaps out of jealousy), the only work of art he created while in Pari…

Originally commissioned in 1654 by Pope Innocent X to be a free-standing statue in the Basilica of St. Peter, Bernini's "Vision of Constantine" was later incorporated into Bernini's Scala Regia. The marble statue represents – in typical Bernini dramatic fashion – the miraculous vision of Constantine who was shown a cross by an angel and told "In ho…

In 1663, Pope Alexander VII commissioned Gian Lorenzo Bernini to restore and reinvent the official royal staircase – "Scala Regia" in Italian - leading up to the Apostolic Palace. The result was one of the world's most majestic and breathtaking staircases.

Gian Lorenzo Bernini was commissioned in 1658 by the nephew of the late Pope Innocent X to build the third Jesuit church in Rome. Sant' Andrea al Quirinale was Bernini's first church project, and he did not disappoint. The combination of convex and concave forms dressed in polychromed marbles, gilded stucco, plaster statues and dramatic paintings r…

In 1656, Gian Lorenzo Bernini was commissioned by Pope Alexander VII to design and build an appropriate forecourt to the Basilica of St. Peter, known as Piazza San Pietro ("St. Peter's Square"). The resulting space is one of the greatest triumphs of Baroque architecture, combining a trapezoidal space joining the façade of the basilica to Bernini's …

In 1647, Gian Lorenzo began work on a monumental reliquary for an ancient wooden chair ("Cathedra Petri") thought to have belonged to St. Peter himself. The result was a spectacular ensemble of sculpture, gilded architecture, stained-glass and stucco that dominates the western apse of the great basilica.…

In 1651, with the help of the niece of Pope Innocent X, Bernini was able to sneak his design for the "Fountain of the Four Rivers" into the Pamphilj Palace. When Innocent saw it, he realized that despite being excluded from the competition, Bernini was clearly Rome's greatest artist and deserved the commission for the fountain.…

Once the site of an ancient stadium used for athletics ("agones"), the Piazza Navona is arguably Rome's most famous piazza. It was renovated during the reign of Pope Innocent X in the middle of the 17th century and contains some of Rome's most spectacular monuments such as Bernini's "Fountain of the Four Rivers."…