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We made it— 300 episodes of This Is Woman’s Work ! And we’re marking this milestone by giving you something that could seriously change the game in your business or career: the skill of pitching yourself effectively. Whether you’re dreaming of being a podcast guest, landing a speaking gig, signing a client, or just asking for what you want with confidence—you’re already pitching yourself, every day. But are you doing it well? In this milestone episode, Nicole breaks down exactly how to pitch yourself to be a podcast guest … and actually hear “yes.” With hundreds of pitches landing in her inbox each month, she shares what makes a guest stand out (or get deleted), the biggest mistakes people make, and why podcast guesting is still one of the most powerful ways to grow your reach, authority, and influence. In This Episode, We Cover: ✅ Why we all need to pitch ourselves—and how to do it without feeling gross ✅ The step-by-step process for landing guest spots on podcasts (and more) ✅ A breakdown of the 3 podcast levels: Practice, Peer, and A-List—and how to approach each ✅ The must-haves of a successful podcast pitch (including real examples) ✅ How to craft a pitch that gets read, gets remembered, and gets results Whether you’re new to pitching or want to level up your game, this episode gives you the exact strategy Nicole and her team use to land guest spots on dozens of podcasts every year. Because your voice deserves to be heard. And the world needs what only you can bring. 🎁 Get the FREE Podcast Pitch Checklist + Additional Information on your Practice Group, Peer Group, and A-List Group Strategies: https://nicolekalil.com/podcast 📥 Download The Podcast Pitch Checklist Here Related Podcast Episodes: Shameless and Strategic: How to Brag About Yourself with Tiffany Houser | 298 How To Write & Publish A Book with Michelle Savage | 279 How To Land Your TED Talk and Skyrocket Your Personal Brand with Ashley Stahl | 250 Share the Love: If you found this episode insightful, please share it with a friend, tag us on social media, and leave a review on your favorite podcast platform! 🔗 Subscribe & Review: Apple Podcasts | Spotify | Amazon Music…
Content provided by Big Tunes Matthews and Blake Matthews. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Big Tunes Matthews and Blake Matthews or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Some folky stuff, some covers {please don't sue me}, some crazy stuff, some beats.
Content provided by Big Tunes Matthews and Blake Matthews. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Big Tunes Matthews and Blake Matthews or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Some folky stuff, some covers {please don't sue me}, some crazy stuff, some beats.
Written, recorded, and produced by Blake Matthews in PreSonus Studio One 7 Pro. I used my Squire Jazzmaster named Marilyn played through Beetronics effects pedals, a Fender Mustang bass named Spacey bassy, a beat buddy drum pedal, and digital trumpets.
Written by Blake Matthews using presonus studio one 7 pro and fender mustang bass, gibson flying v with beetronics effects, a beat buddy pedal, and uad plugins
Chill latin style beat from the beat buddy, bass from Fender Mustang bass Spacey Bassy, Squire jazzmaster Marilyn layered with Beetronics effects, and Taylor the acoustic guitar. Also with a trumpet from a UAV plugin.
I don't know how to describe the sounds in this track. It's a beatbuddy hip hop beat, with my Fender Mustang bass, Squire jazzmaster guitar layered with Beetronics effects. The beetronics Swarm is just crazy.
One of my favorite tracks so far. This was made in Presonus Studio One 7 with my Fender Mustang bass, beatbuddy pedal, and Squire jazzmaster guitar layered with Beetronics effects.
Written and produced by Blake Matthews made using Studio One 7, my Squire jazzmaster guitar layered with Beetronics effects, Fender Mustang bass and beat buddy pedal.
Written and produced by Blake Matthews using Presonus Studio One 7, my Squire jazzmaster guitar layered with Beetronics effects, Fender Mustang bass and beat buddy pedal. The beetronics Swarm is crazy, lol.
Written and produced by Blake Matthews using Presonus Studio one 7, beetronics effects like the zZombee and the SeaBee, my Squire jazzmaster guitar, Fender Mustang bass, and beat buddy drum pedal.
One of my favorite tracks. It's a beat called "Alideda" in my beat buddy pedal. It's a latin rhythm with bass, trumpet, and guitar layered with Beetronics effects.
Written and produced by Blake Matthews. Made using Studio One 7 my Fender mustang bass Squire jazzmaster guitar Taylor acoustic, trumpet, and beat buddy pedal.
Original reggae tune written and produced by Blake Matthews on Studio One 7 with my Fender Mustang bass, Squire jazzmaster guitar, and beat buddy pedal.
A song that turned out unintentionally to be a surf rock song, lol. Made using Studio One 7 and played using a beat buddy pedal (which is the best pedal probably ever), a Fender mustang bass called Spacey Bassy, and my Squire guitar named Marilyn.
A somewhat melancholic tune written and produced by Blake Matthews using Studio One 7, a Fender mustang bass called Spacey Bassy, my Gretsch guitar named Gretschen, a korg monologue, and my beat buddy pedal.
Cover of Oscar Isaac's song from the Coen brothers movie "Inside Llewyn Davis"
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