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Alma Ramsey-Hosking (1907-1993), Two Watchers on a Staircase, c.1960s

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Manage episode 443208633 series 3605045
Content provided by Leamington Spa Art Gallery & Museum and Leamington Spa Art Gallery. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Leamington Spa Art Gallery & Museum and Leamington Spa Art Gallery or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

wo Watchers on a Staircase, c.1960s

Cement fondu and metal

Given by Sarah Hosking, 2019

Alma Ramsey-Hosking studied at the Royal College of Art in London during the 1920s and later moved to Warwickshire where she and her husband, the artist Richard ‘Dick’ Hosking, contributed to the creative boom that blossomed in the county during the post-war years.

In this sculpture Ramsey-Hosking conveys a sense of movement through the dynamic poses of the figures and the partial spiral staircase. The attenuated, semi-abstracted figures of this work are typical of the style of many artists working in the period, as is Ramsey-Hosking’s choice of material, cement fondu.

  continue reading

26 episodes

Artwork
iconShare
 
Manage episode 443208633 series 3605045
Content provided by Leamington Spa Art Gallery & Museum and Leamington Spa Art Gallery. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Leamington Spa Art Gallery & Museum and Leamington Spa Art Gallery or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

wo Watchers on a Staircase, c.1960s

Cement fondu and metal

Given by Sarah Hosking, 2019

Alma Ramsey-Hosking studied at the Royal College of Art in London during the 1920s and later moved to Warwickshire where she and her husband, the artist Richard ‘Dick’ Hosking, contributed to the creative boom that blossomed in the county during the post-war years.

In this sculpture Ramsey-Hosking conveys a sense of movement through the dynamic poses of the figures and the partial spiral staircase. The attenuated, semi-abstracted figures of this work are typical of the style of many artists working in the period, as is Ramsey-Hosking’s choice of material, cement fondu.

  continue reading

26 episodes

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