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Allein Gott in der Höh sei Ehr (organ chorale prelude, BWV 664)

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Manage episode 377266640 series 2853212
Content provided by Alex & Christian Guebert and Christian Guebert. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Alex & Christian Guebert and Christian Guebert or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Closing out this set of three chorale preludes on its Trinitarian hymn tune, this sparkly trio (of angels?) dances up and down the organ console.

The Three-ness is evident in this piece meant to evoke the third part of the Trinity, the breath-giving Holy Spirit. Three bars by three bars make up the first nine, and three bass notes begin the prelude. Three sturdy eighth notes pin down the dancing texture on occasion, there are three sharps in the key, and there are three independent parts in the trio.

In this episode we talk about our favorite pair of moments with a long chain of trilled suspensions against fast notes. Knowing that Bach always used the text, we discuss whether this music is meant to set the stanza about the Holy Spirit and whether it may be the fire of the Spirit upon faithful people rather than angels.

Allein Gott in der Höh sei Ehr (organ chorale prelude, BWV 664) by Reitze Smits for the Netherlands Bach Society

Netherlands Bach Society: BWV 662

Netherlands Bach Society: BWV 663

  continue reading

142 episodes

Artwork
iconShare
 
Manage episode 377266640 series 2853212
Content provided by Alex & Christian Guebert and Christian Guebert. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Alex & Christian Guebert and Christian Guebert or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Closing out this set of three chorale preludes on its Trinitarian hymn tune, this sparkly trio (of angels?) dances up and down the organ console.

The Three-ness is evident in this piece meant to evoke the third part of the Trinity, the breath-giving Holy Spirit. Three bars by three bars make up the first nine, and three bass notes begin the prelude. Three sturdy eighth notes pin down the dancing texture on occasion, there are three sharps in the key, and there are three independent parts in the trio.

In this episode we talk about our favorite pair of moments with a long chain of trilled suspensions against fast notes. Knowing that Bach always used the text, we discuss whether this music is meant to set the stanza about the Holy Spirit and whether it may be the fire of the Spirit upon faithful people rather than angels.

Allein Gott in der Höh sei Ehr (organ chorale prelude, BWV 664) by Reitze Smits for the Netherlands Bach Society

Netherlands Bach Society: BWV 662

Netherlands Bach Society: BWV 663

  continue reading

142 episodes

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