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Prelude no. 15 in G major (Well-Tempered Clavier Book 2)

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Manage episode 361504542 series 2853212
Content provided by Alex & Christian Guebert and Christian Guebert. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Alex & Christian Guebert and Christian Guebert or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Today we talk about clever twists, whether in music or in stories, and how these twists can be delightful in their subversion of our expectations -- when done well. In this less-than-famous little prelude from the famous compilation The Well-Tempered Clavier, Bach uses deceptive cadences to add flavor to the music without sacrificing the form, in such a way that the music feels inevitable.

Prelude No. 15 from WTC Book 2, performed on harpsichord by Christine Schornsheim for the Netherlands Bach Society

Thanks as always to Netherlands Bach Society for the use of their excellent recordings as our musical examples!

Excerpt from Mozart's Symphony no. 40 in G minor, mvt.4, from Das Orchester Tsumugi, Fukuoka, Japan; public domain recording (Creative Commons Attribution 3.0)

  continue reading

137 episodes

Artwork
iconShare
 
Manage episode 361504542 series 2853212
Content provided by Alex & Christian Guebert and Christian Guebert. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Alex & Christian Guebert and Christian Guebert or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Today we talk about clever twists, whether in music or in stories, and how these twists can be delightful in their subversion of our expectations -- when done well. In this less-than-famous little prelude from the famous compilation The Well-Tempered Clavier, Bach uses deceptive cadences to add flavor to the music without sacrificing the form, in such a way that the music feels inevitable.

Prelude No. 15 from WTC Book 2, performed on harpsichord by Christine Schornsheim for the Netherlands Bach Society

Thanks as always to Netherlands Bach Society for the use of their excellent recordings as our musical examples!

Excerpt from Mozart's Symphony no. 40 in G minor, mvt.4, from Das Orchester Tsumugi, Fukuoka, Japan; public domain recording (Creative Commons Attribution 3.0)

  continue reading

137 episodes

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