Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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AIR 065 / Ben Frost
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Manage episode 409090532 series 1549560
Content provided by AIR and Emma Robertson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by AIR and Emma Robertson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This month’s episode welcomes Reykjavik based Australian producer, composer, and sound artist @BenFrost. Early albums like Theory of Machines, By The Throat, and Solaris established Ben Frost as a frontrunner in conceptual, boundary-pushing, and sometimes aggressive electronic music — echoed in his earth shaking live performances, which themselves are celebrations of spine tingling bass frequencies and volume. Not for the faint of heart, his music is inspired by punk rock guitar, minimalism, and in the case of his most recent album, heavy metal, often eschewing storytelling altogether in favour of a visceral, physical musical experience. And yet, his work in film and TV scoring, dance, and even opera suggests he’s still interested in narrative artwork. In this conversation, Ben and I explore the different facets of storytelling, or lack thereof, as a musician, his new album Scope Neglect, and his approach to composition across these decidedly different fields. ++ Music: "Unreal in the Eyes of the Dead" - Ben Frost (2024) "Chimera" - Ben Frost (2024) "Ich Dachte, Ich Haette Mehr Zeit" - Ben Frost, from the Netflix series Dark (2019) "The Burning World" - Ben Frost (2022) ++ Follow AIR Instagram: https://www.instagram.com/_airpodcast/ Patreon: https://www.patreon.com/airpodcast Substack: https://airpodcast.substack.com/
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70 episodes
MP3•Episode home
Manage episode 409090532 series 1549560
Content provided by AIR and Emma Robertson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by AIR and Emma Robertson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This month’s episode welcomes Reykjavik based Australian producer, composer, and sound artist @BenFrost. Early albums like Theory of Machines, By The Throat, and Solaris established Ben Frost as a frontrunner in conceptual, boundary-pushing, and sometimes aggressive electronic music — echoed in his earth shaking live performances, which themselves are celebrations of spine tingling bass frequencies and volume. Not for the faint of heart, his music is inspired by punk rock guitar, minimalism, and in the case of his most recent album, heavy metal, often eschewing storytelling altogether in favour of a visceral, physical musical experience. And yet, his work in film and TV scoring, dance, and even opera suggests he’s still interested in narrative artwork. In this conversation, Ben and I explore the different facets of storytelling, or lack thereof, as a musician, his new album Scope Neglect, and his approach to composition across these decidedly different fields. ++ Music: "Unreal in the Eyes of the Dead" - Ben Frost (2024) "Chimera" - Ben Frost (2024) "Ich Dachte, Ich Haette Mehr Zeit" - Ben Frost, from the Netflix series Dark (2019) "The Burning World" - Ben Frost (2022) ++ Follow AIR Instagram: https://www.instagram.com/_airpodcast/ Patreon: https://www.patreon.com/airpodcast Substack: https://airpodcast.substack.com/
…
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70 episodes
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