Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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RHAPSODY IN BLUE at 100
Manage episode 400427807 series 3419535
Content provided by Joe Lauro. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joe Lauro or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
George Gershwin's RHAPSODY IN BLUES premiered at New York's Aeolian HALL on a program billed as "An Experiment in Modern Music," the much-anticipated concert held by Paul Whiteman and his Palais Royal Orchestra drew a packed audience. The excited audience included many top line vaudevillians, concert managers and Tin Pan Allevites who came to have a look at the new jazz novelty. Also at the happening were , composers young and old, , symphony and opera stars, flappers, cake-eaters, and a mixed up higgledy-piggledy of the 1924 "in-Crowd" . Who else would show up to a 2PM show! On this episode of AMERICAN GROOVES we recreate part of the program as well as offer, in it' 8 minute version , the first ever recording of the Rhapsody from 1924 featuring the composer, George Gershwin on piano!
--- Support this podcast: https://podcasters.spotify.com/pod/show/american-grooves-hour/support140 episodes
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Manage episode 400427807 series 3419535
Content provided by Joe Lauro. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joe Lauro or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
George Gershwin's RHAPSODY IN BLUES premiered at New York's Aeolian HALL on a program billed as "An Experiment in Modern Music," the much-anticipated concert held by Paul Whiteman and his Palais Royal Orchestra drew a packed audience. The excited audience included many top line vaudevillians, concert managers and Tin Pan Allevites who came to have a look at the new jazz novelty. Also at the happening were , composers young and old, , symphony and opera stars, flappers, cake-eaters, and a mixed up higgledy-piggledy of the 1924 "in-Crowd" . Who else would show up to a 2PM show! On this episode of AMERICAN GROOVES we recreate part of the program as well as offer, in it' 8 minute version , the first ever recording of the Rhapsody from 1924 featuring the composer, George Gershwin on piano!
--- Support this podcast: https://podcasters.spotify.com/pod/show/american-grooves-hour/support140 episodes
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Similar to AMERICAN GROOVES RADIO HOUR hosted by JOE LAURO
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
Your favourite rock & metal podcast bringing you all the latest news, opinions, honest reviews and laughs every Friday. 100% passion, 100% honesty, 100% of the time. Join us. @notmetalpod on Twitter & Instagram. Come join the discussion with a likeminded community of music fans on the That's Not Metal Facebook Focus Group www.facebook.com/groups/TNMFocus/.
…
continue reading
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…
continue reading
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…
continue reading
Front left since 2001.
…
continue reading
Join musician Chris Fafalios (Punchline, Another Cheetah, Pack) as he listens to different one hit wonders with a revolving door of guests (including his bandmates and/or people from bands that he has toured with). After listening to the back catalog of the week's artist, they decide if the artist is a one hit blunder (shouldn't have had any success) or brought the one hit thunder (deserved to be much bigger than they were).
…
continue reading
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