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Kelly Reichardt Breaks Down Her Filmmaking Process Behind "Showing Up"

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Manage episode 359991971 series 3008541
Content provided by American Masters | PBS. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Masters | PBS or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In her eighth feature film, “Showing Up,” Kelly Reichardt takes pleasure in thinking about “life on the level outside of commerce.” Her films often explore working-class characters living life on the margins. Movies like “First Cow,” “Certain Women,” “Wendy and Lucy,” and “Old Joy” have established Reichardt as one of the most fiercely independent filmmakers working today.

In this episode, Reichardt discusses how inherently collaborative filmmaking can be, the pleasure she takes in documenting processes, the importance of art schools, and just how frequently André 3000 was playing the flute during production. She also shares some surprising thoughts about where her next film might take place (and it isn’t the Pacific Northwest).

“Showing Up” is in theaters this Friday, April 7th.

  continue reading

75 episodes

Artwork
iconShare
 
Manage episode 359991971 series 3008541
Content provided by American Masters | PBS. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Masters | PBS or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In her eighth feature film, “Showing Up,” Kelly Reichardt takes pleasure in thinking about “life on the level outside of commerce.” Her films often explore working-class characters living life on the margins. Movies like “First Cow,” “Certain Women,” “Wendy and Lucy,” and “Old Joy” have established Reichardt as one of the most fiercely independent filmmakers working today.

In this episode, Reichardt discusses how inherently collaborative filmmaking can be, the pleasure she takes in documenting processes, the importance of art schools, and just how frequently André 3000 was playing the flute during production. She also shares some surprising thoughts about where her next film might take place (and it isn’t the Pacific Northwest).

“Showing Up” is in theaters this Friday, April 7th.

  continue reading

75 episodes

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