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Content provided by Ricky Grove, Tracy Harwood, Damien Valentine, and Phil Rice, Ricky Grove, Tracy Harwood, Damien Valentine, and Phil Rice. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ricky Grove, Tracy Harwood, Damien Valentine, and Phil Rice, Ricky Grove, Tracy Harwood, Damien Valentine, and Phil Rice or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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S4 E127 May the Force: A Tribute (May 2024)

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Manage episode 415925216 series 2869789
Content provided by Ricky Grove, Tracy Harwood, Damien Valentine, and Phil Rice, Ricky Grove, Tracy Harwood, Damien Valentine, and Phil Rice. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ricky Grove, Tracy Harwood, Damien Valentine, and Phil Rice, Ricky Grove, Tracy Harwood, Damien Valentine, and Phil Rice or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This week we celebrate Star Wars with a fabulous short portraying the infamous AT-AT death walkers as 'nature-creatures' in their natural habitat - this is a beautifully observed work, made in Unreal Engine by Jeremy Cummins. Cummins is an experienced character creator, now working for Tippett Studio, with an impressive list of credits including Ant-Man and the Wasp, Spider-Man and Avengers, among others. We discuss the transition pros are making in the development of an Unreal pipeline and the impact this has on the creative machinima community.

0:44 Intro to the film

3:18 About Jeremy Cummins

4:33 Developing the pipeline

5:36 PhantomFX takes over Tippett Studios, what are the implications?

7:01 Migration – in the film, and metaphorically

8:59 Stunning lighting effects

9:18 Characterisation of AT-ATs – itchy and goofy!

10:27 Sound effects inconsistent? Cows vs dino vs croc = buff… nah

12:14 Who’s got a sub to Galactic Geographic?

13:50 Humour and the portrayal of death dealing machines

15:00 The ambient sound needed a bit more work to achieve verisimilitude

16:06 Check out Pie in the Sky too – and why it’s a better film

17:47 Tapping into a ‘magical movie moment’ in time, anthropomorphism and our fascination with machines as animals in the Star Wars universe

20:00 Communicating size with sound

22:34 Length of the film

24:00 Excitement: AT-ATs were only ever seen for such a short length of time in the original canon, so how cool to see them again!

26:30 A perfect example of contemporary realtime cinema

Credits -
Speakers: Ricky Grove, Phil Rice, Damien Valentine, Tracy Harwood
Producer: Damien Valentine
Editor: Phil Rice
Music: Animo Domini Beats

  continue reading

179 episodes

Artwork
iconShare
 
Manage episode 415925216 series 2869789
Content provided by Ricky Grove, Tracy Harwood, Damien Valentine, and Phil Rice, Ricky Grove, Tracy Harwood, Damien Valentine, and Phil Rice. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ricky Grove, Tracy Harwood, Damien Valentine, and Phil Rice, Ricky Grove, Tracy Harwood, Damien Valentine, and Phil Rice or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This week we celebrate Star Wars with a fabulous short portraying the infamous AT-AT death walkers as 'nature-creatures' in their natural habitat - this is a beautifully observed work, made in Unreal Engine by Jeremy Cummins. Cummins is an experienced character creator, now working for Tippett Studio, with an impressive list of credits including Ant-Man and the Wasp, Spider-Man and Avengers, among others. We discuss the transition pros are making in the development of an Unreal pipeline and the impact this has on the creative machinima community.

0:44 Intro to the film

3:18 About Jeremy Cummins

4:33 Developing the pipeline

5:36 PhantomFX takes over Tippett Studios, what are the implications?

7:01 Migration – in the film, and metaphorically

8:59 Stunning lighting effects

9:18 Characterisation of AT-ATs – itchy and goofy!

10:27 Sound effects inconsistent? Cows vs dino vs croc = buff… nah

12:14 Who’s got a sub to Galactic Geographic?

13:50 Humour and the portrayal of death dealing machines

15:00 The ambient sound needed a bit more work to achieve verisimilitude

16:06 Check out Pie in the Sky too – and why it’s a better film

17:47 Tapping into a ‘magical movie moment’ in time, anthropomorphism and our fascination with machines as animals in the Star Wars universe

20:00 Communicating size with sound

22:34 Length of the film

24:00 Excitement: AT-ATs were only ever seen for such a short length of time in the original canon, so how cool to see them again!

26:30 A perfect example of contemporary realtime cinema

Credits -
Speakers: Ricky Grove, Phil Rice, Damien Valentine, Tracy Harwood
Producer: Damien Valentine
Editor: Phil Rice
Music: Animo Domini Beats

  continue reading

179 episodes

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