Artwork

Content provided by automachination. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by automachination or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

ArtiFact #22: Elizabeth Barrett Browning’s ”Aurora Leigh” | Jessica Schneider, Alex Sheremet, Ezekiel Yu

2:44:23
 
Share
 

Manage episode 315964510 series 2945303
Content provided by automachination. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by automachination or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Elizabeth Barrett Browning (1806 – 1861) was one of the best poets of the 19th century, yet remains little known today and even less read. At a time when feminist literary criticism (among other relevant lenses) is ascendant, how did Barrett Browning go from a much-admired writer to one that is neglected in favor of her literary inferiors? In ArtiFact #22, Jessica Schneider, Ezekiel Yu, and Alex Sheremet tackle her classic novel-in-verse, Aurora Leigh, uncovering depths and dimensions to a work she considered containing her very best poetry.
You may also watch this discussion on our YouTube channel: https://www.youtube.com/watch?v=oTYi0UMives
Timestamps:
0:18 – Introduction to Elizabeth Barrett Browning & Aurora Leigh – art vs. politics, other -isms; John Milton’s “Paradise Lost” vs. Aurora Leigh; Book 1’s introductory stanza; Christian theology vs. Old Testament myths
16:00 – Book 1; poetic compression; Aurora’s relationship with her parents & how this is conveyed; EBB’s feminist & anti-feminist strains; introducing Romney Leigh as an inverted Victorian trope; contrasts with Jane Eyre; Browning’s prescient critique of liberalism + liberal men; the Victor Erice (El Sur) + Aurora Leigh connection
36:38 – Book 2; Aurora Leigh’s youthful “hubris” & imperfect heroine trope; the understated humor in Aurora Leigh; Zeke pushes back against a Deist reading of the text; uses of Greek/Roman mythology in Aurora Leigh; Virginia Woolf’s (envious) attacks on Browning & EBB’s deep classical education; Browning’s unique spin on feminism; Aurora Leigh angrily rejects Romney Leigh’s marriage proposal
56:45 – Book 3; Aurora Leigh becomes a writer in London, but EBB turns her into an artistic failure; fame vs. genuine achievement & how EBB rejects simply ‘imitating the men’; Aurora Leigh’s thoughts of Romney do not recede; more critiques of faux liberalism via Marian, Romney’s new fiancée; introducing Lady Waldemar as villain; the text’s complex relationship with love and grief
01:14:32 – Book 4; Marian continues her story & meeting of Romney; Aurora Leigh casts doubt on their love as conflating mere charity with love; Aurora Leigh starts to develop feelings for Romney, but why?; EBB’s inversions of ‘goodness’; the material world vs. spiritual underpinnings
01:30:00 – Book 5; one of the philosophically richest books of the text; Aurora Leigh’s “distrust” of Golden Age thinking & how to extract value from the present day; back to Book 4- Marian does not show up to her wedding with Romney, and what this means; the use of women in instrumentalizing men’s identities; more humor from Elizabeth Barrett Browning; Aurora Leigh’s controversial use of “demeaning” language for lower classes
01:47:30 – Book 6; the France/England dichotomy as philosophically rich, but also a literary device; Aurora meets Marian again in France, but rushes to judgment about Marian’s child in the same way others had judged Aurora in the past; a powerful ending
01:57:30 – Book 7; Marian explains she was raped; Aurora writes a letter to Lady Waldemar expressing her rage, inverting some of the tropes of Victorian ‘banter’ in Book 3; painter Vincent Carrington & others praise Aurora’s manuscript, but (yet another) beautiful ending to the book reveals her own ambivalence; the idea that high art has some ethical imperatives
02:23:00 – Books 8 + 9; Aurora confronts Romney about Lady Waldemar, learns that they are not getting married; Waldemar writes an angry letter back to Aurora, absolving herself of the worst accusation; Aurora becomes the romantic aggressor, almost demanding Romney marry her; Romney/Aurora both seem to have grown up; the “blindness” trope- does Elizabeth Barrett Browning indulge in a cliché?; George Eliot & other critics of “Aurora Leigh”
ArtiFact thumbnail © Joel Parrish: https://poeticimport.com
Read Jessica Schneider’s essay on Aurora Leigh: https://www.automachination.com/low-to-the-ground-elizabeth-barrett-browning-aurora-leigh
Read Ezekiel Yu’s essay on Aurora Leigh: https://www.automachination.com/this-verse-in-fire-forever-elizabeth-barrett-browning-aurora-leigh
Read Alex’s (archived) essays: https://alexsheremet.com

Tags: #AuroraLeigh, #ElizabethBarrettBrowning, #ArtiFactPodcast

  continue reading

61 episodes

Artwork
iconShare
 
Manage episode 315964510 series 2945303
Content provided by automachination. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by automachination or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Elizabeth Barrett Browning (1806 – 1861) was one of the best poets of the 19th century, yet remains little known today and even less read. At a time when feminist literary criticism (among other relevant lenses) is ascendant, how did Barrett Browning go from a much-admired writer to one that is neglected in favor of her literary inferiors? In ArtiFact #22, Jessica Schneider, Ezekiel Yu, and Alex Sheremet tackle her classic novel-in-verse, Aurora Leigh, uncovering depths and dimensions to a work she considered containing her very best poetry.
You may also watch this discussion on our YouTube channel: https://www.youtube.com/watch?v=oTYi0UMives
Timestamps:
0:18 – Introduction to Elizabeth Barrett Browning & Aurora Leigh – art vs. politics, other -isms; John Milton’s “Paradise Lost” vs. Aurora Leigh; Book 1’s introductory stanza; Christian theology vs. Old Testament myths
16:00 – Book 1; poetic compression; Aurora’s relationship with her parents & how this is conveyed; EBB’s feminist & anti-feminist strains; introducing Romney Leigh as an inverted Victorian trope; contrasts with Jane Eyre; Browning’s prescient critique of liberalism + liberal men; the Victor Erice (El Sur) + Aurora Leigh connection
36:38 – Book 2; Aurora Leigh’s youthful “hubris” & imperfect heroine trope; the understated humor in Aurora Leigh; Zeke pushes back against a Deist reading of the text; uses of Greek/Roman mythology in Aurora Leigh; Virginia Woolf’s (envious) attacks on Browning & EBB’s deep classical education; Browning’s unique spin on feminism; Aurora Leigh angrily rejects Romney Leigh’s marriage proposal
56:45 – Book 3; Aurora Leigh becomes a writer in London, but EBB turns her into an artistic failure; fame vs. genuine achievement & how EBB rejects simply ‘imitating the men’; Aurora Leigh’s thoughts of Romney do not recede; more critiques of faux liberalism via Marian, Romney’s new fiancée; introducing Lady Waldemar as villain; the text’s complex relationship with love and grief
01:14:32 – Book 4; Marian continues her story & meeting of Romney; Aurora Leigh casts doubt on their love as conflating mere charity with love; Aurora Leigh starts to develop feelings for Romney, but why?; EBB’s inversions of ‘goodness’; the material world vs. spiritual underpinnings
01:30:00 – Book 5; one of the philosophically richest books of the text; Aurora Leigh’s “distrust” of Golden Age thinking & how to extract value from the present day; back to Book 4- Marian does not show up to her wedding with Romney, and what this means; the use of women in instrumentalizing men’s identities; more humor from Elizabeth Barrett Browning; Aurora Leigh’s controversial use of “demeaning” language for lower classes
01:47:30 – Book 6; the France/England dichotomy as philosophically rich, but also a literary device; Aurora meets Marian again in France, but rushes to judgment about Marian’s child in the same way others had judged Aurora in the past; a powerful ending
01:57:30 – Book 7; Marian explains she was raped; Aurora writes a letter to Lady Waldemar expressing her rage, inverting some of the tropes of Victorian ‘banter’ in Book 3; painter Vincent Carrington & others praise Aurora’s manuscript, but (yet another) beautiful ending to the book reveals her own ambivalence; the idea that high art has some ethical imperatives
02:23:00 – Books 8 + 9; Aurora confronts Romney about Lady Waldemar, learns that they are not getting married; Waldemar writes an angry letter back to Aurora, absolving herself of the worst accusation; Aurora becomes the romantic aggressor, almost demanding Romney marry her; Romney/Aurora both seem to have grown up; the “blindness” trope- does Elizabeth Barrett Browning indulge in a cliché?; George Eliot & other critics of “Aurora Leigh”
ArtiFact thumbnail © Joel Parrish: https://poeticimport.com
Read Jessica Schneider’s essay on Aurora Leigh: https://www.automachination.com/low-to-the-ground-elizabeth-barrett-browning-aurora-leigh
Read Ezekiel Yu’s essay on Aurora Leigh: https://www.automachination.com/this-verse-in-fire-forever-elizabeth-barrett-browning-aurora-leigh
Read Alex’s (archived) essays: https://alexsheremet.com

Tags: #AuroraLeigh, #ElizabethBarrettBrowning, #ArtiFactPodcast

  continue reading

61 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide