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Maureen Whiting – and there was concrete skin for your face

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Manage episode 414368645 series 1222101
Content provided by Jack Straw Cultural Center. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jack Straw Cultural Center or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Choreographer/dancer Maureen Whiting created this soundscape at Jack Straw as part of her 2001 Artist Support Program project, a collaborative installation with video artist Robert Campbell, which appeared in the Jack Straw New Media Gallery in 2002. Other collaborators for the installation included costume designers KD Schill and Sarah Harlett, lighting designer Dave Proscia, and mechanical designer Tashi Meath. Maureen worked together with these artists to incorporate traditional performance elements (costumes, lighting, performance, visual design) into the installation and converge them in non-traditional and unexpected ways. Set to Maureen’s soundscape, dancers moved amid costumes and through video projections in the installation.

More information on the exhibit webpage: https://www.jackstraw.org/exhibit/maureen-whiting-and-robert-campbell-and-there-was-concrete-skin-for-your-face/

The post Maureen Whiting – and there was concrete skin for your face appeared first on Jack Straw Cultural Center.

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292 episodes

Artwork
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Manage episode 414368645 series 1222101
Content provided by Jack Straw Cultural Center. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jack Straw Cultural Center or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Choreographer/dancer Maureen Whiting created this soundscape at Jack Straw as part of her 2001 Artist Support Program project, a collaborative installation with video artist Robert Campbell, which appeared in the Jack Straw New Media Gallery in 2002. Other collaborators for the installation included costume designers KD Schill and Sarah Harlett, lighting designer Dave Proscia, and mechanical designer Tashi Meath. Maureen worked together with these artists to incorporate traditional performance elements (costumes, lighting, performance, visual design) into the installation and converge them in non-traditional and unexpected ways. Set to Maureen’s soundscape, dancers moved amid costumes and through video projections in the installation.

More information on the exhibit webpage: https://www.jackstraw.org/exhibit/maureen-whiting-and-robert-campbell-and-there-was-concrete-skin-for-your-face/

The post Maureen Whiting – and there was concrete skin for your face appeared first on Jack Straw Cultural Center.

  continue reading

292 episodes

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