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Laurie Metcalf (#317) - April, 2011

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Manage episode 24449 series 356
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Laurie Metcalf talks about her role in Sharr White's play "The Other Place" at MCC Theater, and the challenge of playing someone whose mental faculties are diminishing in a non-linear play, requiring her to constantly leap between varying states of mind. She also talks about her embrace of theatre during her college years at Illinois State University, where she first studied German, then anthropology, before settling on theatre; being one of the original company members of the acclaimed Steppenwolf Theatre and her satisfaction with her day job during those early years; her Chicago breakout role in "The Glass Menagerie" and how that production fit with the company's reputation for "rock and roll theatre"; her participation in both the Chicago and New York productions of Lanford Wilson's "Balm in Gilead", and how she is still approached on the street by people recalling that show 25 years later; her regular returns to the Steppenwolf stage throughout her television run on "Roseanne" and other TV and film work; her opportunities to play Kate Keller in "All My Sons" twice -- both at London's National Theatre and Los Angeles' Geffen Playhouse; how The New Group's production of "A Lie of the Mind" "saved" her after the brief run of "Brighton Beach Memoirs" and the failure of its companion piece, "Broadway Bound", to open; her affinity for the play "Voice Lessons", which she'll be returning to for a third time; and the appeal of Steppenwolf's "Detroit", scheduled for Broadway in the fall. Original air date - April 27, 2011.
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357 episodes

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Laurie Metcalf (#317) - April, 2011

ATW - Downstage Center

22 subscribers

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Archived series ("Inactive feed" status)

When? This feed was archived on August 01, 2022 23:20 (2y ago). Last successful fetch was on December 16, 2017 17:45 (6+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 24449 series 356
Content provided by American Theatre Wing. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Theatre Wing or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Laurie Metcalf talks about her role in Sharr White's play "The Other Place" at MCC Theater, and the challenge of playing someone whose mental faculties are diminishing in a non-linear play, requiring her to constantly leap between varying states of mind. She also talks about her embrace of theatre during her college years at Illinois State University, where she first studied German, then anthropology, before settling on theatre; being one of the original company members of the acclaimed Steppenwolf Theatre and her satisfaction with her day job during those early years; her Chicago breakout role in "The Glass Menagerie" and how that production fit with the company's reputation for "rock and roll theatre"; her participation in both the Chicago and New York productions of Lanford Wilson's "Balm in Gilead", and how she is still approached on the street by people recalling that show 25 years later; her regular returns to the Steppenwolf stage throughout her television run on "Roseanne" and other TV and film work; her opportunities to play Kate Keller in "All My Sons" twice -- both at London's National Theatre and Los Angeles' Geffen Playhouse; how The New Group's production of "A Lie of the Mind" "saved" her after the brief run of "Brighton Beach Memoirs" and the failure of its companion piece, "Broadway Bound", to open; her affinity for the play "Voice Lessons", which she'll be returning to for a third time; and the appeal of Steppenwolf's "Detroit", scheduled for Broadway in the fall. Original air date - April 27, 2011.
  continue reading

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