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19: State of animation in India with Vaibhav Kumaresh

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Manage episode 205407051 series 1758060
Content provided by Audiogyan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Audiogyan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Today I have Vaibhav Kumaresh with us on Audiogyan. Vaibhav is an animator; the creator of the timeless animated angry maths teacher Simpoo, the cheerful Chulbuli and the amazing Amaron claymation commercials . The founder of Vaibhav Studios along with few of his power packed team members have been successfully producing some interesting Indian animation. 1\. Can you tell us history of animation films in India? How long we have been doing this commercially? 2\. Why is animation dominantly perceived as children’s thing? 3\. Inspite of us, Indians having a strong tradition of story telling, do you think we are trapped inn this narrow view of animation? If yes why? 4\. How do you see future of animation in India. What can we expect in the next 2 decades?
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304 episodes

Artwork
iconShare
 
Manage episode 205407051 series 1758060
Content provided by Audiogyan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Audiogyan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Today I have Vaibhav Kumaresh with us on Audiogyan. Vaibhav is an animator; the creator of the timeless animated angry maths teacher Simpoo, the cheerful Chulbuli and the amazing Amaron claymation commercials . The founder of Vaibhav Studios along with few of his power packed team members have been successfully producing some interesting Indian animation. 1\. Can you tell us history of animation films in India? How long we have been doing this commercially? 2\. Why is animation dominantly perceived as children’s thing? 3\. Inspite of us, Indians having a strong tradition of story telling, do you think we are trapped inn this narrow view of animation? If yes why? 4\. How do you see future of animation in India. What can we expect in the next 2 decades?
  continue reading

304 episodes

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