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Richard Viladesau on theology through art

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Manage episode 111143786 series 89686
Content provided by MARS HILL AUDIO and Ken Myers. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by MARS HILL AUDIO and Ken Myers or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Since 2006, theologian Richard Viladesau has been working on a multi-book project that has been exploring the meaning of the cross of Christ in Christian theology and in the artistic expressions of faith. The first book in this series (all published by Oxford) was The Beauty of the Cross: The Passion of Christ in Theology and the Arts from the Catacombs to the Eve of the Renaissance. The second, published in 2008, was The Triumph of the Cross: The Passion of Christ in Theology and the Arts from the Renaissance to the Counter-Reformation. The third book, published this year, is The Pathos of the Cross: The Passion of Christ in Theology and the Arts—The Baroque Era.

In an interview with Ken Myers for the MARS HILL AUDIO Journal, Vilasdeau explained: “The arts were used as kind of illustrations or as kind of proclamations . . . for the service of God. The main intent was to serve as a mode of preaching, a visible mode of preaching in the case of the graphic arts or an auditory mode of preaching in the case of music. The problem is, of course, particularly when you get to the graphic arts, is that you have to be concrete, and in being concrete, you’re always saying both more and less than what the original message is.”

This issue of Audition features an excerpt from that interview, to be featured on a forthcoming volume of the MARS HILL AUDIO Journal.

  continue reading

21 episodes

Artwork

Richard Viladesau on theology through art

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Archived series ("Inactive feed" status)

When? This feed was archived on April 02, 2021 08:10 (3+ y ago). Last successful fetch was on June 21, 2020 04:11 (4+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 111143786 series 89686
Content provided by MARS HILL AUDIO and Ken Myers. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by MARS HILL AUDIO and Ken Myers or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Since 2006, theologian Richard Viladesau has been working on a multi-book project that has been exploring the meaning of the cross of Christ in Christian theology and in the artistic expressions of faith. The first book in this series (all published by Oxford) was The Beauty of the Cross: The Passion of Christ in Theology and the Arts from the Catacombs to the Eve of the Renaissance. The second, published in 2008, was The Triumph of the Cross: The Passion of Christ in Theology and the Arts from the Renaissance to the Counter-Reformation. The third book, published this year, is The Pathos of the Cross: The Passion of Christ in Theology and the Arts—The Baroque Era.

In an interview with Ken Myers for the MARS HILL AUDIO Journal, Vilasdeau explained: “The arts were used as kind of illustrations or as kind of proclamations . . . for the service of God. The main intent was to serve as a mode of preaching, a visible mode of preaching in the case of the graphic arts or an auditory mode of preaching in the case of music. The problem is, of course, particularly when you get to the graphic arts, is that you have to be concrete, and in being concrete, you’re always saying both more and less than what the original message is.”

This issue of Audition features an excerpt from that interview, to be featured on a forthcoming volume of the MARS HILL AUDIO Journal.

  continue reading

21 episodes

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