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Bachcast 39: Sonata for solo violin in G minor, BWV 1001

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Archived series ("Inactive feed" status)

When? This feed was archived on October 01, 2020 15:12 (3+ y ago). Last successful fetch was on June 09, 2020 07:18 (4y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

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Manage episode 156320067 series 1184529
Content provided by John Hendron. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by John Hendron or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Shownotes

A lot of different versions of these work exist. I wanted you to get a sense of the differences among some strong contenders. I think the oldest recording is likely 1988 or 1989 by Perlman on EMI/Warner. Among my most favorite are the Kremer (modern violin) and Chris Thile (arrangement on mandolin).

Bach adopts a four-movement structure, positioning his fugue in second position. The fugue forces the performer to make some stylistic choices on how to render the accented chords that must be rolled across the strings.

How do you like vibrato? I like it when it's used as an ornament. I''m not a fan of any Baroque literature that is treated with a constant, regular vibrato. That said, I do like Kremer's apporach from a modern violinist's perspective.

The last movement is ripe for opportunities for accents of differnet levels, highighting the shape of the phrases. Huggett's recording for me is like a "zoomed-in" close up view with her approach; while it is not my favorite approach, I like how it makes me re-assess the music, thus helping me enjoy it even more deeply.

Also mentioned:

  continue reading

62 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on October 01, 2020 15:12 (3+ y ago). Last successful fetch was on June 09, 2020 07:18 (4y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 156320067 series 1184529
Content provided by John Hendron. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by John Hendron or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Shownotes

A lot of different versions of these work exist. I wanted you to get a sense of the differences among some strong contenders. I think the oldest recording is likely 1988 or 1989 by Perlman on EMI/Warner. Among my most favorite are the Kremer (modern violin) and Chris Thile (arrangement on mandolin).

Bach adopts a four-movement structure, positioning his fugue in second position. The fugue forces the performer to make some stylistic choices on how to render the accented chords that must be rolled across the strings.

How do you like vibrato? I like it when it's used as an ornament. I''m not a fan of any Baroque literature that is treated with a constant, regular vibrato. That said, I do like Kremer's apporach from a modern violinist's perspective.

The last movement is ripe for opportunities for accents of differnet levels, highighting the shape of the phrases. Huggett's recording for me is like a "zoomed-in" close up view with her approach; while it is not my favorite approach, I like how it makes me re-assess the music, thus helping me enjoy it even more deeply.

Also mentioned:

  continue reading

62 episodes

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