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Bachcast Episode 24: Cantata, BWV 22
Archived series ("Inactive feed" status)
When? This feed was archived on October 01, 2020 15:12 (). Last successful fetch was on June 09, 2020 07:18 ()
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
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Manage episode 156320082 series 1184529
Shownotes
BWV 22, Jesus nahm sich die Zwölfe is a five-movement cantata for SATB written as Bach’s audition piece for the job as cantor and music director in Leipzig.
The first and second movements feature a solo oboe. The first movement features a choral fugue in the role of an “audience” who has an omniscient perspective.
The third movement is a recitative which allows Bach to change key centers away from the “flat heavy” keys of G minor, C minor, and E-flat major to B major.
The last movement features a chorale above a moving, rhythmically repetitive foundation, in the style of Kuhnau, Bach’s predecessor at St. Thomas’s.
62 episodes
Archived series ("Inactive feed" status)
When? This feed was archived on October 01, 2020 15:12 (). Last successful fetch was on June 09, 2020 07:18 ()
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 156320082 series 1184529
Shownotes
BWV 22, Jesus nahm sich die Zwölfe is a five-movement cantata for SATB written as Bach’s audition piece for the job as cantor and music director in Leipzig.
The first and second movements feature a solo oboe. The first movement features a choral fugue in the role of an “audience” who has an omniscient perspective.
The third movement is a recitative which allows Bach to change key centers away from the “flat heavy” keys of G minor, C minor, and E-flat major to B major.
The last movement features a chorale above a moving, rhythmically repetitive foundation, in the style of Kuhnau, Bach’s predecessor at St. Thomas’s.
62 episodes
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