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Bachcast Episode 34: BWV 1019/1019a
Archived series ("Inactive feed" status)
When? This feed was archived on October 01, 2020 15:12 (). Last successful fetch was on June 09, 2020 07:18 ()
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 156320072 series 1184529
Shownotes
Bach's sixth and final sonata for violin and harpsichord is organized in a very different format: it is flanked by two allegro movements in the key of G major, but the third movement at the "apex" of the sonata is for solo keyboard! The second and fourth feature a slower tempo and are written in a contrasting minor modality.
In the podcast I speculate why this is the case, and part of that speculation is fueled by the existence of additional movements that were supposedly part of an earlier construction of the piece.
Look for recordings that serve up "alternates," sometimes labeled as "BWV 1019a." They allow us to explore Bach's compositional journey, in a way, and we can also try programming our own versions of the sonata using playlists.
Links of Interest
62 episodes
Archived series ("Inactive feed" status)
When? This feed was archived on October 01, 2020 15:12 (). Last successful fetch was on June 09, 2020 07:18 ()
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 156320072 series 1184529
Shownotes
Bach's sixth and final sonata for violin and harpsichord is organized in a very different format: it is flanked by two allegro movements in the key of G major, but the third movement at the "apex" of the sonata is for solo keyboard! The second and fourth feature a slower tempo and are written in a contrasting minor modality.
In the podcast I speculate why this is the case, and part of that speculation is fueled by the existence of additional movements that were supposedly part of an earlier construction of the piece.
Look for recordings that serve up "alternates," sometimes labeled as "BWV 1019a." They allow us to explore Bach's compositional journey, in a way, and we can also try programming our own versions of the sonata using playlists.
Links of Interest
62 episodes
All episodes
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