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Sammi Cannold

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Content provided by cbroadwaypodcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by cbroadwaypodcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Today, I’m thrilled to announce my interview with one of Broadway’s best young directors, Sammi Cannold. Tune in to this interview to hear stories and insights from her amazing career, including how a DM led to her Broadway debut, the ins and outs of being an assistant director, how she first contacted Diane Paulus, putting Ingrid Michaelson into NATASHA, PIERRE, AND THE GREAT COMET OF 1812, her inspiration for staging VIOLET on a bus, staging RAGTIME as a young director, her guideposts for casting the role of Eva Peron, the immersive production she’d still like to do, how she made everyone involved with HOW TO DANCE IN OHIO feel comfortable along the way, looking at Hal Prince’s notes on the show, how she uses her mathematical mind in her directing work, and so much more.

  continue reading

196 episodes

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Sammi Cannold

Backstage Babble

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Manage episode 428620581 series 2846889
Content provided by cbroadwaypodcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by cbroadwaypodcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Today, I’m thrilled to announce my interview with one of Broadway’s best young directors, Sammi Cannold. Tune in to this interview to hear stories and insights from her amazing career, including how a DM led to her Broadway debut, the ins and outs of being an assistant director, how she first contacted Diane Paulus, putting Ingrid Michaelson into NATASHA, PIERRE, AND THE GREAT COMET OF 1812, her inspiration for staging VIOLET on a bus, staging RAGTIME as a young director, her guideposts for casting the role of Eva Peron, the immersive production she’d still like to do, how she made everyone involved with HOW TO DANCE IN OHIO feel comfortable along the way, looking at Hal Prince’s notes on the show, how she uses her mathematical mind in her directing work, and so much more.

  continue reading

196 episodes

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