this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
…
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Jóhann Jóhannsson
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Manage episode 166975955 series 1244095
Content provided by Barbican Contemporary Music and Barbican Centre. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Barbican Contemporary Music and Barbican Centre or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We talk to Jóhann Jóhannsson about his fascination with film, and love of the voice as an instrument The Icelandic composer behind the brooding and beautiful scores for Arrival, Sicario and The Theory of Everything, Jóhann Jóhannsson blends elements of Classical music and electronica into something wholly his own. In this week’s edition of the Barbican Contemporay Music Podcast, we chat to the composer about Jean Cocteau, composing for film, and his interest in the voice as an instrument, ahead of his upcoming sold out performance at the Barbican with choir Britten Sinfonia Voices led by Eamonn Dougan. For information regarding your data privacy, visit acast.com/privacy
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131 episodes
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Archived series ("Inactive feed" status)
When?
This feed was archived on May 16, 2020 22:09 (
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 166975955 series 1244095
Content provided by Barbican Contemporary Music and Barbican Centre. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Barbican Contemporary Music and Barbican Centre or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We talk to Jóhann Jóhannsson about his fascination with film, and love of the voice as an instrument The Icelandic composer behind the brooding and beautiful scores for Arrival, Sicario and The Theory of Everything, Jóhann Jóhannsson blends elements of Classical music and electronica into something wholly his own. In this week’s edition of the Barbican Contemporay Music Podcast, we chat to the composer about Jean Cocteau, composing for film, and his interest in the voice as an instrument, ahead of his upcoming sold out performance at the Barbican with choir Britten Sinfonia Voices led by Eamonn Dougan. For information regarding your data privacy, visit acast.com/privacy
…
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131 episodes
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Similar to Barbican Contemporary Music
this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
…
continue reading
WXPN's live performance and interview program featuring music and conversation from a variety of important musicians
…
continue reading
Get the best in independent artist cover songs every week on the Coverville podcast!
…
continue reading
Whether it’s a shoegaze band from Chandigarh, thrash metal act from Visakhapatnam, rapper from Kashmir, vocal folk quartet from Kohima, Tamil indie pop act from Madurai, or a singer-songwriter from Mussoorie, Maed in India is where you’ll discover it. Started in 2015, music nerd and ex-radio presenter Mae Mariyam Thomas showcases the best talent coming out of South Asia and its diaspora. The show is India’s first indie music podcast and prides itself on being the premier destination for new ...
…
continue reading
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
Rock and Roll
…
continue reading
Formerly the Metal Injection Livecast, a weekly skewering of pop culture and beyond from the minds of 3 rock fans. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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