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Special Encore Episode: The Black Musical Returns!

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Manage episode 401064844 series 2662196
Content provided by David Armstrong and Broadway Podcast Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by David Armstrong and Broadway Podcast Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This is a special encore episode of Broadway Nation.

1970s Broadway experienced another blast from the past with the return of the Black Musical. More than a dozen hit black musicals opened during the decade, and three of them won the Tony Award for BEST MUSICAL.

About half of these were new, original musical plays – mostly adaptations of popular plays or novels. All of them employed a combination of rhythm & blues, pop, rock, jazz and traditional Broadway style music to help tell their stories.

The other half were musical revues that showcased the classic songs of the great black songwriters of the 1920s, 30s and 40s. These shows represented a significant black wing of the ongoing Nostalgia Craze.

Please join me as I explore the musical plays PURLIE, RAISIN, and THE WIZ,; the gospel musicals DON’T BOTHER ME I CAN’T COPE, AND YOUR ARMS TOO SHORT TO BOX WITH GOD.; and the songbook revues BUBBLING BROWN SUGAR, AIN’T MISBEHAVIN’, EUBIE!, SOPHISTICATED LADIES, and BLACK AND BLUE.

Become a PATRON of Broadway Nation!

I want to thank our Broadway Nation Patron Club members, such as our newest member Cheryl Hodges-Selden whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron.

For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.

All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

https://broadwaynationpodcast.supercast.tech/

Thank you in advance for your support!

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

180 episodes

Artwork
iconShare
 
Manage episode 401064844 series 2662196
Content provided by David Armstrong and Broadway Podcast Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by David Armstrong and Broadway Podcast Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This is a special encore episode of Broadway Nation.

1970s Broadway experienced another blast from the past with the return of the Black Musical. More than a dozen hit black musicals opened during the decade, and three of them won the Tony Award for BEST MUSICAL.

About half of these were new, original musical plays – mostly adaptations of popular plays or novels. All of them employed a combination of rhythm & blues, pop, rock, jazz and traditional Broadway style music to help tell their stories.

The other half were musical revues that showcased the classic songs of the great black songwriters of the 1920s, 30s and 40s. These shows represented a significant black wing of the ongoing Nostalgia Craze.

Please join me as I explore the musical plays PURLIE, RAISIN, and THE WIZ,; the gospel musicals DON’T BOTHER ME I CAN’T COPE, AND YOUR ARMS TOO SHORT TO BOX WITH GOD.; and the songbook revues BUBBLING BROWN SUGAR, AIN’T MISBEHAVIN’, EUBIE!, SOPHISTICATED LADIES, and BLACK AND BLUE.

Become a PATRON of Broadway Nation!

I want to thank our Broadway Nation Patron Club members, such as our newest member Cheryl Hodges-Selden whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron.

For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.

All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

https://broadwaynationpodcast.supercast.tech/

Thank you in advance for your support!

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

180 episodes

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