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33 Dennis Gassner on the ‘method’ behind his Oscar-winning production design

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Manage episode 254545300 series 1537031
Content provided by ArtCenter College of Design and Hosted by ArtCenter President Lorne M. Buchman. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by ArtCenter College of Design and Hosted by ArtCenter President Lorne M. Buchman or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Storytelling is Dennis Gassner’s mother tongue. It’s the language – and the context -- through which the ArtCenter alum and legendary production designer processes the ideas of a script, and it fundamentally shapes the worlds his characters inhabit on screen.

The six-time Oscar nominee is best known for the technically ambitious and artfully realized environments he has created for six Coen Bros films, the last four James Bond movies, Blade Runner 2049 and Bugsy – for which he won an Academy Award. Dennis received his most recent Oscar nomination for his stunning work on 1917, a World War 1 epic for which he designed, built and destroyed French villages and battlefields all, seemingly, filmed in one-take. The film also presented him with the rare opportunity to go to war with his longtime collaborators, director Sam Mendes and cinematographer Roger Deakins – two major talents with whom he’s found great success in the moviemaking trenches.

On the eve of the most recent Academy Awards show, Change Lab’s Lorne Buchman interviewed Dennis in his home, which is steeped in Hollywood history and filled with artifacts from his films and the places they’ve taken him. As we sat facing each other on two art deco couches he used to furnish a lavish set in The Hudsucker Proxy, we discussed his transition from architecture to production design, his discovery (while at ArtCenter) that facing fear is fundamental to creativity and his conviction that successful storytelling is best measured by the heart rather than the head.

Related Links:

https://www.imdb.com/name/nm0309357/?ref_=fn_al_nm_1

https://www.1917.movie/

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

70 episodes

Artwork
iconShare
 
Manage episode 254545300 series 1537031
Content provided by ArtCenter College of Design and Hosted by ArtCenter President Lorne M. Buchman. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by ArtCenter College of Design and Hosted by ArtCenter President Lorne M. Buchman or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Storytelling is Dennis Gassner’s mother tongue. It’s the language – and the context -- through which the ArtCenter alum and legendary production designer processes the ideas of a script, and it fundamentally shapes the worlds his characters inhabit on screen.

The six-time Oscar nominee is best known for the technically ambitious and artfully realized environments he has created for six Coen Bros films, the last four James Bond movies, Blade Runner 2049 and Bugsy – for which he won an Academy Award. Dennis received his most recent Oscar nomination for his stunning work on 1917, a World War 1 epic for which he designed, built and destroyed French villages and battlefields all, seemingly, filmed in one-take. The film also presented him with the rare opportunity to go to war with his longtime collaborators, director Sam Mendes and cinematographer Roger Deakins – two major talents with whom he’s found great success in the moviemaking trenches.

On the eve of the most recent Academy Awards show, Change Lab’s Lorne Buchman interviewed Dennis in his home, which is steeped in Hollywood history and filled with artifacts from his films and the places they’ve taken him. As we sat facing each other on two art deco couches he used to furnish a lavish set in The Hudsucker Proxy, we discussed his transition from architecture to production design, his discovery (while at ArtCenter) that facing fear is fundamental to creativity and his conviction that successful storytelling is best measured by the heart rather than the head.

Related Links:

https://www.imdb.com/name/nm0309357/?ref_=fn_al_nm_1

https://www.1917.movie/

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

70 episodes

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