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3 TRICKSTERS SERIES: Robert Farid Karimi - Witness of Wonder (WOW!)

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Manage episode 406221722 series 2818637
Content provided by Bill Cleveland. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bill Cleveland or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Robert Farid Karimi

The "inbetween" is often ignored. It is also the juicy territory that this week’s guest, comedian, chef, poet, educator, and activist Robert Farid Karimi has been investigating over the last couple of decades. like many of our guests Robert, who is also known as Mero Cocinero, Farid Mercury, the Peoples Chef, and even in some quarters, Betty Crocker's radical heir apparent, Robert is not easily pegged. In the conversation that follows we explore some of the stories, ideas, and questions that animate his work. How can humor become a bridge in a conflict-ridden community? What is the role of the fool and gossip in the post truth era? What can community organizers learn from Mel Brooks and Cheech and Chong. Along the way we hear great stories and have a little fun.

Delicious Quotes

I feel for people who feel that they themselves are bridges because this, it's not easy work to hold, two sides of earth so that others can cross. A lot of times people they're not appreciating everything it took to keep everybody up.

…we say in Spanish, "chesme", gossip. And talking about how immigrants, how we transmit the information, especially when you come from cultures, where the official news is being controlled like Iran and Guatemala, like gossip is powerful. Chesme is powerful. So, I became this bridge by valuing the words of others as truth,

Humor to me was never about insulting or bringing others down. Humor for me was always, "How can you lift up the room? We've had a bad day. Why you gotta be a downer?" And I think growing up, that's why I valued it so much. That's why it became part of my toolkit.

They brought me in to General Mills, …and had me cooking where the Betty Crocker kitchen ladies cook. They stayed. The women who had worked all day stayed because they wanted to have a good time and laugh. My mother still says that's my best gig I've ever had cause I'm at the home of freaking Betty Crocker.

I changed Acting One so that it would incorporate play. I want them to start seeing their bodies as this thing, that's taking it all in and that they are not just actors. They are not just performers they are in the in-between. They are storytellers. And to make these stories, they need to understand their relationship to the system of life. And the final of the classes, they get to make fun of the class. They get to use all the skills to make fun of anything I've done, because the rationale is for me, humor is a great way to show that because you got to know what you know, to make fun of it.

I couldn't just walk into a community and go, “I'm going to save you all because I'm a person of color. Who's funny.” No. I had to go back to the kid that was listening, ...to the folks in the community. ..Then I could see how I could be of service.

Notable Mentions

Mero Cocinero, Farid Mercury, the Peoples Chef: Just three of Mr. Karimi's many alter egos.

Change the Story / Change the World: This podcast, a Chronicle of Art & Community Transformation

Afrika Bambaataa: Lance Taylor (born in April 17, 1957), also known as Afrika Bambaataa (/ˌæfrɪkə bæmˈbɑːtə/),[2][3] is an American DJ, rapper, and producer from the South Bronx, New York.[4][3] He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture.[5] Afrika Bambaataa is one of the originators of breakbeat DJing.[1

Out North :Out North advances contemporary art in Anchorage supports underrepresented voices, and promotes cultural dialogue.

House Made of Dawn by N. Scott Momaday[WC1] . [WC1]House Made of Dawn is a 1968 novel by N. Scott Momaday, widely credited as leading the way for the breakthrough of Native American literature into the mainstream. It was awarded the Pulitzer Prize for Fiction in 1969, and has also been noted for its significance in Native American anthropology.[2]

Galleria de la Raza: Founded in 1970, Galería de la Raza | Studio 24 is a non-profit dedicated to promoting Xicanx/Latinx art and culture. Our "creative place keeping" ethos is rooted in social inclusion and justice, where community arts are central to navigating the complex intersection of urban development, social inequality, affordable housing, and the historical-cultural legacies of communities of color.

Cornerstone.Theater: Cornerstone Theater Company collaborates with communities. Our work reflects complexity, disrupts assumptions, welcomes difference, and amplifies joy. We aim to advance a more compassionate, equitable, and just world.

"rasquache.": Rasquache is a term of Mesoamerican Nahuatl origin which initially had a negative connotation in Mexico as being an attitude that was lower class, impoverished and having bad taste. This definition was later redefined by Mexican and Chicano art movement, Rasquachismo, transforming social and economic instabilities into a style and a positive creative attitude.

Creative Capital:Creative Capital is a nonprofit organization that has awarded more than $50 million to artists for the creation of groundbreaking new work in the visual arts, performing arts, literature, film, technology, and multidisciplinary practices, including socially-engaged work in all forms. We also provide professional development programs, networking opportunities, and educational resources for arts communities around the world.

Diabetes of Democracy: Awarded the 2011 Arts and Humanities Seed Grant funded jointly by the Institute for Humanities Research and the Herberger Institute Research Center in the Herberger Institute for Design and the Arts Diabetes for Democracy in South Phoenix examines the efficacy of the arts—specifically theatrical performance—in changing the dietary attitudes and behaviors of young people at higher risk for chronic diseases like diabetes.

Suzanne Lacy: Suzanne Lacy is renowned as a pioneer in socially engaged and public performance art. Her installations, videos, and performances deal with sexual violence, rural and urban poverty, incarceration, labor and aging. Lacy’s large-scale projects span the globe, including England, Colombia, Ecuador, Spain, Ireland and the U.S.

Comic Relief[WC1] , [WC1]Comic Relief is a major charity based in the UK, with a vision of a just world, free from poverty.The organization's mission is to drive positive change through the power of entertainment.

Up in Smoke: Up in Smoke is a 1978 American buddy stoner comedy film directed by Lou Adler and starring Cheech Marin, Tommy Chong, Edie Adams, Strother Martin, Stacy Keach, and Tom Skerritt. It is Cheech & Chong's first feature-length film. While negatively received upon its release, Up in Smoke grossed over $104 million, is credited with establishing the stoner film genre, and is now considered a cult classic.

Innovation Labs: Through keynotes, articles, workshops, seminars, and projects, we provide comprehensive insight into opportunities and challenges for companies and organizations in relation to new technologies, organizational development, innovation formats, and future business

Bridges Translations and Change: Art as Infrastructure in 21st Century America.: (1992) The essay was presented as a plea to America’s cultural community to get off the sidelines and join the fray. Atthattime,I(along with many others) asserted that what some were calling a “new world order” was in fact anew world condition--- that the recent spate of tumultuous events was not an unusual spike on the Richter scale of human affairs, but rather, a natural symptom of a globe that was in a perpetual state of accelerating change

  continue reading

101 episodes

Artwork
iconShare
 
Manage episode 406221722 series 2818637
Content provided by Bill Cleveland. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bill Cleveland or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Robert Farid Karimi

The "inbetween" is often ignored. It is also the juicy territory that this week’s guest, comedian, chef, poet, educator, and activist Robert Farid Karimi has been investigating over the last couple of decades. like many of our guests Robert, who is also known as Mero Cocinero, Farid Mercury, the Peoples Chef, and even in some quarters, Betty Crocker's radical heir apparent, Robert is not easily pegged. In the conversation that follows we explore some of the stories, ideas, and questions that animate his work. How can humor become a bridge in a conflict-ridden community? What is the role of the fool and gossip in the post truth era? What can community organizers learn from Mel Brooks and Cheech and Chong. Along the way we hear great stories and have a little fun.

Delicious Quotes

I feel for people who feel that they themselves are bridges because this, it's not easy work to hold, two sides of earth so that others can cross. A lot of times people they're not appreciating everything it took to keep everybody up.

…we say in Spanish, "chesme", gossip. And talking about how immigrants, how we transmit the information, especially when you come from cultures, where the official news is being controlled like Iran and Guatemala, like gossip is powerful. Chesme is powerful. So, I became this bridge by valuing the words of others as truth,

Humor to me was never about insulting or bringing others down. Humor for me was always, "How can you lift up the room? We've had a bad day. Why you gotta be a downer?" And I think growing up, that's why I valued it so much. That's why it became part of my toolkit.

They brought me in to General Mills, …and had me cooking where the Betty Crocker kitchen ladies cook. They stayed. The women who had worked all day stayed because they wanted to have a good time and laugh. My mother still says that's my best gig I've ever had cause I'm at the home of freaking Betty Crocker.

I changed Acting One so that it would incorporate play. I want them to start seeing their bodies as this thing, that's taking it all in and that they are not just actors. They are not just performers they are in the in-between. They are storytellers. And to make these stories, they need to understand their relationship to the system of life. And the final of the classes, they get to make fun of the class. They get to use all the skills to make fun of anything I've done, because the rationale is for me, humor is a great way to show that because you got to know what you know, to make fun of it.

I couldn't just walk into a community and go, “I'm going to save you all because I'm a person of color. Who's funny.” No. I had to go back to the kid that was listening, ...to the folks in the community. ..Then I could see how I could be of service.

Notable Mentions

Mero Cocinero, Farid Mercury, the Peoples Chef: Just three of Mr. Karimi's many alter egos.

Change the Story / Change the World: This podcast, a Chronicle of Art & Community Transformation

Afrika Bambaataa: Lance Taylor (born in April 17, 1957), also known as Afrika Bambaataa (/ˌæfrɪkə bæmˈbɑːtə/),[2][3] is an American DJ, rapper, and producer from the South Bronx, New York.[4][3] He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture.[5] Afrika Bambaataa is one of the originators of breakbeat DJing.[1

Out North :Out North advances contemporary art in Anchorage supports underrepresented voices, and promotes cultural dialogue.

House Made of Dawn by N. Scott Momaday[WC1] . [WC1]House Made of Dawn is a 1968 novel by N. Scott Momaday, widely credited as leading the way for the breakthrough of Native American literature into the mainstream. It was awarded the Pulitzer Prize for Fiction in 1969, and has also been noted for its significance in Native American anthropology.[2]

Galleria de la Raza: Founded in 1970, Galería de la Raza | Studio 24 is a non-profit dedicated to promoting Xicanx/Latinx art and culture. Our "creative place keeping" ethos is rooted in social inclusion and justice, where community arts are central to navigating the complex intersection of urban development, social inequality, affordable housing, and the historical-cultural legacies of communities of color.

Cornerstone.Theater: Cornerstone Theater Company collaborates with communities. Our work reflects complexity, disrupts assumptions, welcomes difference, and amplifies joy. We aim to advance a more compassionate, equitable, and just world.

"rasquache.": Rasquache is a term of Mesoamerican Nahuatl origin which initially had a negative connotation in Mexico as being an attitude that was lower class, impoverished and having bad taste. This definition was later redefined by Mexican and Chicano art movement, Rasquachismo, transforming social and economic instabilities into a style and a positive creative attitude.

Creative Capital:Creative Capital is a nonprofit organization that has awarded more than $50 million to artists for the creation of groundbreaking new work in the visual arts, performing arts, literature, film, technology, and multidisciplinary practices, including socially-engaged work in all forms. We also provide professional development programs, networking opportunities, and educational resources for arts communities around the world.

Diabetes of Democracy: Awarded the 2011 Arts and Humanities Seed Grant funded jointly by the Institute for Humanities Research and the Herberger Institute Research Center in the Herberger Institute for Design and the Arts Diabetes for Democracy in South Phoenix examines the efficacy of the arts—specifically theatrical performance—in changing the dietary attitudes and behaviors of young people at higher risk for chronic diseases like diabetes.

Suzanne Lacy: Suzanne Lacy is renowned as a pioneer in socially engaged and public performance art. Her installations, videos, and performances deal with sexual violence, rural and urban poverty, incarceration, labor and aging. Lacy’s large-scale projects span the globe, including England, Colombia, Ecuador, Spain, Ireland and the U.S.

Comic Relief[WC1] , [WC1]Comic Relief is a major charity based in the UK, with a vision of a just world, free from poverty.The organization's mission is to drive positive change through the power of entertainment.

Up in Smoke: Up in Smoke is a 1978 American buddy stoner comedy film directed by Lou Adler and starring Cheech Marin, Tommy Chong, Edie Adams, Strother Martin, Stacy Keach, and Tom Skerritt. It is Cheech & Chong's first feature-length film. While negatively received upon its release, Up in Smoke grossed over $104 million, is credited with establishing the stoner film genre, and is now considered a cult classic.

Innovation Labs: Through keynotes, articles, workshops, seminars, and projects, we provide comprehensive insight into opportunities and challenges for companies and organizations in relation to new technologies, organizational development, innovation formats, and future business

Bridges Translations and Change: Art as Infrastructure in 21st Century America.: (1992) The essay was presented as a plea to America’s cultural community to get off the sidelines and join the fray. Atthattime,I(along with many others) asserted that what some were calling a “new world order” was in fact anew world condition--- that the recent spate of tumultuous events was not an unusual spike on the Richter scale of human affairs, but rather, a natural symptom of a globe that was in a perpetual state of accelerating change

  continue reading

101 episodes

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