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MP3•Episode home
Manage episode 428628721 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"I was inspired by the scale of the call to prayer playing out in Bosnia. Using the notes I added some improvised piano to the supplied field recording getting further and further away from the maqam. The impression of war was added as heavily manipulated layered field recordings which included slowed down cobbles and use of the GRM Evol plug in on nature sounds.
"A plaintive alto sax (me) and guitar (Richard Mulhearn) improvisation aimed to suggest a journey and a splitting of the destination of the migrants. The final part is an out of sync layered recapitulation of the initial theme alluding to many final landing places."
Velika Kladusa recording reimagined by Alison Beattie.
Part of the Migration Sounds project, the world’s first collection of the sounds of human migration.
For more information and to explore the project, see https://www.citiesandmemory.com/migration
"A plaintive alto sax (me) and guitar (Richard Mulhearn) improvisation aimed to suggest a journey and a splitting of the destination of the migrants. The final part is an out of sync layered recapitulation of the initial theme alluding to many final landing places."
Velika Kladusa recording reimagined by Alison Beattie.
Part of the Migration Sounds project, the world’s first collection of the sounds of human migration.
For more information and to explore the project, see https://www.citiesandmemory.com/migration
686 episodes
MP3•Episode home
Manage episode 428628721 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"I was inspired by the scale of the call to prayer playing out in Bosnia. Using the notes I added some improvised piano to the supplied field recording getting further and further away from the maqam. The impression of war was added as heavily manipulated layered field recordings which included slowed down cobbles and use of the GRM Evol plug in on nature sounds.
"A plaintive alto sax (me) and guitar (Richard Mulhearn) improvisation aimed to suggest a journey and a splitting of the destination of the migrants. The final part is an out of sync layered recapitulation of the initial theme alluding to many final landing places."
Velika Kladusa recording reimagined by Alison Beattie.
Part of the Migration Sounds project, the world’s first collection of the sounds of human migration.
For more information and to explore the project, see https://www.citiesandmemory.com/migration
"A plaintive alto sax (me) and guitar (Richard Mulhearn) improvisation aimed to suggest a journey and a splitting of the destination of the migrants. The final part is an out of sync layered recapitulation of the initial theme alluding to many final landing places."
Velika Kladusa recording reimagined by Alison Beattie.
Part of the Migration Sounds project, the world’s first collection of the sounds of human migration.
For more information and to explore the project, see https://www.citiesandmemory.com/migration
686 episodes
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