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CLOT Magazine presents KMRU - Encouraged Rain

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Manage episode 314060051 series 1335262
Content provided by CLOT Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by CLOT Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Electronic musician and sound artist Josep Kamaru, aka KMRU, takes us on our first December sonic journey. Born in Nairobi and currently based in Berlin, KMRU is a sound artist and producer whose methods include field recording, improvisation, noise, machine learning, radio art and drones. With a paramount sound and visual sensibility, his work is reminiscent of ambient masters such as Lawrence English. KMRU’s sound though is uniquely positioned between the rarely-married cultures of ambient and African music, entwining his compositions with field recordings from his native Kenya and the surrounding countries of East Africa. Self-releasing his productions, these have been received very enthusiastically by both critics and the audience. In 2020, he released three albums that showed the depth and range of his sound: Peel, an LP of hypnotic drones on the avant-garde institution Editions Mego; Opaquer, a collection of vivid and dreamlike sound sculptures; and Jar, a dreamlike cassette of found sounds and analogue ambience. KMRU hasn’t stopped in 2021 with a few more releases including Logue, an album Formed of tracks written from 2017 to 2019, which represents an artist not only in command of his form but also willing to develop and evolve, ready to deconstruct and radically refocus his music to explore new contours of experimental and ambient sound design. This mix he shares is a liminal narrative of falling asleep, each track feels like an episode of a hypnagogic state. I’ve been thinking deeply about dreams and nostalgia this past week and these tracks evoke this feeling. Tracklist: Patricia Wolf - Morning Light KMRU & Nyokabi Kariuki – unreleased Fields We Found – Drops Alexandra Spence - Suddenly Silent Perila & Ulla - every something is an echo of nothing Kevin Richard Martin - In Slow Motion Klara Lewis & Peder Mannerfelt - Styrofoam Tone Pita - Two Top Five Tim Hecker and Daniel Lopatin - Uptown Psychedelia Aho Ssan - Outro (KMRU Remix) Tashi Wada - March 2007 MIGUEL ANGEL TOLOSA - salon 09-02 loscil – Vespera The Transcendence Orchestra - Weather Series John Hassel -Hex Sarah Davachi - Border of Mind
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87 episodes

Artwork
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Manage episode 314060051 series 1335262
Content provided by CLOT Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by CLOT Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Electronic musician and sound artist Josep Kamaru, aka KMRU, takes us on our first December sonic journey. Born in Nairobi and currently based in Berlin, KMRU is a sound artist and producer whose methods include field recording, improvisation, noise, machine learning, radio art and drones. With a paramount sound and visual sensibility, his work is reminiscent of ambient masters such as Lawrence English. KMRU’s sound though is uniquely positioned between the rarely-married cultures of ambient and African music, entwining his compositions with field recordings from his native Kenya and the surrounding countries of East Africa. Self-releasing his productions, these have been received very enthusiastically by both critics and the audience. In 2020, he released three albums that showed the depth and range of his sound: Peel, an LP of hypnotic drones on the avant-garde institution Editions Mego; Opaquer, a collection of vivid and dreamlike sound sculptures; and Jar, a dreamlike cassette of found sounds and analogue ambience. KMRU hasn’t stopped in 2021 with a few more releases including Logue, an album Formed of tracks written from 2017 to 2019, which represents an artist not only in command of his form but also willing to develop and evolve, ready to deconstruct and radically refocus his music to explore new contours of experimental and ambient sound design. This mix he shares is a liminal narrative of falling asleep, each track feels like an episode of a hypnagogic state. I’ve been thinking deeply about dreams and nostalgia this past week and these tracks evoke this feeling. Tracklist: Patricia Wolf - Morning Light KMRU & Nyokabi Kariuki – unreleased Fields We Found – Drops Alexandra Spence - Suddenly Silent Perila & Ulla - every something is an echo of nothing Kevin Richard Martin - In Slow Motion Klara Lewis & Peder Mannerfelt - Styrofoam Tone Pita - Two Top Five Tim Hecker and Daniel Lopatin - Uptown Psychedelia Aho Ssan - Outro (KMRU Remix) Tashi Wada - March 2007 MIGUEL ANGEL TOLOSA - salon 09-02 loscil – Vespera The Transcendence Orchestra - Weather Series John Hassel -Hex Sarah Davachi - Border of Mind
  continue reading

87 episodes

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