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podcast 38-Ashley Fure

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Manage episode 195964551 series 1942586
Content provided by Daniel Vezza. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Daniel Vezza or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Ashley is an American composer of acoustic, electroacoustic, and installation works that have been performed throughout Europe and North America. She holds degrees in composition from Oberlin Conservatory, IRCAM, and Harvard University. She has recieved a 2012 Darmstadt Stipendienpreis , a 2012 Staubach Honorarium, a 2011 Jezek Prize, an Adalbert W. Sprague Prize, and two ISCM World Music Days nominations. You can listen to more of her to music at www.ashleyfure.net.

In our conversation we talk about composing in comfort, intentionality vs. perception, and how she uses physically awkward movements to create tension in her music. The piece played in this interview is titled Soma.

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67 episodes

Artwork
iconShare
 
Manage episode 195964551 series 1942586
Content provided by Daniel Vezza. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Daniel Vezza or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Ashley is an American composer of acoustic, electroacoustic, and installation works that have been performed throughout Europe and North America. She holds degrees in composition from Oberlin Conservatory, IRCAM, and Harvard University. She has recieved a 2012 Darmstadt Stipendienpreis , a 2012 Staubach Honorarium, a 2011 Jezek Prize, an Adalbert W. Sprague Prize, and two ISCM World Music Days nominations. You can listen to more of her to music at www.ashleyfure.net.

In our conversation we talk about composing in comfort, intentionality vs. perception, and how she uses physically awkward movements to create tension in her music. The piece played in this interview is titled Soma.

  continue reading

67 episodes

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