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David Ward-Steinman's 'Cinnabar'

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Manage episode 295020434 series 1318946
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Synopsis


“Listening to inner voices” is a phrase that can mean a lot of things.


For violists, providing those inner voices, musically speaking, is their daily bread and butter. In the modern orchestra, the viola provides the alto voice in the string choir, filling in harmonies and musical lines between the violins on top and the cellos and double basses on the bottom.


But (unfortunately) occasionally violists like to step forward, front and center, as soloists. And some composers have shown a special fondness for the viola’s distinctive dusky color.


According to American composer David Ward-Steinman, that color might well be likened to cinnabar, the ore of mercury, a crystallized reddish-brown mineral with flashes of quicksilver. Asked to write a solo for the 19th Annual Viola Congress held at Ithaca, New York, Ward-Steinman’s Cinnabar for solo viola and piano premiered on today’s date in 1991.


David Ward-Steinman served as Composer-in-Residence at San Diego State University for many years. His own teachers included Wallingford Riegger, Darius Milhaud, Milton Babbitt, and Nadia Boulanger. Ward-Steinman’s catalog of original works ranges from solo pieces and chamber works like Cinnabar, to large-scale theatrical scores and ballets.


Music Played in Today's Program


David Ward-Steinman (1936-2015): Cinnabar; Karen Elaine, viola; David Ward-Steinman, piano; Fleur de Son 57935

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2655 episodes

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David Ward-Steinman's 'Cinnabar'

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Manage episode 295020434 series 1318946
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Synopsis


“Listening to inner voices” is a phrase that can mean a lot of things.


For violists, providing those inner voices, musically speaking, is their daily bread and butter. In the modern orchestra, the viola provides the alto voice in the string choir, filling in harmonies and musical lines between the violins on top and the cellos and double basses on the bottom.


But (unfortunately) occasionally violists like to step forward, front and center, as soloists. And some composers have shown a special fondness for the viola’s distinctive dusky color.


According to American composer David Ward-Steinman, that color might well be likened to cinnabar, the ore of mercury, a crystallized reddish-brown mineral with flashes of quicksilver. Asked to write a solo for the 19th Annual Viola Congress held at Ithaca, New York, Ward-Steinman’s Cinnabar for solo viola and piano premiered on today’s date in 1991.


David Ward-Steinman served as Composer-in-Residence at San Diego State University for many years. His own teachers included Wallingford Riegger, Darius Milhaud, Milton Babbitt, and Nadia Boulanger. Ward-Steinman’s catalog of original works ranges from solo pieces and chamber works like Cinnabar, to large-scale theatrical scores and ballets.


Music Played in Today's Program


David Ward-Steinman (1936-2015): Cinnabar; Karen Elaine, viola; David Ward-Steinman, piano; Fleur de Son 57935

  continue reading

2655 episodes

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