Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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The Magnificent Ambersons
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Manage episode 430317805 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Synopsis
On today’s date in 1942, the RKO studio released the film The Magnificent Ambersons, based on Booth Tarkington’s Pulitzer Prize-winning novel chronicling the declining fortunes of a wealthy Midwestern family and the massive social changes in American life caused by the arrival of the automobile.
The film was written, produced, directed and narrated by Orson Welles, who hired the great film composer Bernard Herrmann to provide the film’s score.
The film was nominated for four Academy Awards, including Best Picture. You would think Welles and Hermann would be pleased — but quite the opposite was the case. As conceived by Welles, the film ran 131 minutes, but after unfavorable reactions by a preview audience, RKO took control of the film, cut 50 minutes and rewrote and reshot a more upbeat ending. Half of Herrmann’s score was also cut, and another composer brought in for the new scenes. In disgust, Hermann asked that his name be removed from the film’s credits.
Despite RKO’s alteration of its creators’ vision, many still regard The Magnificent Ambersons, as one of the greatest films ever made, thanks to what remained of the original conception by Orson Welles and Bernard Herrmann.
Music Played in Today's Program
Bernard Hermann (1911-1975): Pleasure Trip and End Title, from The Magnificent Ambersons original film score; Australian Philharmonic; Tony Bremer, conductor; Preamble CD 1783
94 episodes
MP3•Episode home
Manage episode 430317805 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Synopsis
On today’s date in 1942, the RKO studio released the film The Magnificent Ambersons, based on Booth Tarkington’s Pulitzer Prize-winning novel chronicling the declining fortunes of a wealthy Midwestern family and the massive social changes in American life caused by the arrival of the automobile.
The film was written, produced, directed and narrated by Orson Welles, who hired the great film composer Bernard Herrmann to provide the film’s score.
The film was nominated for four Academy Awards, including Best Picture. You would think Welles and Hermann would be pleased — but quite the opposite was the case. As conceived by Welles, the film ran 131 minutes, but after unfavorable reactions by a preview audience, RKO took control of the film, cut 50 minutes and rewrote and reshot a more upbeat ending. Half of Herrmann’s score was also cut, and another composer brought in for the new scenes. In disgust, Hermann asked that his name be removed from the film’s credits.
Despite RKO’s alteration of its creators’ vision, many still regard The Magnificent Ambersons, as one of the greatest films ever made, thanks to what remained of the original conception by Orson Welles and Bernard Herrmann.
Music Played in Today's Program
Bernard Hermann (1911-1975): Pleasure Trip and End Title, from The Magnificent Ambersons original film score; Australian Philharmonic; Tony Bremer, conductor; Preamble CD 1783
94 episodes
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