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Episode 23 - Tony Parkes

2:30:56
 
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Manage episode 313972685 series 3289736
Content provided by Contra Pulse and Julie Vallimont. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Contra Pulse and Julie Vallimont or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The intro and interstitial tracks from today's episode are New Brunswick Hornpipe/Rainy Reel and Debbie's Jig/Cadeau's Jig from the Gerry Robichaud album Maritime Dance Party, Angus Campbell/Top o’ the Hill and Colored Aristocracy/Ragtime from Kitchen Junket and La Bastringue-Saut de Lapin-Beaulieu-Pointe au Pic from Heatin’ Up the Hall , both by Yankee Ingenuity.

See the Contra Pulse website for transcripts and more.

And the Country Dance and Song Society for information about Contra and English country dance across the continent.

See and hear Tony Parkes in action:

  • Calling Lazy H, a square, at the Scout House in 1992
  • Calling his favorite square (Do-si-do and Face the Sides) to his favorite tune (Ragtime Annie) in Brasstown, NC
  • Tony sent two resources for us to include in these notes:
    • A partial list of Yankee Ingenuity sit-in musicians
    • A list of tunes Tony describes as follows: “I just sent an eclectic list of tunes I recall from my early days playing and calling. Many of them go back to my summers at Farm & Wilderness; others date from my first couple of years playing in the NEFFA Festival Orchestra. (That reminds me of something I didn’t get around to mentioning in the interview: I called a dance at my first festival in 1969 because one of the programmed callers didn’t show up. The callers submitted their dance titles in advance; somewhere I have the program sheets from 1969. There would be a set of three squares, with different callers, danced with the same partner and set, followed by a contra.) Note that not all of these tunes are of the kind I talked about: easy to play on any melody instrument. That list will take a bit more work to compile.”

Some people mentioned in this interview:

Some odds and ends mentioned in this interview:

  continue reading

45 episodes

Artwork
iconShare
 
Manage episode 313972685 series 3289736
Content provided by Contra Pulse and Julie Vallimont. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Contra Pulse and Julie Vallimont or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The intro and interstitial tracks from today's episode are New Brunswick Hornpipe/Rainy Reel and Debbie's Jig/Cadeau's Jig from the Gerry Robichaud album Maritime Dance Party, Angus Campbell/Top o’ the Hill and Colored Aristocracy/Ragtime from Kitchen Junket and La Bastringue-Saut de Lapin-Beaulieu-Pointe au Pic from Heatin’ Up the Hall , both by Yankee Ingenuity.

See the Contra Pulse website for transcripts and more.

And the Country Dance and Song Society for information about Contra and English country dance across the continent.

See and hear Tony Parkes in action:

  • Calling Lazy H, a square, at the Scout House in 1992
  • Calling his favorite square (Do-si-do and Face the Sides) to his favorite tune (Ragtime Annie) in Brasstown, NC
  • Tony sent two resources for us to include in these notes:
    • A partial list of Yankee Ingenuity sit-in musicians
    • A list of tunes Tony describes as follows: “I just sent an eclectic list of tunes I recall from my early days playing and calling. Many of them go back to my summers at Farm & Wilderness; others date from my first couple of years playing in the NEFFA Festival Orchestra. (That reminds me of something I didn’t get around to mentioning in the interview: I called a dance at my first festival in 1969 because one of the programmed callers didn’t show up. The callers submitted their dance titles in advance; somewhere I have the program sheets from 1969. There would be a set of three squares, with different callers, danced with the same partner and set, followed by a contra.) Note that not all of these tunes are of the kind I talked about: easy to play on any melody instrument. That list will take a bit more work to compile.”

Some people mentioned in this interview:

Some odds and ends mentioned in this interview:

  continue reading

45 episodes

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