Artwork

Content provided by France Médias Monde and RFI English. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by France Médias Monde and RFI English or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

Films ‘Shock Corridor’ and ‘Day of the Outlaw’ adapted on stage

10:00
 
Share
 

Manage episode 229657012 series 1073643
Content provided by France Médias Monde and RFI English. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by France Médias Monde and RFI English or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

At the National Drama Centre in Montreuil, a suburb east of Paris, director Mathieu Bauer's double-bill Nuit Américaine adapts two US movies for the stage. Bauer says it's like "diving into the history of cinema and of the US" at the same time.

Click on the arrow in the top right-hand of the photo to listen to the RFI English Culture in France broadcast on 17 October 2018, and hear actors Clément Barthelet and Rémi Fortin talk about their experiences in the plays.

Plays and literature are more often adapted to the screen rather than vice versa. French director Mathieu Bauer thinks differently. He draws all the elements of stage, not least of all illusion, to pull off an entertaining and thought-provoking double-bill.

He began with Samuel Fuller's 1963 Shock Corridor, set in a mental hospital, as a project for the students of the National Theatre School in Strasbourg (TNS) and which has matured naturally over the past three years.

The same crew work with Bauer, and his accomplices/musicians Sylvain Cartigny and Joseph Dahan, on the second show, Western. It’s an almost word-for-word adaptation of the 1959 script for The Day of the Outlaw set in the 19th century. The music score changes somewhat.

Together, the André de Toth-inspired work and Shock Corridor span almost a century of American history. Bauer chose these films for their focus on certain American social and political issues which were red hot at the time, or are still burning and simmering today. The young French actors embrace aspects of the American “un-dream” with energy and imagination, and carry spectators away with them and their youthful enthusiasm.

La Nuit Américaine, Bauer's double-bill, is going on tour in France after their last night in Montreuil on 26 October 2018. At the time of writing neither play has subtitles.

Here are the dates so far:

9 November 2018 Scène nationale de Sète et du bassin de Thau

19 January 2019 Théâtre du Gymnase, Marseille

24 - 26 January 2019 Théâtre de La Croix-Rousse, Lyon

1 February 2019 Le Granit, Scène nationale, Belfort

12 & 13 March 2019 La Comédie de Clermont-Ferrand

  continue reading

38 episodes

Artwork
iconShare
 
Manage episode 229657012 series 1073643
Content provided by France Médias Monde and RFI English. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by France Médias Monde and RFI English or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

At the National Drama Centre in Montreuil, a suburb east of Paris, director Mathieu Bauer's double-bill Nuit Américaine adapts two US movies for the stage. Bauer says it's like "diving into the history of cinema and of the US" at the same time.

Click on the arrow in the top right-hand of the photo to listen to the RFI English Culture in France broadcast on 17 October 2018, and hear actors Clément Barthelet and Rémi Fortin talk about their experiences in the plays.

Plays and literature are more often adapted to the screen rather than vice versa. French director Mathieu Bauer thinks differently. He draws all the elements of stage, not least of all illusion, to pull off an entertaining and thought-provoking double-bill.

He began with Samuel Fuller's 1963 Shock Corridor, set in a mental hospital, as a project for the students of the National Theatre School in Strasbourg (TNS) and which has matured naturally over the past three years.

The same crew work with Bauer, and his accomplices/musicians Sylvain Cartigny and Joseph Dahan, on the second show, Western. It’s an almost word-for-word adaptation of the 1959 script for The Day of the Outlaw set in the 19th century. The music score changes somewhat.

Together, the André de Toth-inspired work and Shock Corridor span almost a century of American history. Bauer chose these films for their focus on certain American social and political issues which were red hot at the time, or are still burning and simmering today. The young French actors embrace aspects of the American “un-dream” with energy and imagination, and carry spectators away with them and their youthful enthusiasm.

La Nuit Américaine, Bauer's double-bill, is going on tour in France after their last night in Montreuil on 26 October 2018. At the time of writing neither play has subtitles.

Here are the dates so far:

9 November 2018 Scène nationale de Sète et du bassin de Thau

19 January 2019 Théâtre du Gymnase, Marseille

24 - 26 January 2019 Théâtre de La Croix-Rousse, Lyon

1 February 2019 Le Granit, Scène nationale, Belfort

12 & 13 March 2019 La Comédie de Clermont-Ferrand

  continue reading

38 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide