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Cut & Paste: Set designer weaves remants of culture, nomadic childhood into dystopian Christmas

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Archived series ("Inactive feed" status)

When? This feed was archived on February 27, 2024 02:35 (7M ago). Last successful fetch was on August 02, 2022 01:17 (2y ago)

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Manage episode 196021806 series 1945020
Content provided by St. Louis Public Radio. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by St. Louis Public Radio or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
You can often find St. Louis artist and set designer Kristin Cassidy on the banks of the Mississippi River, picking up stones, metal and even animal bones. Cassidy has long used such items to create installation art. Now, as a set designer, she’s created a fantastical, 71-by-37-foot world, punctuated by colored lights. It’s the backdrop for Mustard Seed Theatre’s revival of its very first play, “Remnant” about a handful of survivors marking Christmas in a dystopian world. In our latest Cut & Paste podcast, we talk with Cassidy about designing the backdrop for the chaotic holiday and how being a child of divorce forged her fascination with objects. Look for new Cut & Paste (#cutpastestl) podcasts every few weeks on our website. You can also find all previous podcasts focusing on a diverse collection of visual and performing artists, and subscribe to Cut & Paste through this link. The podcast is sponsored by SPACE Architecture + Design. Follow Willis and Nancy on Twitter:
  continue reading

63 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on February 27, 2024 02:35 (7M ago). Last successful fetch was on August 02, 2022 01:17 (2y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 196021806 series 1945020
Content provided by St. Louis Public Radio. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by St. Louis Public Radio or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
You can often find St. Louis artist and set designer Kristin Cassidy on the banks of the Mississippi River, picking up stones, metal and even animal bones. Cassidy has long used such items to create installation art. Now, as a set designer, she’s created a fantastical, 71-by-37-foot world, punctuated by colored lights. It’s the backdrop for Mustard Seed Theatre’s revival of its very first play, “Remnant” about a handful of survivors marking Christmas in a dystopian world. In our latest Cut & Paste podcast, we talk with Cassidy about designing the backdrop for the chaotic holiday and how being a child of divorce forged her fascination with objects. Look for new Cut & Paste (#cutpastestl) podcasts every few weeks on our website. You can also find all previous podcasts focusing on a diverse collection of visual and performing artists, and subscribe to Cut & Paste through this link. The podcast is sponsored by SPACE Architecture + Design. Follow Willis and Nancy on Twitter:
  continue reading

63 episodes

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