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Wave Debris

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Manage episode 275568783 series 1450577
Content provided by ffiles radio and Ffiles radio. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by ffiles radio and Ffiles radio or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Wave Debris by Diana Duta & Julia E. Dyck https://crashsymbols.bandcamp.com/album/wave-debris Diana Duta and Julia E. Dyck's Wave Debris takes the work of scientist Elizabeth Alexander as its starting point, in particular her research into the radio frequencies emitted during sunset. Working mostly with modulated versions of those frequencies, they worked in their own field recordings, feedback, and readings from Ron Silliman’s Sunset Debris. The result feels especially cryptic and otherworldly, full of smoke and dissolving images. The live version was performed at sunset during Rocks Radio Radar Long Wave Radiation, organized by Cristina Ramos as part of her residency at The Watch Berlin. Housed in a former GDR watchtower, half the transmission was streamed from Brussels while the other was performed on location one floor below the audience. The performance attempts to illuminate phenomena that are present but not perceived, that mediate, dissolve, or disclose.
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138 episodes

Artwork

Wave Debris

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Manage episode 275568783 series 1450577
Content provided by ffiles radio and Ffiles radio. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by ffiles radio and Ffiles radio or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Wave Debris by Diana Duta & Julia E. Dyck https://crashsymbols.bandcamp.com/album/wave-debris Diana Duta and Julia E. Dyck's Wave Debris takes the work of scientist Elizabeth Alexander as its starting point, in particular her research into the radio frequencies emitted during sunset. Working mostly with modulated versions of those frequencies, they worked in their own field recordings, feedback, and readings from Ron Silliman’s Sunset Debris. The result feels especially cryptic and otherworldly, full of smoke and dissolving images. The live version was performed at sunset during Rocks Radio Radar Long Wave Radiation, organized by Cristina Ramos as part of her residency at The Watch Berlin. Housed in a former GDR watchtower, half the transmission was streamed from Brussels while the other was performed on location one floor below the audience. The performance attempts to illuminate phenomena that are present but not perceived, that mediate, dissolve, or disclose.
  continue reading

138 episodes

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