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Episode 28: Jacques Attali's "Noise" Part 2 - "Sacrificing" (Study Group) [PATREON PREVIEW]

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Content provided by Nick Scavo & Alec Sturgis, Nick Scavo, and Alec Sturgis. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nick Scavo & Alec Sturgis, Nick Scavo, and Alec Sturgis or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The Flavortone Study Group sub-series continues with Alec & Nick progressing in their reading of Jacques Attali's "Noise: The Political Economy of Music." Discussing the book's second chapter, “Sacrificing,” this episode gives a deep reading and commentary on Attali's position that the earliest essential social role of music was to serve as a substitute or simulacrum of sacrifice—and was a way of controlling and vanquishing noise by creating a harmonious order that legitimizes a social order.

  continue reading

58 episodes

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Manage episode 322577891 series 2877326
Content provided by Nick Scavo & Alec Sturgis, Nick Scavo, and Alec Sturgis. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nick Scavo & Alec Sturgis, Nick Scavo, and Alec Sturgis or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The Flavortone Study Group sub-series continues with Alec & Nick progressing in their reading of Jacques Attali's "Noise: The Political Economy of Music." Discussing the book's second chapter, “Sacrificing,” this episode gives a deep reading and commentary on Attali's position that the earliest essential social role of music was to serve as a substitute or simulacrum of sacrifice—and was a way of controlling and vanquishing noise by creating a harmonious order that legitimizes a social order.

  continue reading

58 episodes

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