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Musical Manifesto vs. Contested Monument
Manage episode 283729931 series 2867253
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Today, we’re talking about symbolic statues and monuments. In this moment, many are demanding the removal of memorials believed to perpetuate a legacy of systemic racial and ethnic injustice. Recent acts of violence against Blacks in the United States have brought these memorials to the center of a nationwide debate.
On Memorial Day, in the year 2020, Minneapolis police killed a Black man named George Floyd. The public incident ignited the resurgence of a 21st century civil rights movement known as Black Lives Matter. In 2013, with use of the hashtag BlackLivesMatter, thousands responded on social media to the acquittal of a white man, George Zimmerman. He had been charged with the shooting death of Black teen Trayvon Martin.
Black Lives Matter is now the leading force behind massive protests across the U.S. and abroad. Crowds are toppling statues honoring colonizers, slaveholders, and Confederate heroes. The controversial figures have become a cultural flashpoint.
Social justice advocates have contested these iconic sculptures for decades. Let’s look back to 2014, for one example, when artist william cordova and his collaborators staged an unannounced public declaration of liberty and justice. They chose to make their statement at the site of a towering statue of confederate leader Robert E. Lee in New Orleans.
Born in Lima, Peru, and based in Miami, New York and Lima, cordova is known as a cultural practitioner. We call him to hear the story behind this prescient intervention.
Sound Editor: Anamnesis Audio | Special Audio: silent parade, 2014
Related episodes: Black in America, Modern Black Portrait of Florida, Amy Sherald on New Racial Narratives, Amy Sherald on New Racial Narratives, Sanford Biggers on Time and the Human Condition, Fahamu Pecou on Art x Hip-Hop, Theaster Gates on Meaning, Making and Reconciliation, Jefferson Pinder on Symbols of Power and Struggle
Related links: silent parade, The Soul Rebels, william cordova, now's the time:narratives of southern alchemy, Perez Art Museum, Miami, 2018, Prospect New Orleans, Headlands Center for the Arts, Black Lives Matter
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