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Swallow Hill Music Podcast - Harry Tuft

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Manage episode 199446684 series 2094426
Content provided by Barry Osborne. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Barry Osborne or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Harry grew up singing and playing a series of instruments – from the piano to the clarinet, ukulele, baritone uke, and, in college, a six-string guitar. Philadelphia's lively folk scene provided the setting for Harry's first ventures into public singing. From there, friendships with Dick Weissman and Roger Abrahams fostered a growing interest in Anglo-American folk music.

In 1960, needing a break from his studies (preparing for an architectural career), Harry traveled out to the Rocky Mountains for some skiing. He found a job at "The Holy Cat" in Georgetown, as a dishwasher, busboy, waiter, bartender, janitor, and – if there was a lull in the work at night – he could sing in the bar. There he met Hal Neustaedter – owner of "The Exodus," a folk club in Denver – who suggested that he look into starting a folklore center in Denver. With further encouragement from Izzy Young, owner of the first and (then) only Folklore Center, in New York's Greenwich Village, Harry opened the Denver Folklore Center in March 1962.

Harry founded Swallow Hill Music in 1979. He was inducted into the Colorado Music Hall of Fame in 2012.

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43 episodes

Artwork
iconShare
 
Manage episode 199446684 series 2094426
Content provided by Barry Osborne. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Barry Osborne or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Harry grew up singing and playing a series of instruments – from the piano to the clarinet, ukulele, baritone uke, and, in college, a six-string guitar. Philadelphia's lively folk scene provided the setting for Harry's first ventures into public singing. From there, friendships with Dick Weissman and Roger Abrahams fostered a growing interest in Anglo-American folk music.

In 1960, needing a break from his studies (preparing for an architectural career), Harry traveled out to the Rocky Mountains for some skiing. He found a job at "The Holy Cat" in Georgetown, as a dishwasher, busboy, waiter, bartender, janitor, and – if there was a lull in the work at night – he could sing in the bar. There he met Hal Neustaedter – owner of "The Exodus," a folk club in Denver – who suggested that he look into starting a folklore center in Denver. With further encouragement from Izzy Young, owner of the first and (then) only Folklore Center, in New York's Greenwich Village, Harry opened the Denver Folklore Center in March 1962.

Harry founded Swallow Hill Music in 1979. He was inducted into the Colorado Music Hall of Fame in 2012.

  continue reading

43 episodes

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